Jay Daugherty Fine Art

Jay Daugherty Fine Art Contemporary oil painter. Please submit inquiries through Instagram.

10/16/2025

This is: A Painting in A Minor
Oil on canvas

This image began with the idea to have a dreamlike scene with little rooms underground, like a surreal frieze. That meant raising the ground plane to make space for this subterranean scene while the tree rises through a hole in the ground to show how these two environments correspond. If you look closely, the underground scenes are modeled after predella.

In and , the is the row of small narrative or devotional panels running along the bottom of the main image. Often these illustrate scenes from the lives of saints or Christ, or symbolic motifs that support the main composition above.

Among the weird forms inside the predella, the central vignette depicts a beheading.

Several saints were famously martyred by decapitation, like , , and , while the most often depicted is .

My intention was for this allusion to Saint John the Baptist to introduce a quietly profound countercurrent beneath the painting’s surreal surface. 🧐

The lower predella’s beheading scene recalls the archetype of prophetic sacrifice. His severed head, an emblem of vision without voice, reverberates through the dream architecture above, where form and meaning drift apart. The painting transforms the altarpiece’s devotional logic into a on and .

A Citadel of True Being2025Oil on canvas I think this painting is capturing something that has been developing in my ske...
08/18/2025

A Citadel of True Being
2025
Oil on canvas

I think this painting is capturing something that has been developing in my sketchbook. How can painting simultaneously sustain illusionistic space and abstract forms, without resolving the tension between the two? I want viewers to be drawn in first by mood and atmosphere, then slowed into contemplation. Guided by composition, they construct their own narratives within layered spatial relationships.








08/18/2025

A Citadel of True Being
2025
Oil on canvas

Swipe to see the drawings from which various parts of this painting originate, alongside the stages of development.

When we moved back to England I assumed I’d be unable to paint due to a lack of space and ventilation. But we had a little canvas hanging around and while teaching some beginner oil painting classes I had some water soluble oils. Great for art teachers but seemed sacrilegious from a painter’s perspective! Nevertheless, it went well. So, I got a few tubes and brushes, pulled bits from several sketches, and cobbled together something that feels rather nice. With no medium, no solvents. Just oil and water. Absolutely crazy.

I think this painting materializes something that has been unfolding in my sketchbooks, which is the harmonic juxtaposition of Romantic and Baroque qualities with modern influences, a kind of representational/abstract unity.

I want viewers to be drawn in first by mood and atmosphere, then slowed into contemplation. Guided by composition, perhaps they will construct their own narratives within layered spatial relationships. Pictorial space and the ideas of Paul Crowther are also important for me.








Hope, Charity, Faith, and Meekness This neoclassical sculptural series is at the entrance of the Old Royal Naval College...
08/11/2025

Hope, Charity, Faith, and Meekness

This neoclassical sculptural series is at the entrance of the Old Royal Naval College in Greenwich, London.

Entranceway from the Old Royal Naval College in Greenwich
08/04/2025

Entranceway from the Old Royal Naval College in Greenwich

“Nec spe nec metu” is Latin, meaning neither hope nor fear. Titian, the Renaissance painter, considered this to be his p...
08/01/2025

“Nec spe nec metu” is Latin, meaning neither hope nor fear. Titian, the Renaissance painter, considered this to be his personal motto.

07/31/2025
Lead me to the opinions I held in the first place 2023Oil on canvas Been reading about American Precisionism and magic r...
07/29/2025

Lead me to the opinions I held in the first place
2023
Oil on canvas

Been reading about American Precisionism and magic realism recently, and particularly looking at George Tooker. Something very nice about his work. The light in this painting from 2023 somewhat vibes with Tooker, and at I’m working on something that will have a Tooker-like haze, should hopefully end up like a dream inside a dust storm.

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New Haven, CT
06501-06540

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