Phys Fest NYC

Phys Fest NYC PhysFestNYC is a 10-day physical theater festival which premiered in January 2024 at Stella Adler Center for the Arts.

Join the PhysFestNYC community for a virtual town hall including our 2026 Festival Report (numbers, budget, and audience...
02/27/2026

Join the PhysFestNYC community for a virtual town hall including our 2026 Festival Report (numbers, budget, and audience/participant feedback) followed by a guided post-festival discussion! Email for the zoom link and we’ll see you Sunday!

PhysFestNYC Year 3: ✅ thank you to every artist, volunteer, participant, and audience member who made this year’s festiv...
02/12/2026

PhysFestNYC Year 3: ✅ thank you to every artist, volunteer, participant, and audience member who made this year’s festival a smashing success, and of course to our hosts 🎉

Photos by &

“To our 2026 artists, audiences, donors, technicians, applicants, volunteers, collaborators, producers, designers, educa...
01/20/2026

“To our 2026 artists, audiences, donors, technicians, applicants, volunteers, collaborators, producers, designers, educators, hosts, panelists, and partiers: THANK YOU. PhysFestNYC is proof that big visions are possible when a community says this is important, and it will bring us joy. Here’s to the second year of PhysFestNYC, and all that in has inspired!”

-Becky Baumwoll, Co-Executive Producer

And of course thank you to for making our dreams come true, a second year in a row ❤️

The PhysFestNYC Hoodie. Rep the festival. Support the team. Let’s get physical. ❤️📸:
01/18/2026

The PhysFestNYC Hoodie. Rep the festival. Support the team. Let’s get physical. ❤️

📸:

On our day of rest, PhysFestNYC & Broken Box Mime Theater would like to honor the legacy of Nancy Lyon“In this year’s lo...
01/14/2026

On our day of rest, PhysFestNYC & Broken Box Mime Theater would like to honor the legacy of Nancy Lyon

“In this year’s lobby you’ll see a few photos of Nancy Lyon, a 5 foot tall giant in the world of mime. Her belief in what we were building at the festival continues to resonate in all that we do. A heartfelt and teary thank you to Nancy for her friendship, her collaboration, and her art. How you are missed! May Nancy’s memory be a blessing, one that keeps us all inspired by her example: a lifelong learner with a heart FILLED to the brim with a love for art, for possibility, and for the power of performance. We love you, Nancy!”
-Becky Baumwoll

curator team photodump: The Artistic Leadership Circle or ALC (the team responsible for reading each festival applicatio...
01/13/2026

curator team photodump:

The Artistic Leadership Circle or ALC (the team responsible for reading each festival application, for high-level artistic design, for crafting curation criteria, for festival schedules, and more) taking the stage for If Crossroads ✨ thank you to these magic makers for this thoughtfully cultivated 10 days of programming

Star Mitchell, Daniel Irizarry, Lou Sydel, Margarita Blush, and Selma Trevino

📸: JimRMoore/Vaudevisuals

NEW YORK CITY’s festival for Physical Theater   is OPEN✨ You have 7 days to catch this wonderful festival, the cumulativ...
01/12/2026

NEW YORK CITY’s festival for Physical Theater is OPEN✨ You have 7 days to catch this wonderful festival, the cumulative work of over 200 artists from NYC’s Physical Theater community.
🎉PARTIES
🧠PANELS
🤑$30 WORKSHOPS
🎤OPEN MICS
🎭SHOWS

Opening Party Photos by

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of The Art of Conversation in Mime led by Marissa Molnar we’ve add...
01/07/2026

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of The Art of Conversation in Mime led by Marissa Molnar we’ve added an additional workshop! ✨ Jan 17 @ 3:00 PM

The Art of Conversation in Mime led by Marissa Molnar

One of the greatest superpowers of mime is the ability to communicate specific and sometimes complicated dialogue without using words. By using body language and gesture intentionally and minimalistically, a performer can express precise meaning without resorting to charades or indicating. In this workshop, we will play games to identify the ingredients of nonverbal communication in storytelling, culminating in building simple, silent conversations in pairs. We will begin by covering some movement basics, but we will move quickly into creating scenes on our feet. Intended for theater practitioners and anyone mime-curious! All levels welcome!

MARISSA MOLNAR makes collaborative physical and multidisciplinary theater and film. She has been a company member since 2013 with Broken Box Mime Theater, with whom she has created nine original shows, a short film, and a short documentary. She has also worked since 2006 with Synetic Theater in Washington DC, receiving two Helen Hayes Awards for Outstanding Ensemble and creating two short solo films. Marissa has performed regionally and Off-Broadway, and toured nationally. Teaching highlights include leading a month-long mime bootcamp in Peru and co-leading a mime/devising lab with BKBX at Kennesaw State University in Atlanta. B.A. Music: American University; M.F.A. Performance and Interactive Media Arts (PIMA): Brooklyn College.

Photo by Bjorn Bolinder

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of Approaches to Physical Character led by Pig Iron’s Jacinta Yell...
01/07/2026

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of Approaches to Physical Character led by Pig Iron’s Jacinta Yelland we are adding an ADDITIONAL workshop Jan 15 @ 6:30 PM ✨Spots limited, get yours today!

