Mark A. Johnson Tribal Art

10/05/2026

09/30/2026

Kayanic Dayak complex. East Kalimantan, Borneo Island, Indonesia.
Hardwood. H: 32” (81.3 cm), W: 21.5” (54.6 cm), D: 8” (20.3 cm).

The sculpture represents a powerful protective spirit, likely the Thunder God, known as Aki Belarik Ubong Do’.
As the supreme protector, the Thunder God controls the weather, brings life-giving rain, and wields thunder as
a weapon against malevolent forces.

The figure’s bent, muscular legs and powerful arms convey dynamic tension and a readiness to spring into action,
qualities befitting a guardian spirit. Its oversized, “scooped” face, large disc-shaped eyes, diamond-shaped mouth,
and elongated earlobes reflect the classic archaic Kayanic style. Rather than depicting an ordinary human, the
sculpture presents a supernatural, mask-like visage intended to inspire awe.

Ex: Jack Sadovnic collection. Caracas, New York, Bali, Brussels, Miami, Los Angeles.

09/12/2026

Lid for Ritual Container. Borneo Island, Indonesia.

The lid from a ritual container is dominated by an unusually large handle carved in the form of a guardian spirit. Rather than functioning as a simple practical element, the handle transforms the vessel into a powerful supernatural presence. Its aggressive expression—marked by bared teeth and a large tongue extending from the mouth—suggests that the figure is actively protecting the container and whatever sacred contents it holds. The intimidating gesture may have been intended to frighten away harmful forces or warn others not to approach the vessel carelessly.

The spirit’s facial features are unified through the repeated use of a spiral motif. The eyes and ears, carved in similar spiraling forms, create a sense of movement and visual rhythm across the figure’s face. These spirals may represent energy, transformation, or the cyclical forces of nature. They also make the spirit appear less human and more otherworldly. By repeating the same pattern in different parts of the body, the artist connects seeing and hearing, suggesting that the guardian is constantly alert to danger. The figure is not merely decorative; it appears to possess supernatural senses that allow it to watch over the ritual container.

One of the most unusual aspects of the sculpture is the appearance that the guardian spirit is giving birth to another spirit. This detail introduces a complex relationship between protection, creation, and transformation. The smaller figure may represent an offspring, an emerging deity, or another spiritual being being brought into existence. Its presence suggests that the guardian is not only defending the container but also generating the supernatural power associated with it. Birth in this context can symbolize renewal, fertility, continuity, or the transmission of sacred authority from one generation to the next... more on website entry.

09/08/2026

Rainbow over Palm.

09/01/2026

Lid for Ritual Container. Borneo Island, Indonesia.

The lid from a ritual container is dominated by an unusually large handle carved in the form of a guardian spirit. Rather than functioning as a simple practical element, the handle transforms the vessel into a powerful supernatural presence. Its aggressive expression—marked by bared teeth and a large tongue extending from the mouth—suggests that the figure is actively protecting the container and whatever sacred contents it holds. The intimidating gesture may have been intended to frighten away harmful forces or warn others not to approach the vessel carelessly.

The spirit’s facial features are unified through the repeated use of a spiral motif. The eyes and ears, carved in similar spiraling forms, create a sense of movement and visual rhythm across the figure’s face. These spirals may represent energy, transformation, or the cyclical forces of nature. They also make the spirit appear less human and more otherworldly. By repeating the same pattern in different parts of the body, the artist connects seeing and hearing, suggesting that the guardian is constantly alert to danger. The figure is not merely decorative; it appears to possess supernatural senses that allow it to watch over the ritual container.

One of the most unusual aspects of the sculpture is the appearance that the guardian spirit is giving birth to another spirit. This detail introduces a complex relationship between protection, creation, and transformation. The smaller figure may represent an offspring, an emerging deity, or another spiritual being being brought into existence. Its presence suggests that the guardian is not only defending the container but also generating the supernatural power associated with it. Birth in this context can symbolize renewal, fertility, continuity, or the transmission of sacred authority from one generation to the next... more on website entry.

08/23/2026

08/21/2026

A happy union in my backyard: a monarch butterfly resting on avocado.

08/09/2026

Most of the Philippine material sold! Last day. Whitehawk Show.

08/08/2026

Day Three. Whitehawk Show. Santa Fe. Borneo beaded jacket, Dayak animal sculpture, Toraja beaded canopy, two Philippine plaited hats.