Rough Play Collective

Rough Play Collective Rough Play is a Los Angeles based curatorial collective made up of three women artists, Ashley Hagen, Emily Sudd, and Elizabeth Tinglof.

Rough Play curatorial group was born out of a dialogue that began with a debate on the increasing demand in contemporary art for the artist to combine artistic practice with academic research. Kathrin Busch stated, “Art and theory, in effect, are nothing more than two different forms of practice interrelated through a system of interaction and transferences.” Challenging the artist to function in

this reciprocal practice enables a constant examination of one’s own work and the need for an exchange of ideas, perceptions, and results. Inevitably, this process lends itself to collaborative exploration. We began with the understanding that for us to have viable opportunities in today’s art world we needed to create a new path, one that leads us to pursue options outside of the traditional exhibition venue. In order to be effective in our pursuit we found ourselves embracing the role of curator, which in theory perhaps contained an inherent conflict with our artistic practice. This conversation led us to examine traditional curatorial practices. By approaching the process as a collaborative invitation we delve into a unique opportunity for creating new models and transformative exhibitions. Rough Play is made up of three women artists working in Los Angeles. Collectively, the members of this group –Ashley Hagen, Emily Sudd, and Elizabeth Tinglof—have been involved in a multitude of exhibitions in curatorial, administrative, and academic capacities, as well as participating as exhibiting artists. Previous curatorial projects include Hold at Far Bazaar, Cerritos College in January 2017, held in the ceramics studio this exhibition featured various artists examining the wide ranging associations to the word ‘vessel’. From a hand-held object of daily use to a ship transferring cargo across an ocean, the vessel serves to hold something transitory so that it might be digested or preserved, grounding the ephemeral to an earthly collection point. The human body, as mere empty flesh, can be seen as a vessel for the immaterial elements of humanity—the “soul”, “spirit”, or “consciousness”, Without Design or Sketch: The Story of The Room, an exhibition at LAUNCH L.A. in September, 2016, that approached the context of the Peacock Room as a platform from which to address a series of issues related to contemporary art practices such as the boundary between art space and living space, the perceptions of decorative and fine art, the value of art and patronage, and art’s engagement with social and moral issues versus its purely visual components; Go Big or Go Home, an exhibition organized for the Brand Library & Art Center in February, 2016, of artists that rise to the challenge by producing work through a physically demanding work process, extensive research, mastery of new disciplines, or by exposure to psychological or emotional vulnerability; Shelf Perception, an exhibition of work reconsidering the traditional art object by negotiating the spaces between painting, sculpture, photography, and domestic and architectural elements, organized by Elizabeth Tinglof for Santa Monica Cultural Affairs in 2014; and Triangulation, an exhibition curated by Elizabeth Tinglof for California State University, Northridge in 2011, featuring artists such as Michael C. McMillian, Jeffrey Vallance, and Lynn Aldrich.

Among the nicer things to wake up to! Thank you to the LA Times and Deborah Vankin for this excellent article on the Bar...
11/20/2021

Among the nicer things to wake up to! Thank you to the LA Times and Deborah Vankin for this excellent article on the Barnsdall Olive Wood Workshop & Exhibition featuring my work.

The Olive Wood Workshop gathered an incredible line-up of artists to make pieces responding to olive wood branches - the resulting artworks will be auctioned off to benefit the Olive Grove at Barnsdall Art Park. The exhibition is on view at Luis de Jesus gallery in DTLA until Dec 4th. The auction is live at

https://www.barnsdall.org/olive-wood-workshop

Happy Bidding!

Here's a little bit about the curious object I made for the show:

Ghost Wood, 2021
Ceramic
16 1/2 x 10 1/2 x 8 in. 

