What are the opening hours?

Tuesday 10am - 5pm Wednesday 10am - 5pm Thursday 10am - 5pm Friday 10am - 5pm Saturday 10am - 5pm

Anat Ebgi Gallery

Home
United States
Los Angeles, CA
Anat Ebgi Gallery

anatebgi.com

06/13/2026

𝙆𝙉𝙄𝘾𝙆𝙎 𝙄𝙉 𝙁𝙄𝙑𝙀𝙀𝙀𝙀 – Gloria Klein

⛹️

Artwork: Gloria Klein Archive
Blue Cage, 1981
Acrylic on canvas
60 x 60 inches / 152.4 x 152.4 cm

06/12/2026

𝓘𝓵𝓵𝓾𝓶𝓲𝓷𝓪𝓽𝓲𝓸𝓷𝓼
𝗖𝘂𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗔𝗻𝗴𝗲𝗹𝗮 𝗟𝗮𝗻𝗲

🌝 Opening Friday, June 26, 6-8pm
📍372 Broadway, New York

Featuring works by
Ben Cauchi ben.cauchi
James Cherry James Cherry
Ryan Driscoll
Garry Fabian Miller Garry Fabian Miller
Timo Fahler
Shawn Huckins Shawn Huckins
Nova Jiang Nova Jiang
Brad Kahlhamer Brad Kahlhamer
Mia Kokkoni .kokkoni
Danielle Kosann Danielle Kosann
Angela Lane Angela Lane
Enrique Martinez Celaya Enrique Martínez Celaya
Kayla Risko Kayla Risko
Barbara Takenaga barbaratakenaga
Dannielle Tegeder Dannielle Tegeder

Image: Detail from Shawn Huckins “Last Sun Behind Sheer Curtain,” 2026

06/11/2026

Janet Werner 𝘊𝘩𝘢𝘮𝘦𝘭𝘦𝘰𝘯, 2026

Janet Werner’s exhibition title, Landscape with Legs, follows a convention from art history that describes a picture’s contents in terms of the subject paired with an object (e.g., Woman with a Parrot; Boy with a Greyhound). Landscape with Legs subverts this trope, upending various hierarchies, giving figure and ground equal importance. It conjures an absurd idea of a moveable landscape that could get up and walk away if it wished to.

The introduction of landscapes extends these inquiries, representing spaces that remain unknown and ungraspable. Werner stages her figures within landscapes—multiple times removed from reality—drawing on reinterpretations of Edvard Munch, Caspar David Friedrich, and Jean-Antoine Watteau. These environments share a sense of the staged, the choreographed, and the romanticised. Werner’s engagement with artifice uncovers something evasive about human psychology.

𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒘𝒊𝒕𝒉 𝑳𝒆𝒈𝒔
On view through June 13
📍 372 Broadway, New York

Artwork details:
Chameleon, 2024
Oil on canvas
76 x 60 inches / 193 x 152.4 cm

06/09/2026

Ryan Driscoll 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥 (𝘍𝘪𝘨𝘶𝘳𝘦 𝘊𝘰𝘯𝘤𝘦𝘱𝘵 𝘰𝘧 𝘍𝘦𝘭𝘭𝘦𝘥 𝘚𝘵𝘢𝘳), 2026

newest works construct a self-contained mythological system that explores the mysteries of death and the realms beyond. Frontal figures of idealized bodies rendered with a disciplined smoothness recalling academic and Renaissance painting recur across the exhibition as presiding sentinel-like forms that watch over this place.

Driscoll’s cosmology, constructed through fragments of literature, observation of the real world, and invention from his own imagination, fits seamlessly into centuries old traditions of the occult and the mystical. Serpentine forms trace continuous paths through the compositions, linking figures and reinforcing a shared visual vocabulary. His articulation of this world—its characters, causes, and internal relations—suggest an ordered realm governed by a constant and unsettling logic.

𝑻𝒆𝒄𝒉 𝑫𝒖𝒊𝒏𝒏
On view through June 13
📍 372 Broadway, New York

Artwork details: Ryan Driscoll
Untitled (Figure Concept of Felled Star), 2026
Watercolor and ink on paper, framed
17 x 13 ³⁄₈ inches / 43.2 x 34 cm

06/06/2026

Faith Wilding’s 𝑵𝒂𝒕𝒖𝒓𝒂𝒍 𝑷𝒂𝒓𝒂𝒃𝒍𝒆𝒔

Completed in 1982, 𝘕𝘢𝘵𝘶𝘳𝘢𝘭 𝘗𝘢𝘳𝘢𝘣𝘭𝘦𝘴 is a 12-piece work that comprises pairings of large watercolor-drawing hybrids with corresponding oil paintings on shaped masonite panels. The six illuminated parables fuse two branches of her practice – highly detailed imagery inspired by nature as a metaphor for transformation.

Commingling handwritten script and visual iconography, Wilding creates an apparatus of verbal and visual notation to explore specific ideas about women’s transformation; the metamorphosis of the natural world through human intervention and destruction; and the body and nature as a codependent political site.

The creation of 𝘕𝘢𝘵𝘶𝘳𝘢𝘭 𝘗𝘢𝘳𝘢𝘣𝘭𝘦𝘴 marked the culmination of years of research into female mythologies, paganism, English Romantic poetry, illuminated herbals, bestiaries, and alchemical manuscripts.

