Cha Wa "a grand gumbo of singing, chanting, intoxicating rhythms, and some deep funk grooves that are simply impossible to resist" -PopMatters

09/02/2026

TJ Nathan 🔥🔥🔥
Some notes with my PRS Guitars SE NF53

08/28/2026

Check out our man TJ Nathan tearing up this groove on the guitar 🎸

08/26/2026

Rest In Peace Dolly Parton 💜💚💛

08/13/2026

Educational outreach is one of the most rewarding aspects of getting to be on tour with Cha Wa! 💜💚💛

08/13/2026

From The Vault!
Spyboy Honey with Young Guardians of the Flame 🔥
c. 2010

08/07/2026

sitting in with our good friends at the in San Francisco 2/17/24 ⚜️ peep Wildman Tajh Derosier tearing up that Saxophone Solo 🎷
Shout out to GALACTIC for all of their support over the years! 💜💚💛

08/06/2026

July 14th, 2022
Wildman Tajh Derosier taking a ripping saxophone solo on “Geechie Boom Boom” live at River & Blues Fest in Battery Park City, NYC! Peep the Statue of Liberty 🗽 in the distance 🇺🇸

08/03/2026

Thanks for the love Vancouver, WA! 💜💚💛

NOLA x NOLA present...Cha Wa with James Andrews and special guest opener FireBrainSeptember 30 | Doors at 7 PM | Show at...
07/29/2026

NOLA x NOLA present...
Cha Wa with James Andrews and special guest opener FireBrain
September 30 | Doors at 7 PM | Show at 8 PM
Cha Wa and James Andrews return to Chickie Wah Wah on September 30th for another incredible show. Catch FireBrain opening up the night and get your tickets now!
$25 ADVANCE | $30 DAY OF SHOW
...

Contextual Portraits Mardi Gras Indians From An Insider’s View By Nash Porter 64 Parishes “I was born in New Orleans and...
07/28/2026

Contextual Portraits Mardi Gras Indians From An Insider’s View By Nash Porter 64 Parishes

“I was born in New Orleans and grew up in an Uptown community surrounded by African­ American cultural sights and sounds. As a lit­tle boy, I used to follow the Mardi Gras Indians all day and sometimes had a hard time finding my way back home…
my priority work over 30-plus years has been with the Indians. My familiarity with this street tradition and many of the participants who have given me entrance into their homes have allowed me to capture them at close range and to attempt to bring out the true essence and cultural flavor of this annual ritual. I have a tremendous amount of respect for the people who mask as Indians and since I am a part of this community I always want to represent them well. After reflecting and viewing thousands of my negatives over the years, I realized that because of my experience in portraiture, the majority of my photos were head and full-bodied portraits in context.
These gifted men and women, who have inspired me over the years with their artistry and dedication to the tradition, have certainly enriched my life. One of the gratifications of shooting the Black Indians has been the opportunity to meet once again and to renew friendships with people I first photographed decades ago, early in their years of masking Indian. I have seen children grow up in the tradition. These reunions are especially heart­warming because with some of them I can see how the years have enhanced their personal and artistic development and refined their craft. This is especially evident when I return to my darkroom to print and then begin to compare various years of several people masking. I get excited all over again! I photograph the Indians to document the vitality, diversity, and continuity of this Black New Orleans experience so the rest of the world can see what I see through the camera lens.”
BY STAFF OF THE LOUISIANA ENDOWMENT FOR THE HUMANITIES
Published: February 1, 2016

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New Orleans, LA

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