In my recent work, I have been exploring and exploiting varying properties of different clay bodies in an exploration of texture and process. The investigation is built into the combination of different clay bodies interacting with one another in the building and firing of the piece. The resulting piece is a recording of the effects of various stresses on the material. I can see this as a metaphor for the effects of the environment on a living organism, such as an olive tree. My piece is a vessel-like form, but it is not particularly functional. It is more a container for the record of the olive wood and the ceramic process. The piece is made of a combination of three different types of clay bodies - porcelain, stoneware, and terracotta - each which responds differently to the conditions of the high-fire firing. I began my building process by interacting directly with my olive wood branch, imprinting it's texture on the clay and wrapping it to capture it's basic form. Then, I elaborated on the piece to create a ceramic vessel.


We are pleased to announce Rough Play Collective has awarded  Carla Jay Harris, Artist our 2021 Exhibition Preparation R...
01/11/2021

We are pleased to announce Rough Play Collective has awarded Carla Jay Harris, Artist our 2021 Exhibition Preparation Residency.
January 15, 2021-May 15, 2021

The mission of our new residency is to provide facilities for Los Angeles based artists preparing for their first solo exhibition and who require additional space to complete their body of work. We are so grateful to the former Flax Foundation for donating the use of their space in Highland Park in order to create this important opportunity.

Harris will have four months to prepare for her upcoming first solo exhibition at the Luis De Jesus Los Angeles Art Gallery, opening September, 2021. During her residency she will also be engaging the LA arts community through artist talks and open studio events. Dates TBA

Carla Jay Harris was born in Indianapolis, IN, but raised traveling the globe as the child of a military officer. Carla Jay Harris’s social and artistic development was impacted tremendously by the geopolitical and natural environments she encountered. She fervently believes that space (physical and physiological) has a fundamental, lasting impact on personal identity. While the environment around us is constantly evolving, photography has the power to capture humanity in a place, in a moment - transforming a flicker in time into a lasting, appreciable statement. Carla's work has been exhibited nationally and internationally in New York, Los Angeles, DC, Paris, and Quebec. She completed undergraduate coursework at the School of Visual Arts in New York, received her bachelor's degree with distinction from the University of Virginia, and her MFA from UCLA in 2015. She currently lives/works in Los Angeles, CA. Her works are included in the collections of USC Fisher Museum, Los Angeles, CA; California African American Museum, Los Angeles, CA; Museum of Art and History, Lancaster, CA; The Museum of Fine Arts, Sherbrook, Quebec, Canada; General Mills' corporate collection, Minneapolis, MN; and numerous private collections. She is represented by Luis De Jesus Los Angeles. https://www.carlajayharris.com/, https://www.luisdejesus.com/

Image Credit:
Carla Jay Harris
The Snake Bearers
2018-2019
Archival Pigment Print
Image Courtesy of the artist and Luis De Jesus Los Angeles

Hope you can make it out for Sarah Vanderlip's Q and A on Sat. 4/13 at the Rough Play Projects site in Joshua Tree and i...
04/01/2019

Hope you can make it out for Sarah Vanderlip's Q and A on Sat. 4/13 at the Rough Play Projects site in Joshua Tree and if you haven't had a chance to see her piece, Sunday afternoon will be the last chance on the Rough Play Projects location!

Counting Down to Q and A with Sarah Vanderlip - 2019 Joshua Treenial - Saturday April 13, (4-6pm) Untitled (Double Ellipses) will be on view.

Produced by Rough Play Projects:
A Joshua Treenial Cultural Partner / Desert X Parallel Project.

Rough Play Projects:
60461 Chollita Road Joshua Tree, CA, 92252
Follow LINK for Directions/MAP and Parking information. https://www.roughplay.net/rough-play-projects/2019/meet-the-artist-q-and-a-with-sarah-vanderlip

09/19/2018

Take a look at this wonderful opportunity to work somewhere amazing. Please pass along or apply!

