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Anat Ebgi Gallery

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Anat Ebgi Gallery

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09/08/2026

OPENING TOMORROW NYC

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴
S. NETRABILE

𝗔𝗹𝗮𝗻𝗻𝗮𝗵 𝗙𝗮𝗿𝗿𝗲𝗹𝗹: 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢
Alannah Farrell

Artist Reception
September 9, 6-8 pm
📍372 Broadway, New York

Soumya Netrabile
Garden with White Pods (for St. Francis), 2026
Oil on canvas
18 x 24 inches / 45.7 x 61 cm

𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴
S. NETRABILE

Soumya Netrabile
The Salt Pool, 2026
Oil on canvas
(Detail)

𝗔𝗹𝗮𝗻𝗻𝗮𝗵 𝗙𝗮𝗿𝗿𝗲𝗹𝗹: 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢
Alannah Farrell

Alannah Farrell
Benjamin (Iron Pond), 2026
Oil and acrylic on canvas
30 x 40 inches / 76.2 x 101.6 cm

𝗔𝗹𝗮𝗻𝗻𝗮𝗵 𝗙𝗮𝗿𝗿𝗲𝗹𝗹: 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢
Alannah Farrell

Alannah Farrell
Robin (Fire Island), 2026
Oil on canvas with upholstery tacks
(Detail)

09/04/2026

PREVIEW 𝗖𝗼𝘀𝗺𝗼 𝗪𝗵𝘆𝘁𝗲: 𝘜𝘯𝘥𝘦𝘳 𝘵𝘩𝘦 𝘘𝘶𝘪𝘦𝘵, 𝘉𝘦𝘺𝘰𝘯𝘥 𝘵𝘩𝘦 𝘌𝘺𝘦

Opens September 11
U-M Stamps School of Art & Design, Ann Arbor, MI

The Penny W. Stamps School of Art & Design at the University of Michigan proudly presents Cosmo Whyte: 𝘜𝘯𝘥𝘦𝘳 𝘵𝘩𝘦 𝘘𝘶𝘪𝘦𝘵, 𝘉𝘦𝘺𝘰𝘯𝘥 𝘵𝘩𝘦 𝘌𝘺𝘦, an ambitious mid-career survey featuring interdisciplinary work from the U-M Stamps alumnus and current UCLA faculty member.

Bringing together drawing, sculpture, installation, and works shaped by research, Under the Quiet, Beyond the Eye pulls at two key threads of Whyte’s creative practice: the archive as a generative site of exploration, and migration as an unfinished arc of motion and reinvention. Across the exhibition, Whyte considers how official histories collide with memory, inheritance, and the fragments of experiences carried across generations.

Artwork details: Cosmo Whyte
Untitled, 2026
Charcoal, gold leaf, paint on paper, framed
32 ³⁄₄ x 24 ³⁄₄ inches / 83.2 x 62.9 cm

Stamps School of Art & Design

09/02/2026

Caleb Hahne Quintana in “Colorado Currents”

𝘊𝘰𝘭𝘶𝘮𝘣𝘪𝘯𝘦 𝘐𝘐 combines a self-portrait with two columbine flowers, referencing Colorado’s
state flower while also acknowledging the profound association the name carries within the state’s history. The work reflects on the artist’s personal proximity to the 1999 Columbine High School shooting. Hahne Quintana’s father, a muralist, had been commissioned to paint murals at Columbine High School, and Hahne Quintana and his sister were scheduled to accompany him on the morning of the attack. By chance, the visit was postponed, and his family was not present on that fateful day.

The painting connects personal memory with collective trauma, using the columbine flower
as both a regional emblem and a symbol of fragility, survival, and the role of chance in shaping individual lives.

On view through November 1
Museum of Contemporary Art Denver

Artwork details:
caleb h quintana
Columbine II, 2026
Oil on copper mounted to panel
24 x 18 inches / 61 x 45.7 cm

09/01/2026

Please join us for 𝗔𝗹𝗮𝗻𝗻𝗮𝗵 𝗙𝗮𝗿𝗿𝗲𝗹𝗹: 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢

Opening Reception
Wednesday, September 9, 6-8 pm
📍372 Broadway, New York

This exhibition is a poignant ode to the rural community in New York State where Farrell grew up. Coupling scenes of decaying architecture with tender portrait paintings for which the artist is best known, Farrell builds a visual story of an altered reality that contemplates the unbearable strangeness and overwhelming beauty of a place changing while one is living in it.

Artwork details: Alannah Farrell
Doubts even here, 2026
Oil and acrylic on canvas
40 x 60 inches / 101.6 x 152.4 cm

08/29/2026

𝗚𝗹𝗼𝗿𝗶𝗮 𝗞𝗹𝗲𝗶𝗻 𝘜𝘯𝘵𝘪𝘵𝘭𝘦𝘥, 1988
Acrylic on canvas
60 x 40 inches / 152.4 x 101.6 cm

Gloria Klein Archive

08/28/2026

Please join us for 𝗦𝗼𝘂𝗺𝘆𝗮 𝗡𝗲𝘁𝗿𝗮𝗯𝗶𝗹𝗲: 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴

Opening Reception
Wednesday, September 9, 6-8 pm
📍372 Broadway, New York

The term 𝘍𝘪𝘦𝘭𝘥 𝘊𝘰𝘯𝘥𝘪𝘵𝘪𝘰𝘯𝘴 is mainly used to describe weather-related conditions for sports games. It is also used to report on the physical environment for construction sites and air traffic control. These reports indicate how the physical environment may affect playability, aviation hazards, or construction site realities. For an artist, the field conditions might be physical external conditions such as humidity or temperature, but the metaphor can be extended to the mental and physical state of the artist—how, on any given day, elusive pressures and assumptions influence the painting environment in the studio from one day to the next.

