Dot fiftyone Gallery

Dot fiftyone Gallery Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Dot fiftyone Gallery, Art Gallery, 7275 NE 4th Avenue, Unit 101, Miami, FL.

Dot Fiftyone is a Miami based gallery with a focus on contemporary art dedicated to exhibiting emerging and established artists whose works encourage dynamic ideas and discourses.

JOIN US - Saturday October 17, 5 pm - 9:30 pm Opening Reception: Jeanne Jaffe’s “Betwixt and Between”Dot Fiftyone Galler...
10/10/2026

JOIN US - Saturday October 17, 5 pm - 9:30 pm Opening Reception: Jeanne Jaffe’s “Betwixt and Between”

Dot Fiftyone Gallery presents Betwixt and Between, a new exhibition by multidisciplinary artist Jeanne Jaffe exploring the elusive space between sensation and language, memory and perception, object and image.

Inspired by psychoanalyst Christopher Bollas’s concept of the “unthought known”—deeply felt experiences that shape us before they can be articulated—Jaffe creates tactile, hybrid sculptures through an intuitive, haptic process of hand-building. The forms emerge as ambiguous, almost living presences, carrying traces of memory, emotion, and transformation.

Paired with looping stop-motion animations, the sculptures take on a second life. The videos act as “object biographies,” revealing movements, associations, and latent narratives held within the physical forms. In this interplay, Jaffe transforms the artwork from a noun into a verb—from a static object to an experience that is constantly unfolding.

Large-scale prints extend this dialogue between sculpture, image, and animation, creating a space where meaning remains betwixt and between—felt before it is understood, and always in the process of becoming.

10/07/2026

SAVE THE DATE - Saturday October 17, 5 pm - 9:30 pm Opening Reception: Jeanne Jaffe’s “Betwixt and Between”

Dot Fiftyone Gallery presents Betwixt and Between, a new exhibition by multidisciplinary artist Jeanne Jaffe exploring the elusive space between sensation and language, memory and perception, object and image.

Inspired by psychoanalyst Christopher Bollas’s concept of the “unthought known”—deeply felt experiences that shape us before they can be articulated—Jaffe creates tactile, hybrid sculptures through an intuitive, haptic process of hand-building. The forms emerge as ambiguous, almost living presences, carrying traces of memory, emotion, and transformation.

Paired with looping stop-motion animations, the sculptures take on a second life. The videos act as “object biographies,” revealing movements, associations, and latent narratives held within the physical forms. In this interplay, Jaffe transforms the artwork from a noun into a verb—from a static object to an experience that is constantly unfolding.

Large-scale prints extend this dialogue between sculpture, image, and animation, creating a space where meaning remains betwixt and between—felt before it is understood, and always in the process of becoming.

09/19/2026

David Rohn is featured in an episode of the Artist Dialogue Series, produced by DOT FIFTYONE GALLERY and available on the gallery’s YouTube channel.

Filmed inside the artist’s studio, this original production offers an intimate insight into David Rohn’s creative universe, exploring the ideas, emotions, and reflections that shape his artistic practice. Through a personal conversation, Rohn shares the inspirations, processes, and experiences behind his work. A film by Fredi Ferrara.

Watch the full video on our YouTube channel.

ArtistsStudio

08/31/2026

David Rohn’s Peep Series explores visibility, marginalization, and belonging within the contemporary urban landscape. Emerging from his decade-long practice of performative (self)-Portraiture, the project grew from Rohn’s encounters with people experiencing homelessness in Miami. Using his own body as a vehicle for interpretation, Rohn creates life-size photographic self-portraits inspired by individuals he encounters on the streets, which he subsequently wheat-pastes throughout public spaces.

Rather than simply documenting homelessness, Peep Series transforms personal encounters into acts of public intervention. Often depicting male, transgender, and gender-nonconforming figures, Rohn places these bodies in liminal spaces that suggest refuge, vulnerability, or intimacy. By inserting marginalized figures into the everyday cityscape, the project challenges collective invisibility and invites reflection on dignity, exclusion, and the right to occupy public space.

