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Young mix-media artist Aika Akhmetova has graduated from Columbia University with a bachelor degree in Visual Arts and i...
09/13/2022

Young mix-media artist Aika Akhmetova has graduated from Columbia University with a bachelor degree in Visual Arts and is now based in New York.
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Akhmetova works with installation, video art, sculpture, and text-based art often exploring intimate corners of living through trauma, household, empirical experience and family. Coming from a rather complex cultural background Akhmetova has absorbed the fading heritage of the Post Soviet generation along with processes followed by the expansion of late capitalism, islam, as well as secular education. Such contradicting ideologies equip Akhmetova with a unique critical vision and ability to question the essence of political constructs though personal optics.
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Browse more artworks on qazart.com
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Аралас медиа суретшісі Айка Ахметова Колумбиалық визуалды өнер университетін бітіріп, қазір Нью-Йорк қаласында тұрады.
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Ахметова инсталляция, видео-арт, мүсін және үй тұрмысының қыр-сырларын, жеке және жанұя психологиялық зақымдарын зерттейтін мәтіндік жұмыс жасайды. Поскеңестік ұрпақ мұрасымен қатар соңғы капитализм, ислам діні мен кеңестік білім беру жүйесінің экспансиясы Ахметованы дара сын көзқарасқа бөледі, және де саяси құрылым мәніне жеке оптика арқылы күмән тағуға қабілетін жетілдірді.
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Көбірек шығармалары qazart.com парақшасында.
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on image
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1.
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‘My mirror’ Installation
Medicine mirror cabinet with silvering partially removed, traditional Kazakh souvenir horse whip, tiles, door lock, wooden shelf
59 х 102 х 41 cm
2019
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2-3.
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‘Wolves Don’t Cry’ Perfomance
Projection
Duration 6 min
2021
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We want to congratulate artist Saule Suleimenova on the inclusion of her triptych ‘Xinjiang Purge’ to a group exhibition...
09/10/2022

We want to congratulate artist Saule Suleimenova on the inclusion of her triptych ‘Xinjiang Purge’ to a group exhibition SupaStore organized by Sarah Staton in Venice. The exhibition explores complex relationships between consumerism, art, trade, and idealization of authenticity. The exhibition is on view until the 25th of September and you can find more information here
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Мы хотели бы поздравить художницу Сауле Сулейменову с включением ее триптиха ‘Синьцзянская Чистка’ в групповую выставку SupaStore, организованную Сарой Стейтон в Венеции. Выставка исследует сложную систему взаимосвязей между консьюмеризмом, искусством, трейдом и идеализацией подлинности. Выставка проходит до 25-го Сентября. Больше информации тут
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Біз Сәуле Сүлейменованы оның "Шыңжаңдық тазалау" триптихының Венециядағы Сара Стетон әзірлеген SupaStore атты топтық көрмесіне енуімен құттықтағымыз келеді.
Көрме консюмеризм, өнер, нарық пен түпнұсқа дәріптеушілігі арасындағы өзара қатынастарының күрделі жүйесін зерттейді. Көбірек ақпарат осы жерде
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On image details of:
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Saule Suleimenova
Xinjiang purge, 2021
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Plastic bags on recycled polyethylene
Each of the three parts
150 x 150 cm
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Courtesy of the artist, , Dom 36 and the Eurasian Cultural Alliance

After a long break having to do with a never-ending fun of Almaty summer we warmly welcome Aida Issakhankyzy to Qazart. ...
09/08/2022

After a long break having to do with a never-ending fun of Almaty summer we warmly welcome Aida Issakhankyzy to Qazart. Aida was born in Southern Kazakhstan and moved to Innsbruck, Austria, for architect degree.
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Her main work does not prevent her from engaging in artistic practices. She works in variety of techniques, including traditional hand-drawn graphics and paintings, digital media, software and tools, photography and scenography. Her artistic practices can be described as research-based art or art-based research. In her latest practice Aida researches the visual patterns and languages of Central Asian region, nomadic spaces and objects that were created to fill those spaces.
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Browse more artworks on qazart.com
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После затяжной паузы связанной с веселым Алматинским летом мы с теплотой приветствуем Аиду Иссаханкызы на платформе Qazart.
Аида родилась в Южном Казахстане и переехала в Инсбрук, Австрия, чтобы получить архитектурное образование.
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Ее основная работа не мешает ей заниматься художественными практиками. Помимо традиционной графики и живописи, художница работает с цифровыми медиа, программным обеспечением, фотографией и сценографией. Ее художественные практики можно описать как искусство, основанное на исследованиях, или исследование, основанное на искусстве. В своих последних практиках Аида исследует визуальные паттерны и язык центральноазиатских регионов, кочевых пространств и объектов, которые были созданы в этих пространствах.
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Больше работ на qazart.com
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on image
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1.
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‘It is not your post-soviet attraction…’
84 x 119 cm
Graphic design
2018
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2.
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‘untitled ornamented’
size variation
3D sculpture, animated video
2020
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Ambujerba The Great Night of Kurba,2021acrylic on canvas, ceramics 110 x 150 cm
08/09/2022

