Alex Bork - Soprano

Alex Bork - Soprano American operatic soprano based in NYC

photo: Andreas Griegerdesign: Christian Hey
09/10/2019

photo: Andreas Grieger
design: Christian Hey

Grimbeborn Opera Festival 2019

Ensemble OrQuesta
director: Marcio Da Silva
conductor: Kieran Staub
photo: Andreas Grieger
design: Christian Hey

08/06/2019
Proud to be one of the Encouragement Award recipients at the Metropolitan Opera National Council Auditions for the Kentu...
11/18/2018

Proud to be one of the Encouragement Award recipients at the Metropolitan Opera National Council Auditions for the Kentucky region! 🥰🥰🥰 Doing my hometown of Nicholasville proud so thanks everyone for helping me with my mindless rep questions; really paid off for a first time contestant! Congrats, everyone!!! 💙💜💙💜

University of Kentucky graduate student Taylor Comstock was the sole winner at Saturday’s Kentucky District round of the Metropolitan Opera National Council Auditions. Two other UK singers received encouragement awards.

I'M NOT A BIT LIKE A CLOWNComposer: Laura BowlerLibretto: The mysterious child related to no one everDirector: Poppy Bur...
08/21/2018

I'M NOT A BIT LIKE A CLOWN
Composer: Laura Bowler
Libretto: The mysterious child related to no one ever
Director: Poppy Burton-Morgan
The Child: Alex Bork
Percussion / DAD: Nathan Gregory
Photography: Claire Shovelton
Hungry Hungry Caterpillar: The object of my affection

“Here Alexandra Bork was clearly a child (the text is based on words from a four-year-old), there was little sense of he...
08/17/2018

“Here Alexandra Bork was clearly a child (the text is based on words from a four-year-old), there was little sense of her being an adult woman...Alexandra Bork's was admirably close to a four-year-old's...the performances were all real tour de force. Both William Morgan and Alexandra Bork brilliantly encapsulated their childish characters, and sang challenging music in a brilliant manner. But it is percussionist Nathan Gregory who deserves the real crown, negotiating a pair of complex percussion setups, controlling and suggesting the direction of the music and interacting in a way which added a real character to the piece.”

Verbatim children - Metta Theatre in new opera by Oliver Brignall & Laura Bowler at Tête à Tête

08/17/2018

Retweeted Philippa Boyle ():

HUGE congratulations to for a splendid double bill tonight by superbly sung by and I loved fantastic percussionist

08/16/2018

Retweeted Tête à Tête 🎭 ():

Just two hours until we open tonight - ft. with showing how kids explode gender norms. at /L

https://t.co/QjYEXvAxp1

08/07/2018

Retweeted Tête à Tête 🎭 ():

is really important to us as a Festival - this interview with gives an insight into , opera, and . /L

https://t.co/33nsOkdY5o

08/01/2018

Retweeted Ensemble OrQuesta ():

We are so excited to take our new edition & production of 's to the for . Join us for this unique revival of a forgotten masterpiece. 24 | 25 | 26 | August | 7:30pm. https://t.co/eKtZgTyGZl

Photography: Andreas Grieger
07/31/2018

Photography: Andreas Grieger

Director: Marcio da Silva
Music Director: Stephanie Gurga
Set Designer: Christian Hey
Assistant Stage Director: Ben Riedel
Photography: Andreas Grieger

Lute/Baroque Guitar: Cédric Meyer
Cello: Carina Drury
Violins: Rudolf Rudolf Balázs, Eleanor Harrison

Xerse: Biraj Barkakaty
Romilda: Alex Bork
Arsamene: Nathan Mercieca
Amastre: Laura Hockingng / Helen May
Adelanta: Ksenija Celner / Meneka Senn
Eumene: Anastasia Black
Elviro: Eric Schlossberg
Ariodate: Mikael Englund
Aristone: Marcio da Silva
C***o: Janet Forbess
Periarco: John Holland-Avery

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New York, NY

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