08/17/2018
“Here Alexandra Bork was clearly a child (the text is based on words from a four-year-old), there was little sense of her being an adult woman...Alexandra Bork's was admirably close to a four-year-old's...the performances were all real tour de force. Both William Morgan and Alexandra Bork brilliantly encapsulated their childish characters, and sang challenging music in a brilliant manner. But it is percussionist Nathan Gregory who deserves the real crown, negotiating a pair of complex percussion setups, controlling and suggesting the direction of the music and interacting in a way which added a real character to the piece.”
Verbatim children - Metta Theatre in new opera by Oliver Brignall & Laura Bowler at Tête à Tête