Artwork details:
Natural Parables, 1982
Watercolor, pencil, and ink on paper, framed / Oil on Masonite
Installed dimensions 186 x 396 inches / 4.7 x 10.1 m

06/05/2026

OPENING TOMORROW
𝐀𝐧𝐠𝐞𝐥𝐚 𝐋𝐚𝐧𝐞: 𝑷𝒉𝒂𝒔𝒆 𝑺𝒉𝒊𝒇𝒕

Saturday, June 6, 4-6pm
📍 6150 Wilshire Blvd, Los Angeles

Lane () interrupts her calm pastoral landscapes with depictions of extraordinary meteorological phenomena that seem at once fatal and visionary. 𝘗𝘩𝘢𝘴𝘦 𝘚𝘩𝘪𝘧𝘵 is a technical term in physics that refers to the measurable displacement between repeating waves, oscillations, or signals. Colloquially it describes being ‘out of sync’ or the subtle realignment that comes from a change of perception—in other words, an awakening. As open encounters, Lane’s paintings register atmospheric fact, psychological imprint, mirage, and visionary horror and majesty.

06/04/2026

𝗠𝗮𝗿𝗰 𝗗𝗲𝗻𝗻𝗶𝘀: 𝘓𝘰𝘷𝘦 𝘓𝘦𝘵𝘵𝘦𝘳

Closing Reception, Saturday June 6, 4-6 pm
📍6150 Wilshire Blvd, Los Angeles

Marc Dennis has long drawn inspiration from the Western art historical canon, combining his appropriations with unexpected elements of humor and subversion—such as his works incorporating iridescent bubbles or cartoon animals. Dennis’s gentle unsettling of historical illusions forms a love letter to the enduring traditions of painting, opening a dialogue between centuries of visual culture from the vantage point of contemporary life.

Artwork details:
Sweet Things, 2026
Oil on linen
44 ³⁄₄ x 80 ⁵⁄₈ inches / 113.7 x 204.8 cm

06/03/2026

We’re pleased to announce a forthcoming solo exhibition in Los Angeles

𝗠𝘂𝗰𝗸𝗶 𝗕𝗼𝘁𝗸𝗮𝘆
𝙄𝙈𝘼𝙂𝙄𝙉𝘼𝙍𝙔 𝙒𝙄𝙉𝘿𝙊𝙒𝙎
Opening July 11 👁️

Artwork details:
Untitled, 2026
Hand embroidery with beads on canvas, framed
60 x 123 inches / 152.4 x 312.4 cm

.art_

06/02/2026

Janet Werner 𝘗𝘦𝘨𝘨𝘺, 2026

begins a new painting by collaging two or more images culled from her vast collection of fashion magazines accumulated in her studio over the past 25 years. The juxtapositions create breaks in the image where the joined elements align or misalign; sometimes there is a vertical split, or a horizontal one, while others are altered with folds or tears.

Although her subjects circulate within popular media, these women are not necessarily famous, nor are the paintings intended to replicate a likeness. She allows herself to deviate dramatically from her references, resulting in layered records of hesitation and revision. Werner pulls figures in and out of legibility through a process of renegotiation, interruption, and accumulation. Passages of her initial drawing and underpainting, various stages of full rendering or unpainted edges remain in the final composition, leaving some air and space to breathe.

𝑳𝒂𝒏𝒅𝒔𝒄𝒂𝒑𝒆 𝒘𝒊𝒕𝒉 𝑳𝒆𝒈𝒔
On view through June 13
📍 372 Broadway, New York

Artwork details:
Peggy, 2026
Oil on canvas
60 x 48 inches / 152.4 x 121.9 cm

05/29/2026

Simon Haas 𝘙𝘢𝘪𝘯𝘣𝘰𝘸 𝘉𝘦𝘯𝘥 (𝘗𝘭𝘦𝘢𝘴𝘦 𝘗𝘢𝘳𝘬), 2026

The exhibition foregrounds Simon Haas’s distinct solo practice, developed alongside his work as one half of the artist duo The Haas Brothers. Working with graphite on clayboard—a notably smooth, hard, and resistant surface—Haas renders imagery with quiet, meticulous clarity. His subjects dwell in the everyday, reflecting q***r visual culture and personal experiences.

𝑯𝒂𝒑𝒑𝒚 𝑻𝒓𝒂𝒊𝒍𝒔
Through June 6
📍 6150 Wilshire Blvd, Los Angeles

Artwork details: Simon Haas
Rainbow Bend (Pease Park), 2026
Graphite on clayboard, framed
13 ¹⁄₄ x 13 ¹⁄₄ inches / 33.7 x 33.7 cm

Address

6150 Wilshire Boulevard
Los Angeles, CA
90048

Opening Hours

Tuesday	10am - 5pm
Wednesday	10am - 5pm
Thursday	10am - 5pm
Friday	10am - 5pm
Saturday	10am - 5pm

Telephone

+13232723418

Website

http://www.anatebgi.com/

Alerts

Be the first to know and let us send you an email when Anat Ebgi Gallery posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to Anat Ebgi Gallery:

Shortcuts

Address
Telephone
Opening Hours
Alerts
Contact The Establishment
Claim ownership or report listing

Want your establishment to be the top-listed Arts & Entertainment in Los Angeles?