Artwork details: Soumya Netrabile
Black Skirt, 2026
Glazed stoneware
13 x 11 x 14 inches / 33 x 27.9 x 35.6 cm

08/26/2026

𝗩𝗲𝗿𝗼𝗻𝗶𝗰𝗮 𝗙𝗲𝗿𝗻𝗮𝗻𝗱𝗲𝘇 𝘋𝘢𝘺𝘥𝘳𝘦𝘢𝘮 𝘖𝘧 𝘙𝘰𝘭𝘭𝘪𝘯𝘨 𝘋𝘰𝘸𝘯 𝘏𝘪𝘭𝘭𝘴, 2026

Veronica Fernandez’s figurative paintings depict vivid characters and dramatic environments coated with residue of memory. While her works begin with elements of autobiography, Fernandez resists overly specific realism. Her subject matter recalls the Ashcan School, an American artistic “movement” of the late 19th and early 20th centuries, unified by the desire to tell certain truths about modern life in urban New York City’s poorer neighborhoods. Similarly unfettered, Fernandez shines a positive light on her memories, painting toward a poetic frankness and vitality.

Work details: VERONICA FERNANDEZ 🐍☔️⭐️
Daydream Of Rolling Down Hills, 2026
Oil on panel
8 ³⁄₄ x 10 ³⁄₄ inches / 22.2 x 27.3 cm

08/25/2026

Last days to view 𝗥𝗼𝗯𝗲𝗿𝘁 𝗥𝘂𝘀𝘀𝗲𝗹𝗹 & 𝗟𝗶𝘀𝗮 𝗘𝗱𝗲𝗹𝘀𝘁𝗲𝗶𝗻: 𝘼 𝙋𝙖𝙡𝙖𝙘𝙚 𝙞𝙣 𝙏𝙞𝙢𝙚

Skirball Cultural Center
Through September 6

Robert Russell and Lisa Edelstein: 𝘈 𝘗𝘢𝘭𝘢𝘤𝘦 𝘪𝘯 𝘛𝘪𝘮𝘦 invites visitors to reflect on how they spend their time–in the moments when they are celebrating, grieving, and all the small moments in between. Drawing inspiration from Rabbi Abraham Joshua Heschel’s description of the Sabbath as “a palace in time,” this exhibition brings together new paintings by Los Angeles-based artists and married partners Russell and Edelstein that hold up moments and memories of joy and loss–ever-present in Jewish family traditions and community gatherings.

Skirball Cultural Center

Tall Rambue Yahrzeit Candle #10, 2025
Oil on canvas
20 x 16 inches / 50.8 x 40.6 cm

Installation view “A Palace in Time” at Skirball Cultural Center

Papa Russ, 2026
Oil on canvas
21 x 17 inches / 53.3 x 43.2 cm

Installation view “A Palace in Time” at Skirball Cultural Center

Installation view “A Palace in Time” at Skirball Cultural Center

Oscar Schaller Creamer, 2025
Oil on canvas
24 x 30 inches / 61 x 76.2 cm

08/22/2026

We’re pleased to announce
𝗘𝗿𝗶𝗻 𝗪𝗿𝗶𝗴𝗵𝘁: 𝘔𝘦𝘮𝘯𝘰𝘴𝘱𝘩𝘦𝘳𝘦

Opening: Saturday, September 19
📍6150 Wilshire Blvd, Los Angeles

Artwork details: Erin Wright
Hot House
Acrylic and colored pencil on canvas
40 ¹⁄₂ x 30 ¹⁄₂ inches / 102.9 x 77.5 cm

08/20/2026

𝗧𝗮𝗺𝗺𝗶 𝗖𝗮𝗺𝗽𝗯𝗲𝗹𝗹 “𝘛𝘏𝘌𝘙𝘔𝘖𝘔𝘌𝘛𝘌𝘙𝘚 𝘚𝘏𝘖𝘜𝘓𝘋 𝘓𝘈𝘚𝘛 𝘍𝘖𝘙𝘌𝘝𝘌𝘙” 𝘍𝘳𝘢𝘮𝘦𝘥, 𝘸𝘪𝘵𝘩 𝘉𝘶𝘣𝘣𝘭𝘦 𝘞𝘳𝘢𝘱 𝘢𝘯𝘥 𝘗𝘢𝘤𝘬𝘪𝘯𝘨 𝘛𝘢𝘱𝘦, 2024

Tammi Campbell’s expression rests between several moving points: the gesture of selection from the male-dominated canon of art history, the viewer’s suspended state of anticipation waiting for the work to be unmasked, and the caveat that the entire work is a trompe l’oeil illusion—her additions of bubble wrap, packing foam, masking tape, or cardboard, are made entirely from acrylic paint. Campbell withholds and repackages the readymade of Modernism itself.

Artwork details: Tammi Campbell, Art
“THERMOMETERS SHOULD LAST FOREVER” Framed, with Bubble Wrap and Packing Tape, 2024
Pastel on paper, wood frame, plexiglass and acrylic paint
29 ⁵⁄₈ x 35 ⁵⁄₈ x 2 ¹⁄₄ inches / 75.3 x 90.5 x 5.7 cm

Address

6150 Wilshire Boulevard
Los Angeles, CA
90048

Opening Hours

Tuesday	10am - 5pm
Wednesday	10am - 5pm
Thursday	10am - 5pm
Friday	10am - 5pm
Saturday	10am - 5pm

Telephone

+13232723418

Website

http://www.anatebgi.com/

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