Ambujerba

The Great Night of Kurba,2021

acrylic on canvas, ceramics
110 x 150 cm

On the one hand, the concept of rhizome belongs to the world of botany and means a kind of decentralized stable system o...
08/01/2022

On the one hand, the concept of rhizome belongs to the world of botany and means a kind of decentralized stable system of connections like the one we see at markets when choosing ginger. On the other hand, this term is actively used in the philosophy of poststructuralism and postmodernism. Introduced once by Gilles Deleuze and Felix Guattari, it is “designed to resist the unchanging linear structures (of both being and thinking), which, in their opinion, are typical of classical European culture.”

Philosophers borrow the image of ornamental awareness of the world from plants and apply it to quite specific philosophical doctrines - in particular, in an attempt to rethink the philosophy of Ancient Greece, where the center of the world was God-human-man. Linearity is an obstacle, and rhizome is a maze to overcome it.

On images:

Alpamys Batyr

Night vo.in, 2021

mixed technic on paper
100 x 60 cm

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Alpamys Batyr

Day vo.in, 2021

mixed technic on paper
100 x 60 cm

In this artwork by Marat Dilman, we see how politics appropriates the image of a tulip flower on yet another city concer...
07/26/2022

In this artwork by Marat Dilman, we see how politics appropriates the image of a tulip flower on yet another city concert. Here you can see how something organic and pleasing to the eye on a biological level and becomes a communication tool in the ideological field. Ebenezer Howard’s Garden City utopia finds an unexpected realization - there is a city, but we will print out the garden on a printer. Reduced to a simulacrum, nature looks at us from printed birch groves, flowerbeds of plastic flowers for the city day, MAFs, photo zones and other forms of celebration that bring an ecological catastrophe closer.

На этом произведении Марата Дильмана, мы видим как политика апроприирует образ цветка-тюльпана по случаю очередного городского концерта. Тут видно, как нечто органическое и приятное глазу на уровне биологических реакций становится инструментом коммуникации в идеологическом поле. Утопия города-сада Эбенизера Говарда находит неожиданную реализацию - город есть, но сад мы напечатаем на принтере. Редуцированная до симулякра природа смотрит на нас с распечатанных березовых рощ, клумб из пластиковых цветов ко дню города, МАФов, фотозон и других форм праздника, приближающих экологическую катастрофу.

Марат Дильманның бұл шығармасында кезекті қалалық концертке орай, саясаттың қызғалдақ гүлінің бейнесін қалай иемденетінін көре аламыз. Бұл жерде биологиялық реакциялар деңгейінде органикалық және көзге жағымды нәрсенің идеологиялық өрістегі байланыс құралына айналатындығын көруге болады. Эбенизер Ховардтың бау-бақшалы қаласының утопиясы күтпеген жерден іске асады - қала бар, бірақ біз бақшаны принтерде басып шығарамыз. Симулякрға дейін кішірейтілген табиғатты біз басып шығарылған қайың тоғайлары, қала күніне арналған пластикалық гүлдердің гүлзарлары, ШСН-дары, фотозоналар және басқа да экологиялық апатты жақындататын мерекенің түрлерінен көре аламыз.

On images:

Marat Dilman

Untitled,2017

40x90 cm
latex printing on alucobond
1 of 5 + 1 ap

The Art (immortal) installation was first presented as part of the Symbiosis exhibition at the Almaty Botanical Garden i...
07/25/2022

The Art (immortal) installation was first presented as part of the Symbiosis exhibition at the Almaty Botanical Garden in 2016. The installation was created at the junction of different substances such as material, language and time, and due to the close relation that exists between them. Plastic flowers appear when the living ones begin to die, and it is the undying plastic that allows us to read the formed word “Art".


