08/25/2026
UW Cinematheque, Madison downtown's repertory venue and the nexus of all cinematic avenues, is doubling up this fall season. Or, more accurately, skillfully squeezing in 12 of the 14 cancelled screenings this summer after a chilled water line burst on June 29. That means Katsuhito Ishii's lovingly eccentric The Taste of Tea (2004) will be lighting up the local screen after all (on Oct. 23).
In a couple of cases, summer holdovers are paired in a double feature, like The Producers (1968) and The Twelve Chairs (1970) on Sept. 19 in honor of Mel Brooks' centennial, or utilized to complement the tone and timbre of a new selection, like Dorothy Arzner's The Wild Party (1929) following another early sound-era melodrama, Clarence Brown's Letty Lynton (1932) on Oct. 16.
Though, if you'd ask one of the senior programmers, Mike King, the 25th anniversary, 35mm presentation of Harry Elfont and Deborah Kaplan's postmodern music chronicle Josie and the Pussycats (2001) on Nov. 7 reigns supreme. A film that King has stanned for years and watched more than 10 times since its initial release, "its sugar-rush satire of product placement seems to finally be building up a bit of a fanbase, so it's nice that people are catching on and I'm no longer in a cult of one," he playfully writes via email.
The aforementioned features define the Cinematheque's mission to be a home to all decades of the medium. But even if you'd cherry-pick a handful on the fold-out print calendar, it wouldn't quite reveal the breadth of what the UW-Madison campus program has artfully assembled most Thursdays through Saturdays between Aug. 27 and Dec. 13 at 4070 Vilas Hall.
Read the rest of this preview at isthmus.com!