Joe Anthony Studios

Joe Anthony Studios Joe teaches actors to communicate rather than perform. This allows them to get out of their actor brains and into their child’s heart.

Joe Anthony’s inspiration to teach can be credited to two life-changing mentorships: the first by Dr. David Payne Carter, New York University’s renowned professor, author and theater historian and Corey Allen, legendary Hollywood actor (Rebel Without A Cause) and Emmy-winning director (Hill Street Blues, Star Trek: Next Generation). Joe’s career began in 1995 with the tremendous honor and opportun

ity to, along with Corey Allen, develop an acting program for Columbia College Hollywood. Together they developed a one-of-a-kind, three-level curriculum culminating in acting and directing students working together in their final year at the film school. In 1996, he was also approached by one of Los Angeles’ most well-known cold-reading studios for film and television actors where he taught for seven years. Joe’s love of theater and desire to further himself as a teacher led him to launch Joe Anthony Studios in 2002 where he now coaches both actors and directors privately and in classes.

06/18/2026

When you hear a director, tell you to do less you might think what they mean is you’re expressing yourself too much. What they likely mean is you’re expressing yourself for the wrong person. Usually an actor gets that note when they are playing for the audience instead of playing to the person in front of them. Shift the target from the audience to the character in front of you and the size of your expression will still feel grounded
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06/17/2026

Every acting teacher tells you to be present on stage, but very few explain how. Your ability to remain focused under pressure is directly related to your relationship to why you are on stage to begin with. If you are there to show off to an audience, you are going to be self-conscious. If you are there to share an important message, you’re going to be focused on the message and therefore present. When you make it about you, it’s impossible to be present. When you make it about something bigger than you, it’s very easy. ✨Click the link in the bio and start training with us.
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06/16/2026

A story written about someone else will always feel like someone else’s life — until you make the pronouns yours.
Take any scene or story. Decide who you are in it. Then go through and swap every he/she for I, every they/them for we/us, every their for our. Read it once the original way. Read it again your way. Pay attention to what shifts inside.
This is the difference between performing a script and living inside one. Children don’t imagine in third person — they play in first. That’s the access point.
Run this drill daily. Cross out, replace, and watch how fast your heart catches up to the story
👇click the link in the bio to begin training with us
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06/15/2026

You nailed the take. Now comes the harder part.
Most actors instinctively try to bottle what just happened and pour it back out on the next take. It never works — and deep down, you already know why.
The moment you start managing your performance, you’ve stopped living inside it.
Acting is reacting. Not recreating.
Your only job when action is called is to be exactly where you are — present, open, and available to whatever’s happening in front of you.
click the link in the bio and start training with us ✨
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06/14/2026

When you see a “——“ at the end of the other characters line and you realize that you’re meant to cut them off with the next thing you say, don’t just memorize the cue words, actually consider what is triggering you to respond mid sentence. Get more invested in what you’re hearing beyond the words that needs addressing, and then you will be naturally compelled to jump in instead of stiffly waiting for your cue words. That will be the difference between us being able to watch you or not.
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06/13/2026

If you’re still drilling your lines out loud hoping it’ll click on camera — it might. but it more likely will make you word conscious while you’re playing. Memorization is not meaning. You can know every word and still sound like every other actor in the room. Meaning comes from thinking, from preparation, from sitting with what you’re actually saying before you ever say it out loud.
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06/12/2026

When’s the last time you sat quietly with no phone, no scroll, no distraction — just your own thoughts? If you can’t remember, that’s your answer for why the breakthrough hasn’t come yet. Professionals make space for reflection. Amateurs fill every second. Want to train like a pro? DM “REFLECT.”
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06/11/2026

Every time you read a script, you make a choice: resist the writer’s suggestion, or surrender to it. Resistance shuts the door on curiosity. Surrender flings it wide open.
30 years of training working actors taught me this — judgment kills discovery, acceptance creates it.
click the link in the bio and begin training with us
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06/10/2026

Stop critiquing other actors. It’s making you worse.
Here’s why: every time you judge someone else’s performance, you’re reinforcing the habit of judgment. And that habit follows you onto the stage.
The fear of being judged is what keeps actors playing safe. You’re practicing that fear every time you watch a scene and think I would’ve done it differently.
Watch for the people. Not the performance.
When you’re curious about human stories instead of actor choices, you’re building the thing that actually matters — the ability to represent real human beings when the cameras roll.
That’s the job.
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06/09/2026

The cure for performance anxiety isn’t confidence. It’s responsibility.
Confidence says: I hope I’m good enough.
Responsibility says: This person I’m playing deserves to be heard.
One is about you. One never is.
The audience isn’t judging your talent. They’re waiting to recognize their own experience inside your performance.
Give them that — and you won’t have time to be nervous.
30 years of coaching actors in LA. The ones who last learn this early.
click the link in the bio and start training with us
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Address

4634 Van Nuys Boulevard
Los Angeles, CA
91403

Telephone

+13233504456

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