EXCELLENT GIG: Gig! Title: Director, Corita Art Center
Hours: Full-time/exempt
Reports to: Executive Director, Immaculate Heart Community
Salary: $54,000.00 to $60,000.00 /year

SUMMARY
The Corita Art Center, a project of the Immaculate Heart Community, preserves and promotes Corita Kent’s art, teaching, and passion for social justice. Today, the Corita Art Center facilitates exhibitions by lending artwork all over the world, oversees image and merchandising rights, sells Corita Kent’s remaining original prints, and serves as a resource of information about her life and work. This is a great opportunity for a dynamic and enthusiastic nonprofit leader to strengthen and grow the Corita Art Center and bring to light the life and work of Corita Kent to the next generation.

As a member of Immaculate Heart Community’s (IHC) Executive Leadership Team, the Director of the Corita Art Center (CAC) is responsible for the overall operations of CAC and ensuring that its mission and goals are met.. Overarching responsibilities include policy development, operations, public relations, implementing and enhancing the Corita Art Center’s strategic goals, engaging in fundraising, development, and administration of programs, and supervision of staff, interns and volunteers. In addition, the Director will ensure that CAC aligns with the mission of IHC and work collaboratively with other members of the IHC Executive Leadership Team to support shared programs, strategic planning, and development goals.

IHC is a nonprofit multiservice agency that advocates for social and economic justice and is committed to building relations in society to foster human development. This is an exciting opportunity for a dynamic leader to help to strengthen, grow and professionalize an established nonprofit organization. IHC is committed to building relations in society, which foster access of all persons to truth, dignity, and full human development, and to strategically change practices and situations, which impede such access.

ESSENTIAL RESPONSIBILITIES:
Management and Administration

* Create and maintain a culture of open and shared communication, collaboration, servant leadership, fostering strong positive employee morale.
* Ensure high quality and effective operational oversight for CAC.
* Works collaboratively to develop an implementation plan in line with IHC strategic plan.
* Overall management of CAC staff, interns and volunteers, providing supervision, hires, trains and supports staff, conduct annual evaluations, support staff development needs, etc.
* Working with the IHC Leadership Team to draft a programmatic strategic plan by assessing and identifying community need and develop appropriate services, collaborative program delivery, and other efforts that fosters success for CAC for board engagement and approval.
* In partnership with the administrative office, develop, update and support appropriate and efficient operational and employee policies, procedures, and protocols, etc.

Collection Management

* Works with staff to plan for a high-quality guest experiences and quality programming.
* Approves exhibition program and loans. Coordinates traveling exhibitions with the Collections Manager.
* Oversee the installation of exhibits including: purchasing materials, framing works and installing works of art.
* Oversees image and merchandising rights.
* Ensure that all art and merchandising sales are properly handled and fulfilled, review staff transactions, supply levels and oversee needs assessments.
* Works collaboratively with the Collections Manager to ensure the proper conservation and storage of the collections.

Fund Development and Public Relations

* In partnership with Director of Advancement, support and implement a fund development strategy.
* Ensure that there is appropriate and meaningful engagement within various stakeholder to develop and maintain relations with the philanthropic community and strategic partners.
* Act as spokesperson for CAC, including occasional public speaking.
* Represents CAC with government entities, funders, collaborative partners and donors both individually and in partnership with other key staff.
* Works with staff and partners to develop and execute appropriate programs.
* Write articles as needed for internal and external communications, marketing and development efforts.

Financial Oversight

* Develop and manage a fiscally sound budget.
* Manage grants and provide timely reports.
* Ensures policies, procedures and protocols, and fiscal oversight is maintained.

Performs other duties as assigned

QUALIFICATIONS AND REQUIREMENTS

* Passion for and interest in the work and mission of the Corita Art Center.
* At least five years of experience in a visual arts center, or similar program.
* At least two years of management experience, supervising staff and programs.
* Bachelor’s degree required; Master’s degree in Arts Administration, Arts Education, Art History, Museum Studies or related field preferred.
* Demonstrated ability in team oriented management.
* Effective oral and written communication skills with presentation / storytelling experience.
* The ideal candidate will not only possess strong management, interpersonal and organizational skills, but also have the ability to think strategically, to generate new ideas, as well as implement and follow-through with existing goals.