SAVE THE DATE: David Rohn, Crowded Condition, opens Friday, August 28. Exhibition text by Ross Karlan.David Rohn is a Mi...
08/08/2026

SAVE THE DATE: David Rohn, Crowded Condition, opens Friday, August 28. Exhibition text by Ross Karlan.

David Rohn is a Miami-based artist whose multidisciplinary practice spans painting, photography, installation, performance, and found-object sculpture.

After studying art, urbanism, and architecture in the U.S. and Paris, Rohn began painting in New York in the early 1980s before moving to Miami in 1992.

His work explores identity, consumer culture, art history, and the tension between the discarded and the sacred. His ongoing (self)-Portraiture series, along with works inspired by Dante’s Inferno and Catholic saints, reflects his sustained dialogue with contemporary life and art history.

Rohn has exhibited widely throughout South Florida and internationally, including in New York, Los Angeles, Paris, and Berlin.

Graciela Hasper’s work explores geometric abstraction through compositions where formal precision coexists with emotiona...
07/17/2026

Graciela Hasper’s work explores geometric abstraction through compositions where formal precision coexists with emotional resonance and a subtle sense of play. Drawing from the legacy of the historical avant-garde and contemporary neo-geometric movements, each work establishes a unique visual relationship through carefully balanced forms that invite both contemplation and sensory engagement.

Color is central to her practice. Through refined chromatic relationships and the interplay of curved and geometric forms, Hasper creates rhythm, depth, and optical movement without relying on expressive gesture. Her work celebrates clarity and visual harmony while remaining connected to the tradition of Latin American geometric abstraction and its expansion into real space.
Beyond the canvas, Hasper’s site-specific installations and public art projects blur the boundaries between painting, architecture, and design. By transforming geometry and color into immersive spatial experiences, her work invites viewers to engage with space in new ways.

Notable site-specific installations include Continuous Motion, International Central Processor, George Bush Intercontinental Airport, Houston (2025); SLS Puerto Madero, Buenos Aires (2019); Rotación, Catalinas Metro Station, Buenos Aires (2019); Faena Forum, Miami Beach (2016); and Notas de Luz, Usina del Arte, Buenos Aires (2016).

Hasper has participated in prestigious residencies, including Fundación Casa Wabi, Mexico (2021); the Rockefeller Foundation’s Bellagio Center Residency, Italy (2005); the Chinati Foundation, Marfa, Texas (2002); Apex Art – Fulbright Grant, New York (2000); Art Omi, New York (1997); and the Fundación Antorchas – Kuitca Grant, Buenos Aires (1991–1993).

Amadeo Azar, The Distance,2022Working across sculpture, drawing, installation, and moving image, Amadeo Azar explores th...
07/14/2026

Amadeo Azar, The Distance,
2022

Working across sculpture, drawing, installation, and moving image, Amadeo Azar explores the poetic potential of ordinary materials, weaving together object, space, and perception into a unified conceptual framework. In The Distance(2022), the artist repurposes everyday functional objects—cups, plates, bowls, and vases—as molds to create ceramic forms interwoven with steel cables and tubular structures. Painted with minimalist geometric patterns, these elements echo the exhibition’s visual language while also serving as instruments in The Sea is a Rain of Voices (2022), transforming sculpture into sound. Through the interplay of materials, color, and composition, Azar creates a cohesive body of work in which objects become vessels of memory, connection, and transformation.

Born in Mar del Plata, Argentina, in 1972, Azar lives and works in Buenos Aires. A recipient of the Pollock-Krasner Foundation Grant (2019), he has participated in residencies at The Drawing Center (New York), Est-Nord-Est (Québec), and The Fountainhead (Miami). His work has been exhibited internationally and is included in major collections such as the Phoenix Art Museum, Deutsche Bank Collection (New York), Related Group/Pérez Collection (Miami), and the Museo de Arte Contemporáneo de Rosario, among others. In 2022, he published his first monograph, La Paciencia es un Campo Minado (Patience Is a Minefield).

