03/27/2026
THANK YOU to all who joined us for PA47 “march madness” last night 💛 full credits below, and thanks to the pico-union project for having us.
We are now accepting submissions for PUBLIC ASSEMBLY 48: “pick a lane” If you would like to submit a piece for PA48, fill out the writing submission form on our website with a brief (400 words or less) description of your idea, noting # of characters, overarching plot, and themes (complete scripts and file attachments not accepted). Submit by 11:59PM on SUNDAY (3/29). [some guidance below*]
All performance styles/forms are welcome. Our only prerequisite is that you’ve attended one of our shows before.
We will make decisions by THURS (4/2).
Note: keep in mind that your final piece must run under 12min and throughout the month it will undergo a rigorous workshop process wherein scripts will evolve considerably.
We’re so excited to read what y’all come up with.
CREDITS:
“mating rituals”
written by david clifford turner, directed by nitya vidyasagar
starring matthew patrick davis, clayton farris, alice hunter, james tolbert
“before the verdict”
written by paolina acuña-gonzález, directed by janina gavankar
starring kimberly alexander, winter andrews, susan deming, dana lee, maribel martinez, william warren
“the ides of marching band”
written by ben smith, directed by brendan scannell
starring ryan asher, miya kodama, alex song-xia, emily walker
fight choreo by almanya narula
interstitials performed by toro pep band
this month’s show curated by the following PA members: nick marcone, alexandra metz, lexi pappas
📷: nic murphy & cameron rice
*some guidance as you write your submission:
👉 why must this piece be on stage and not on screen? make the most of the format
👉 we love big swings and weird ideas. clowning, movement, non-verbal… let your imagination run wild
👉 while we often program comedic pieces, we are not interested in sketch (pieces that prioritize quick laughs rather than deeper thematic exploration)
👉 we are often short on dramatic submissions
👉 these are true one acts; please do not include scene breaks