Additional Requirements:
Valid California Driver’s license
Ability to lift up over 25 lbs., climb a ladder and use tools necessary for art installation set-up and break-down.

Benefits:
Paid holidays, vacation, sick and personal days, Medical/dental/vision/life/AD&D insurance 403(b) Retirement Plan. Other Available Benefits: Mileage Reimbursement, Cell Phone Allowance, Longevity Awards, and all other federal and state leave entitlements.

To apply for this position, please email your resume with a cover letter outlining your interest, qualification, and salary requirements for the position to [email protected]. In the subject line, please write “Director - Corita Art Center Position, [your name]”. No phone calls, please. Only those candidates considered for an interview will be contacted.

The Immaculate Heart Community provides equal opportunity in employment for all qualified persons and prohibits discrimination in employment on the basis of race, color, creed, national origin, ethnicity, ancestry, religion, age, s*x, s*xual orientation, gender identity and expression, marital status, partnership status, disability, genetic information, alienage, citizenship, military or veteran status, status as a victim of domestic violence/stalking/s*x offenses, and unemployment status. Thanks for sharing Kristina Newhouse

Ashley Hagen and Elizabeth Tinglof members of Rough Play Collective have made pieces for this show! Come out on Sunday t...
08/11/2018

Ashley Hagen and Elizabeth Tinglof members of Rough Play Collective have made pieces for this show! Come out on Sunday to see each artist's transformation of their boxes!! Another fun summer show thanks to Kristine Schomaker and Shoebox Projects

"About a Box"
An artist-in-residence in a shoebox
at Shoebox Projects

Opening Reception August 12, 3-6pm
On view August 12 to August 26 by appointment

All shoeboxes are on sale for $500

Shoebox Projects
660 South Avenue 21 #3
Los Angeles Ca 90031
[email protected]
www.shoeboxprojects.com

Shoebox Projects has always been a space to present alternative programming for artists. They recently opened "The Closet" in Shoebox Projects (run by The Shed Collective) as an alternative to alternative spaces to allow artists an outside-of-the-box (or inside) opportunity for creating new work in an unusual space. Creating an artist-in-residence program, Shoebox Projects offers artists space which has become an incubator for experimentation, inspiration and community.

The natural next step was to give artists an even more unique space to create work, experiment and transform their art practice. This space became the shoebox.

Please join us on August 12th to see the culmination of the residency and witness how each of the artists has transformed their shoebox.

Featuring: Debby Kline Larry Kline Nancy Larrew Diane Williams Susan J Osborn Nancy Kay Turner Emily Wiseman Dani Dodge Jennifer Gunlock Kayla Cloonan Chenhung Chen Debbie Korbel Elizabeth Tinglof Lorraine Heitzman Susan T. Kurland Frederika Beesemyer Roeder Karen Hochman Brown Cathy Immordino Steve Seleska Colin Roberts Pranay Reddy Randi Matushevitz Maya Kabat Katya Usvitsky Catherine Ruane Bibi Davidson Dwora Fried Linda Sue Price Ashley Hagen Vincent Tomczyk Don Porcella

Rough Play Collective co founder Elizabeth Tinglof 's installation, "A Thin Thread to Balance", will address the process...
04/09/2018

Rough Play Collective co founder Elizabeth Tinglof 's installation, "A Thin Thread to Balance", will address the process of grief through conversations around gender, exposure, and symbolic penance. Opening tonight! (4-6pm) Cerritos College Art Gallery

Cerritos College
11110 Alondra Blvd
Norwalk, CA 90650

Elizabeth Tinglof "A Thin Thread To Balance" special Installation in the display window vitrine on the exterior of the Cerritos College Art Gallery

03/25/2018

Kellan Barnebey King Gearing up for the RPP Available to All Inaugural Site-Specific Installation! Join Us Saturday April 7, [6:30-9:30pm] 60461 Chollita Rd. Parking available on Rockwood Rd. [2 min walk to site path]

Address

1110 Mateo Street
Los Angeles, CA
90021

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