Pepe Lopez, The Good Old Days, The Good Old Days, 2017A set of 11 folding lounge chairs, made of aluminum frames and bri...
07/10/2026

Pepe Lopez, The Good Old Days, The Good Old Days, 2017

A set of 11 folding lounge chairs, made of aluminum frames and brightly woven nylon straps, The Past Was Always Betterdraws directly from the bold geometric patterns of Venezuelan Constructivist Alejandro Otero’s Orthogonal collages. The chairs—familiar, vibrant, deceptively cheerful—are transformed into sculptural echoes of a fading ideal.

They evoke the golden era of mid-20th century Venezuela, a time when oil wealth and progressive politics fueled one of Latin America’s most ambitious modernist cultural projects. Museums were built, artists flourished, and design—like democracy—seemed to promise a radiant future. But the country, flush with fortune, chose to sit back. And sit it did—until the moment passed.

Pepe López Reus is a multidisciplinary artist whose work delves into the complexities of identity, memory, and social transformation. Through a blend of sculpture, performance, installation, and photography, López examines pressing societal issues such as consumerism, violence, and the alienation inherent in modern life. Central to his practice is the reimagining of everyday materials—particularly urban remnants like discarded plastics and packaging—which he transforms into powerful, poetic objects that speak to themes of cultural displacement and individual reinvention. Over the years, López has exhibited internationally in renowned venues such as the Havana Biennial, Mercosul Biennial, New Territories at MAD Museum in New York, Albuquerque Museum, Amparo Museum in Mexico, and The Unknown and its Poetics at Kino Saito, 2025. Lines and Stones, Toluca Fine Art, Paris, France; Labor and Materials, 21C Museum, Kansas City, USA; Bearers of Meaning, Cisneros Collection; Broken Idols, Maële Gallery, Paris; La Colonie, Paris; His work has garnered critical acclaim, including the Best Solo Show award from AICA Venezuela and a prestigious UNESCO Aschberg Artist Residency, El Espacio 23 in Miami and Kino Saito in New York.
Photos by Julio Osorio

Jorge Cabieses, Untitled #17 (The Pallets), 2021. Acrylic on wood pallet and mirror panel, 52 × 42 in. (130 × 107 cm) e...
07/07/2026

Jorge Cabieses, Untitled #17 (The Pallets), 2021. Acrylic on wood pallet and mirror panel, 52 × 42 in. (130 × 107 cm) each.

For this series, Jorge Cabieses cuts into reclaimed shipping pallets and layers acrylic onto their surfaces, transforming everyday support structures into striking geometric compositions. The interplay between the wooden structure and painted lines allows shapes to move rhythmically across the object, blurring the boundaries between painting, sculpture, and architecture

Cabieses’ work is distinctly geometric, yet it challenges the conventions of geometric abstraction. His crisp, precise forms are set against rough, industrial materials, creating a compelling dialogue between refinement and rawness. Rather than pursuing the autonomous visual language that defined much of mid-twentieth-century abstraction, Cabieses grounds his practice in the interplay between the optical and the tactile. It is this tension that distinguishes his work and has earned him widespread recognition throughout Latin America.

Through collage, painting, and sculpture, Cabieses expands the language of abstraction, creating works that resonate far beyond the traditional canon of painting.

Happy Independence Day! Dot Fiftyone will be closed tomorrow, July 4th. We will resume regular hours starting Monday,...
07/03/2026

Happy Independence Day!


Dot Fiftyone will be closed tomorrow, July 4th. We will resume regular hours starting Monday, July 6th.



Artwork by Cédola

Address

7275 NE 4th Avenue, Unit 101
Miami, FL
33138

Opening Hours

Monday 11am - 7pm
Tuesday 11am - 7pm
Wednesday 11am - 7pm
Thursday 11am - 7pm
Friday 11am - 7pm

Telephone

+13055739994

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