09/03/2026
is at and reviews: ’s
directed by
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Shaw Festival
“Amadeus” Has the Music, but Salieri Never Quite Finds the Fire
https://frontmezzjunkies.com/2026/09/03/amadeus-has-the-music-but-salieri-never-quite-finds-the-fire/
The Shaw Festival Review: Tim Carroll’s “Amadeus” lets Mozart’s music soar while Salieri’s great confession struggles to ignite
“Pardon your assassin,” the aging Salieri cries, pleading with a God he believes has betrayed him as whispers of scandal fill the air around us. The two Venticelli, Julia Course and Sochi Fried, pose deliciously on the edges of the Shaw Festival’s Amadeus, gathering and delivering gossip with sharp, stylized precision, their tight Whispering choreography giving the opening an almost conspiratorial energy. What exactly is Salieri confessing to? What terrible thing has this old man carried with him all these years? “Did he do it after all?” becomes the question infiltrating the air in the room as Salieri, old and reclined in his armchair, releases his servants into the night and begs for the ghosts of the past to become visible. Peter Shaffer (Equus) expertly gives us a confession built around envy, faith, genius, and revenge from the first note, and director Tim Carroll’s production begins by promising that we are about to enter the darkest corners of a man's guilt, shame, and anger, believing he has waged a war against God himself…
Michael Therriault in Amadeus at the Shaw Festival. Photo by David Cooper. The Shaw Festival Review: Tim Carroll’s “Amadeus” lets Mozart’s music soar while Salieri’s great confession struggles to i…