Ambrose Naumann Fine Art

Ambrose Naumann Fine Art Art gallery specializing in 19th and 20th century paintings and works on paper

‘Mrs. Mieth’, dated 1926, by Paula Lauenstein, was executed two years after her graduation from the Academy of Fine Arts...
02/13/2026

‘Mrs. Mieth’, dated 1926, by Paula Lauenstein, was executed two years after her graduation from the Academy of Fine Arts in Dresden, where she was one of the first female students.
We can see her mastery of linework and shading in the way she conveys volume on her sitter’s face and an expressive quality bordering on caricature akin to Otto Dix. The scale of the drawing makes her sitter’s face appear larger than life, captured at an angle from above, with the planes of her forehead overwhelming the rest of her features and drawing attention to Mrs. Mieth’s prominent brow line, pronounced eyebrows, and down cast gaze. The effect of this seems to subvert reality, and draws the viewer in.

Paula Lauenstein (1898 Dresden – Crostau 1980)
Mrs. Mieth
Pencil on paper
24 3/8” x 19 ½”
Signed and dated lower right P.Lauenstein

 officially kicks off today!Come find us at booth D02 The show runs until February 1st at the Park Avenue Armory, and we...
01/23/2026

officially kicks off today!

Come find us at booth D02

The show runs until February 1st at the Park Avenue Armory, and we hope to see you there.

Join us for  opening next Friday, January 23rd at the Park Avenue Armory in New York City. The fair runs through Februar...
01/14/2026

Join us for opening next Friday, January 23rd at the Park Avenue Armory in New York City.

The fair runs through February 1st, and we’re excited to share some beautiful new acquisitions with you, including this stunning charcoal by Firmin Baes.

Firmin Baes
(Saint-Josse-ten-Noode 1874 - 1943 Brussels)
N**e Model, 1905
Charcoal on paper
31 7/8 x 22 1/2 inches

The perfect size bowl for a single cherry 🍒Looking back at some favorite shots of our collection of micro Stig Lindberg ...
12/19/2025

The perfect size bowl for a single cherry 🍒

Looking back at some favorite shots of our collection of micro Stig Lindberg vessels, on display at the upcoming

How do you take your coffee? Perhaps in the middle of a surrealist landscape if you’re Marcel Delmotte.Marcel Delmotte S...
12/05/2025

How do you take your coffee?
Perhaps in the middle of a surrealist landscape if you’re Marcel Delmotte.

Marcel Delmotte
Still life with green coffee pot
Oil on Masonite
37.5” x 48”

Languishing until the holidays are over.Walter Sauer(Saint-Gilles 1889 – 1927 Algiers)Languissant (Languishing) 17 3/8 x...
11/28/2025

Languishing until the holidays are over.

Walter Sauer
(Saint-Gilles 1889 – 1927 Algiers)
Languissant (Languishing)
17 3/8 x 14 ¼ inches (42 x 34 cm)

We know very little about the sculptor Jan Schoolmeesters, but we can appreciate this gorgeous marble he created, with a...
11/14/2025

We know very little about the sculptor Jan Schoolmeesters, but we can appreciate this gorgeous marble he created, with a serene face that seems to appear from a flat piece of stone. The smooth contours of her face set off by rough hatched chisel marks, creating a lovely textural interplay.

Jan Schoolmeesters
(Bercem 1880- ?)
Head of a Woman
Signed on base Jan Schoolmeesters
Marble
35 x 20 cm (13 ¾ x 7 7/8 inches)

Happy Halloween from an old favorite by Edgar Bundy 💀👻🎃
10/31/2025

Happy Halloween from an old favorite by Edgar Bundy 💀👻🎃

Greta Knutson, incorrectly referred to by art historians until recently as Greta Knutson-Tzara, due to the association w...
10/24/2025