The subject of immortality here correlates with the subject of imitation. The modern term "Art", a kind of substitution of the Russian "Iskusstvo". But the single-root "artificial" is closer not to "art", but to the word "unnatural", "not natural", "inanimate". The banal phrase "Life is short, art is eternal" will describe here, rather, a change in value orientation. Life is the highest value, thanks to the instability, finiteness of its process. Art is second value, due to the secondary nature of this phenomenon, "eternity", which is relative and can only be appreciated by the "living". The art is an object, as the final result of the "act of creation"; it fixes the frozen "immortality" in itself.

Text by Yelena Vorobyeva

On images:

Elena and Victor Vorobyev

Art (Immortal), 2016

photo documentation, photo paper on Alucobond
60 x 42 cm

Moldakul Narymbetov began painting this picture at the end of 2000, and finished in early 2001, in the spring of the new...
06/16/2022

Moldakul Narymbetov began painting this picture at the end of 2000, and finished in early 2001, in the spring of the new millennium.

The scientific community of botanists recognizes about 3,000 different types of tulips, and it is, thus, difficult to determine which ones the artist depicted. However it may be affirmed that the wild tulip came to the Ottoman Empire in the XV century, partly from the steppes of Kazakhstan. The flower gained the peak of popularity during the reign of Selim II (1524-1574), and the very name of the flower comes from the Turkish word tülbent or turban.

The tulip's journey does not end with the Silk Road and the Ottoman Empire. Soon the flower becomes almost a national treasure of the Netherlands, then part of the Spanish Empire. All this happened due to the brightest mind of the Middle Ages, Karl Clusius, who in 1583 accidentally discovered a flowerbed with an oriental flower somewhere in Vienna. Soon after, in 1636-1637, the tulip caused the world's first economic bubble.

The flowers were so beautiful that speculators appeared on the market, who artificially inflated the prices of tulip bulbs (in fact, futures) and resold them for 10,000 guilders, which at that time was equal to the cost of a house in Amsterdam. The bubble burst quickly, and many modern researchers like Anne Goldgar agree that the consequences of the bubble were less catastrophic than it is commonly believed, say, among economists.

Learn more following the link in bio.

05/13/2022

Saken Narynov

Sculpture ‘Mahambet (New Hero)’ was created in 2014 by Arystanbek Shalbayev on the occasion of the 5th edition of the fe...
05/09/2022

Sculpture ‘Mahambet (New Hero)’ was created in 2014 by Arystanbek Shalbayev on the occasion of the 5th edition of the festival of contemporary art ARTBAT FEST.

The sculpture honors poet, aqyn, and inspirer of the uprising in the Western Qazaqstan in 1836-1838.

We decided to recall a poem by Otemisuly, translate it to English and share an interview (rus) of Arystanbek Shalbaeyv that the artist made in 2019 during his solo exhibition at Esentai Gallery.

Link in BIO

Скульптура Махамбет (Новый Герой) сделана Арыстанбеком Шалбаевым в 2014 году в рамках фестиваля современного искусства ARTBAT FEST 5.

Она посвещается Махамбету Утемисулы - поэту, акыну и одному из руководителей восстания в Западном Казахстане 1836—1838 годов.

Мы решили вспомнить стихотворение Утемисулы, перевести его на английский и поделиться с вами интервью, которое приурочено к открытию персональной выставки Арыстанбека Шалбаева в Esentai Gallery в 2019 году.

Ссылка на интервью в БИО

Махамбет мүсінін Арыстанбек Шалбаев 2014 жылы ARTBAT FEST 5 заманауи өнер фестивалі аясында жасаған.

Ол – ақын-жазушы, Батыс Қазақстандағы 1836-1838 жылдардағы көтеріліс басшыларының бірі Махамбет Өтемісұлына арналған.

Өтемісұлының өлеңін еске түсіріп, ағылшын тіліне аударып, 2019 жылы Есентай галереясындағы Арыстанбек Шалбаевтың жеке көрмесінің ашылуына орайластырылған сұхбатпен бөлісуді жөн көрдік.

Биодағы сілтеме арқылы сұхбатты таба аласыз.