This is an Encore Workshop! We are offering this second session after selling out the first. Encore Workshops must reach a minimum of 7-8 students. We will confirm that it will run via email by 24h prior to the workshop, latest.

Approaches to Physical Character, a Pig Iron workshop led by Jacinta Yelland. In this Lecoq-inspired workshop, participants will explore practical tools for building vivid, embodied characters. Through play, improvisation, and physical investigation, we’ll draw on animals, materials, and our surroundings as sources of inspiration to shape distinct physical vocabularies that bring characters to life onstage. Led by Pig Iron Theatre Company MFA alum Jacinta Yelland, this session offers a fun and exploratory approach to character creation for performers of all levels.

Jacinta Yelland is an Australian theatre creator and performer of Chinese and Torres Strait Islander descent, based in Philadelphia, USA. Jacinta has collaborated with Opera Philadelphia, David Gordon, Pig Iron Theatre Company, Philadelphia Asian Performing Artists, People’s Light, Quintessence Theatre Group, and The Berserker Residents. She holds an MFA in Devised Performance from University of the Arts/Pig Iron Theatre Company, completed the Zen Zen Zo Physical Theatre Company Internship, and was supported by Arts Queensland to study at École Philippe Gaulier, Paris. Jacinta’s solo show KOAL, co-created with Trey Lyford, is the recipient of the 2023 Philadelphia Fringe Festival 5 Star Award and has been presented at Ars Nova, Australian Theatre Festival NYC, PhysFestNYC, Celebration Barn, and Theatre Exile. KOAL will tour nationally across Australia in 2026. www.jacintayelland.com,

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of DECROUX & GROTOWSKI led by Selma Trevino we are adding an ADDIT...
01/07/2026

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of DECROUX & GROTOWSKI led by Selma Trevino we are adding an ADDITIONAL workshop Jan 11 @ 3:00 PM

This is an Encore Workshop! We are offering this second session after selling out the first. Encore Workshops must reach a minimum of 7-8 students. We will confirm that it will run via email by 24h prior to the workshop, latest.

This workshop begins with a warm welcome and a brief introduction to the legacies of Étienne Decroux and Jerzy Grotowski. We awaken the body through Decroux’s Figures of Style—the Eagle, Position 0–1, and the Eiffel Tower—followed by Grotowski’s Plastics, exploring fluid movement led by different body parts. We then dive into Decroux’s Scales, working precise articulations of the head, neck, chest, waist, pelvis, and ankles to counterbalance the freedom of Plastics. These principles merge in dynamic walking sequences across the space. The session culminates in solo or duo improvisations on the theme “to be,” ending with an open Q&A.

Selma Trevino is a New York–based performer, choreographer, educator, and Artistic Director of Corporeal Arts Incorporated. With over thirty years of experience, her work connects Étienne Decroux’s Corporeal Mime, physical theatre, contemporary movement, and intercultural performance practices. She holds an M.A. in Performance Studies from NYU and a B.A. in Theatre from UNICAMP in Brazil.

Trevino’s international career spans performance, research, and extensive training in Corporeal Mime, Grotowski-based practices, Afro-Brazilian dance, Pilates, and yoga. Her work has appeared at PhysFestNYC, Triskelion Arts, Green Space, Dixon Place, the Baryshnikov Arts Center, the Metropolitan Opera, and venues in Brazil. She teaches at Columbia University, curates for PhysFestNYC and Green Space’s D.I.G. Residency, and continues creating original work exploring embodiment, memory, and hybrid performance vocabularies.

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of Steel Chair to the Head: Lessons from Professional Wrestling on...
01/07/2026

🚨WORKSHOP SPOTS ADDED 🚨After a sold out first session of Steel Chair to the Head: Lessons from Professional Wrestling on Intelligible Conflict led by Omari Soulfinger, we’ve added an additional workshop! ✨ Jan 13 @ 8:30 PM

This is an Encore Workshop! We are offering this second session after selling out the first. Encore Workshops must reach a minimum of 7-8 students. We will confirm that it will run via email by 24h prior to the workshop, latest.

Steel Chair To The Head…explores what performers can learn from the bold theatricality of professional wrestling—without doing any wrestling at all. Using clown games, and, cooperative conflict choreography, participants will experiment with exaggerated characters and safe, “struggle” to understand how physical stories of conflict are built. We’ll look at how pro wrestlers craft clear, transgressive conflict narratives with the body and translate those storytelling tools into our own performance

Open to curious movers of all levels—whether you love wrestling or have never seen a match. Come ready to play, and joyfully struggle.”

Omari Soulfinger (he/they) is a fool and restorative justice practitioner, whose work centers embodied storytelling, conflict exploration, and communal imagination. Drawing from Theatre of the Oppressed, clowning traditions, social work, and over a decade of conflict facilitation, Omari creates performance environments where audiences and performers collectively investigate power, tension, and the possibilities of transformation.

Omari has facilitated restorative processes across New York City schools, community organizations, and cultural institutions, and brings the same commitment to safety, curiosity, and courageous experimentation into his applied theatre practice. He is especially drawn to the everyday performances of resistance, vulnerability, and identity, and uses theatrical play to help participants confront and reimagine “the cops in our heads.” His work invites people to move, risk, laugh, and rehearse new futures together.

Address

Stella Adler Center For The Arts
New York, NY
10006

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