Greta Knutson, incorrectly referred to by art historians until recently as Greta Knutson-Tzara, due to the association with ex-husband Tristan Tzara, was more dynamic, prolific, and resonant than she was ever given credit for in her lifetime. Knutson herself removed Tzara from her signature on her works even before their divorce was finalized in 1942.
Born in Stockholm in 1899 to a well-to-do bourgeois Swedish family, Knutson, who had a talent for languages, had originally wanted to study linguistics, which she abandoned in favor of painting. It was the early influence of her professor André Lhote that exposed her to a modified version of Cézannesque Cubism based upon intersecting planes and geometric forms. She carried this foundational exposure with her into her new social circle in Paris. Knutson mixed with leading surrealists and eventually crossed paths with her future husband, poet Tristan Tzara.
Knutson would become not only a life-long artist but also a dedicated writer, publishing essays, art criticism, and occasionally poems specific to themes of the Surrealist movement. Her relationship with the Surrealists would not last however, as she found the grandiose and often misogynistic viewpoint of many of the artists unbearable and sometimes ‘tyrannical’. She also grew weary of fellow artists using African iconography without context or intellectual curiosity about the cultures they originated from.
She was drawn to the expressive style of contemporary artists such as Braque and Matisse, her own paintings, alternating between realistic and the abstract and displaying a mixture of Cubist and Surrealist elements.
Throughout this time, Knutson retained her interest in still life, and especially floral motifs. In the present work, we can see her use of ‘half-abstraction’, in which rhythm seems to have replaced construction, but upon closer inspection form appears.
The vase and flowers at the center of the composition undulate outwards in playful bands of shape and color that envelop the background and expand to merge with their environment.

On view now at Frieze Masters, we’re excited to present this gorgeous orientalist work by Francisco Masriera, Lady in a ...
10/17/2025

On view now at Frieze Masters, we’re excited to present this gorgeous orientalist work by Francisco Masriera, Lady in a Black Veil.
The Catalan artist’s background was shaped by time spent at his father’s jewelry bench; metalwork, enamel and an eye for ornament honed his sensibility from
childhood and never wholly left it.
An intimate work, Lady in a Black Veil exemplifies his skill in merging meticulous draftsmanship with richly vivid color, a hallmark of his style. Though
the sitter remains veiled in black, her presence emanates from careful attention to texture, drapery folds, and the delicate interaction of light against dark fabric.
The veil suggests modesty, mystery, or even mourning, while her gaze, though partially obscured, conveys quiet narrative depth. The work demonstrates Masriera’s gift for endowing his subjects with psychological resonance, even in compositions stripped of lavish detail.

Francisco Masriera
(1842 – Barcelona – 1902)
Lady in a Black Veil
Signed and dated middle right, F. Masriera // 1885
Oil on panel
17 1/3 x 14 1/8 inches



Join us in just over two weeks for Frieze Masters 2025 at The Regent’s Park, London. Expect exciting discoveries, and dy...
09/26/2025

Join us in just over two weeks for Frieze Masters 2025 at The Regent’s Park, London.

Expect exciting discoveries, and dynamic works that span four centuries, comprising sculpture, painting, and works on paper.


Join us for Frieze Masters 2025, running from October 15-19 at The Regent’s Park, London. We’re excited to showcase a dy...
09/12/2025

Join us for Frieze Masters 2025, running from October 15-19 at The Regent’s Park, London. We’re excited to showcase a dynamic range of paintings, works on paper, and this impressive sculpture by Sir Jacob Epstein.
A striking representation of Haile Selassie, the Emperor of Ethiopia forced into exile, who had worked tirelessly to modernize his country and resist the creeping threat of European colonization. During his exile he tirelessly sought international support to reclaim the country’s sovereignty.
Epstein, a leading modernist sculptor of his day, masterfully captures Selassie’s dignity, intellect, and humility, breaking away from stereotypical representations of African figures in Western art. Masterfully cast in bronze with a rich brown patina, it is an extraordinary example of life-like portraiture.
The bronze cast is one of only two versions which exist.

Sir Jacob Epstein
(New York 1880 - 1959 London)
Portrait of Emperor Haile Selassie
Modeled and cast in England, 1936
121.8 cm high
(Including marble base: 198.8 cm high)

Address

Manhattan, NY

Opening Hours

Monday 10am - 5pm
Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm

Alerts

Be the first to know and let us send you an email when Ambrose Naumann Fine Art posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share

Category