FolkArtwork

FolkArtwork Showcasing the world’s best *outsider art* // shop original artwork by self-taught artists

LEONORA CARRINGTON La Inventora del Atole (2011) // Lost wax bronze via .gallery
05/28/2026

LEONORA CARRINGTON La Inventora del Atole (2011) // Lost wax bronze via .gallery

LEROY ORTEGA Owl with Kangaroo Rat (ca. 1989) // Wood, paint, gesso, glue; 35 1/16 × 26 × 22 1/16 in. (89 × 66 × 56 cm) ...
05/28/2026

LEROY ORTEGA Owl with Kangaroo Rat (ca. 1989) // Wood, paint, gesso, glue; 35 1/16 × 26 × 22 1/16 in. (89 × 66 × 56 cm) via

UNIDENTIFIED MAKER Finger Counting Machine (Manufacturer: Lehrer Wlecke - Gütersloh, Germany) (ca. 1910-20) // Wood, she...
05/28/2026

UNIDENTIFIED MAKER Finger Counting Machine (Manufacturer: Lehrer Wlecke - Gütersloh, Germany) (ca. 1910-20) // Wood, sheet metal, and paint; 9 x 17 1/4 x 6 in. (22.9 x 43.8 x 15.2 cm.) via

>> As seen in "Amuse: The Art of Enjoyment", opening tonight (5/28) at Ricco/Maresca Gallery

MAMIE DESCHILLIE Blue animal with yellow bird (c. 2000s)// Unfired clay; paint via
05/27/2026

MAMIE DESCHILLIE Blue animal with yellow bird (c. 2000s)// Unfired clay; paint via

ELMER A. HALLOCK Tools Sharpened Sign (ca. 1920s) // Painted wood with painted metal saw; 11 1⁄2 x 47 3⁄8 x 2 in. (29.2 ...
05/27/2026

ELMER A. HALLOCK Tools Sharpened Sign (ca. 1920s) // Painted wood with painted metal saw; 11 1⁄2 x 47 3⁄8 x 2 in. (29.2 x 120.3 x 5.1 cm.) via

MONTREL BEVERLY The Two Fridas (2025) // Pipe cleaner soft sculpture; approx. 34" x 34" via
05/27/2026

MONTREL BEVERLY The Two Fridas (2025) // Pipe cleaner soft sculpture; approx. 34" x 34" via

BILLY RAY HUSSEY Devil Bank (1986) // Glazed red earthenware; 10 × 9 1/2 × 10" via
05/26/2026

BILLY RAY HUSSEY Devil Bank (1986) // Glazed red earthenware; 10 × 9 1/2 × 10" via

HENRY BOUDREAU You Silly Dog (2009) // Painted wood, cloth, found objects; 5" x 4.5" x 4" (approx.) via
05/26/2026

HENRY BOUDREAU You Silly Dog (2009) // Painted wood, cloth, found objects; 5" x 4.5" x 4" (approx.) via

VANESSA GERMAN the midnight alligator’s daughter, or, where we are and what we’ve been, will be no situation upon where ...
05/26/2026

VANESSA GERMAN the midnight alligator’s daughter, or, where we are and what we’ve been, will be no situation upon where we go and what we shall become (2025) via

Materials include: Gemstones: onyx, obsidian, black tourmaline, shungite, lapis, agate, Smokey quartz, amethyst, morganite,turquoise, turquoise dyed howlite, titanium dyed geodes, pearl -- found lamp, cut glass beads, wood, plaster, plaster gauze, a prayer for the softening of hands, a knowing of the origin songs of the Soul, a heated gaze in the face of meanness, blacked coke bottles, carved alligator, glass prisms, awake! Awake! Awake! The soft night, the awakened dawn, a dying away of old places, beaded glass trim, cardboard, recycling, silicone

87 1/2 x 33 1/2 x 38 inches
222.3 x 85.1 x 96.5 cm

HORACE PIPPIN The Ending of the War, Starting Home (c. 1930-1933) // Oil on canvas; 26 × 30 1/16 in via
05/25/2026

HORACE PIPPIN The Ending of the War, Starting Home (c. 1930-1933) // Oil on canvas; 26 × 30 1/16 in via

BESSIE HARVEY Seat in the Kingdom (1987) // Found wood, wood putty, jewelry, cowrie shells, glitter, paint; 42 x 46 x 3...
05/24/2026

BESSIE HARVEY Seat in the Kingdom (1987) // Found wood, wood putty, jewelry, cowrie shells, glitter, paint; 42 x 46 x 33 inches, collection of Hood Museum of Art via

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