On image:

Arystanbek Shalbayev

Mahambet (New Hero), 2014

cement cast, welt iron
210 x 110 cm (82.6 x 43.3 in)

Courtesy of the artist and the Eurasian Cultural Alliance

Qazart is pleased to announce its representation of Aika Akhmetova who is a New York based artist from Almaty, Qazaqstan...
04/06/2022

Qazart is pleased to announce its representation of Aika Akhmetova who is a New York based artist from Almaty, Qazaqstan.

Akhmetova’s practice consists of installation, video, sculpture, and text-based work often exploring intimate corners of being through household trauma, empirical experience and family.

Their notable exhibitions include ‘We Fight to Build a Free World’ at Jewish Museum, New York; ‘Alone Together’ at Steve Turner Gallery in Los Angeles, ‘Traditionally Unnurturing Nurture’ at the A.I.R Gallery in New York.

Their work most recently has been published in The Archive, issue no. 68, “Intersectionality” by Leslie Lohman Museum (curated by Pamela Sneed) and Lines Inside by TSA_PDF (edited and compiled by Roni Aviv, Lizzy De Vita).

Akhmetova studied Painting at Rhode Island School of Design and holds an MFA in Visual Arts from Columbia University.

Learn more following the link in bio

Мы рады объявить о репрезентации художницы Айки Ахметовой, которые родились в Алматы, а сейчас живут и работают в Нью Йорке.

Художественная практика Ахмет включает в себя инсталляции, видео, скульптуры, и произведения искусства, основанные на тексте. Все это позволяет исследовать интимные стороны бытия через домашнюю травму, личный опыт и семью.

Их важные выставки включают в себя “Мы Боремся за Свободный Мир” в Еврейском Музее в Нью Йорке, “Вместе в Одиночку” в Steve Turner Gallery в Лос Анджелесе, “Традиционно Невоспитательное Воспитание” в A.I.R Gallery в Нью Йорке.

Наиболее недавние публикации включают в себя Архив, выпуск no. 68, “интерсекциональность” при музее искусств Leslie Lohman (куратор Памела Снид), а также ‘Линии Внутри’ под руководством TSA_PDF (редактор и составитель Рани Авив, Лиззи Де Вита).

Over the past few weeks Qazart team has managed to digitalize most of the artworks and architectural objects in the stud...
03/25/2022

Over the past few weeks Qazart team has managed to digitalize most of the artworks and architectural objects in the studio of Saken Narynov spanning between 1977 and 2022.

Working with Narynov’s heritage had a healing effect on everyone involved. It was like a glimpse of light in the darkness of today. Renowned artist and architect has been experimenting with shapes, materials, colors, textures and concepts over the past decades.

Narynov’s main interest focuses on non-euclidian geometry, topology of space as well as quantum physics and turkic philosophy.

Последние несколько недель команда Qazart занималась цифровизацией произведений искусства и архитектурных объектов в студии Сакена Нарынова, дата создания которых варьируется от 1977 до 2022 годов.

Работа с наследием Нарынова произвела оздоравливающий эффект на всех, кто в ней участвовал. Будто луч света в темноте нашей сегодняшней реальности. Знаменитый художник и архитектор экспериментирует с формами, материалами, текстурами и идеями на протяжении нескольких десятилетий.

Основной интерес Нарынова сконцентрирован на неевклидовой геометрии, топологии пространства, квантовой физике и тюркской философии.

Соңғы бірнеше аптада Qazart ұжымы Сәкен Нарыновтың шеберханасында орналасқан 1977-2022 жылдар аралығындағы өнер туындылары мен сәулет нысандарының көпшілігін цифрлық жүйеге көшіре алды.

Нарыновтың мұрасымен жұмыс істеу қатысушыларға қара түнекті жаратын күн сәулесіндей емдік әсерін тигізді. Атақты суретші және сәулетші соңғы онжылдықтарда пішін, материал, түс, текстура мен концепциялармен тәжірибе жасап келеді.

Нарыновтың негізгі қызығушылығы евклидтік емес геометрияға, кеңістік топологиясына, сонымен қатар кванттық физика мен түрік философиясына бағытталған

On image:

Saken Narynov

Möbiusina 4, 1983
Cardboard
26 x 26 x 13 cm (10.2 x 10.2 x 5.1 in)

Address

New York, NY

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