Abigail Ogilvy Gallery

Abigail Ogilvy Gallery Los Angeles | Dealing in contemporary art

I have always said that blank walls present a new opportunity. Every show begins this way—with empty walls and the possi...
09/07/2026

I have always said that blank walls present a new opportunity. Every show begins this way—with empty walls and the possibility of something new: an opportunity for learning, conversation, discovery, and the sharing of ideas. This time, the walls are blank for a different reason. After 11 incredible years, Abigail Ogilvy Gallery is closing its doors.
 
There is so much sadness in closing something that has been such a meaningful part of my life, but I cannot help but celebrate the many victories behind us. I began Abigail Ogilvy Gallery in a basement space in Boston with a simple but deeply held mission: to support and share the work of emerging and mid-career artists, and to create a place where their ideas could be seen, discussed, challenged, and celebrated. Looking back at the exhibitions, artists, conversations, art fairs, and adventures we shared across Boston, Los Angeles, and around the world, I am beyond proud of the mark we made.
 
Most of all, I am proud of the artists. My artists are some of the most thoughtful, curious, motivated, and talented people I have ever had the privilege of knowing. It has been an extraordinary honor to spend these years alongside them—to watch their practices evolve and to champion their ideas. I am deeply grateful that they trusted me and the gallery with their work and their vision.
 
I am equally grateful for my team. Over the years, my team poured so much care into the success of our artists and into creating exhibitions and experiences that were thoughtful, relevant, and alive. They brought creativity and heart to the gallery every day, and I could not have done this without them.
 
When someone asked me recently what I would miss most about running the gallery, my answer came immediately: the people. A gallery is ultimately about bringing people together around art, and it is the people who have given these 11 years their meaning. You have filled those blank walls again and again—with ideas, conversations, friendships, laughter, and memories that I will carry with me long after the walls are empty.
 
Thank you for making these 11 years not only possible, but some of the most meaningful and rewarding years of my life.

“Nothing was lost it was all destroyed,” Tallulah Dirnfeld, 2026, Oil on canvas, 40 x 30 in.Tallulah Dirnfeld
07/30/2026

“Nothing was lost it was all destroyed,”

Tallulah Dirnfeld, 2026, Oil on canvas, 40 x 30 in.

Tallulah Dirnfeld

I met Meghan Murray in 2022 when she was curated into our exhibition titled Fresh Faces. She’s an excellent painter and ...
07/29/2026

I met Meghan Murray in 2022 when she was curated into our exhibition titled Fresh Faces. She’s an excellent painter and I was waiting to find the perfect painting for my personal collection. I love an artwork that can be lived with, enjoyed by my family, and brings joy to our home which so happens to be near the sea 🦞. Thank you Meghan C Murray for this wonderful painting!

Artwork:
Meghan Murray, “Lifestyle: Sunday Menu; A Summer Supper from Garden and Sea (July 22, 1990,”, oil on canvas over panel, 38 x 30”, 2025

DTLA Arts Weekend returns this weekend and Abigail Ogilvy Gallery will be open July 16–18. The event brings together som...
07/15/2026

DTLA Arts Weekend returns this weekend and Abigail Ogilvy Gallery will be open July 16–18. The event brings together some of Downtown Los Angeles’ most dynamic contemporary art spaces for a weekend of exhibition openings, artist talks, special events, and extended gallery hours. Visitors can explore a diverse range of contemporary practices at Night Gallery, Band of Vices, Royale projects, VIELMETTER LOS ANGELES, Track 16, noon-projects, Artbug, Luis De Jesus 🇵🇷, Abigail Ogilvy Gallery, and Nicodim Gallery, among other participating venues.

Gallery Association Los Angeles

Pictured:
Tara Lewis
Psycho Paperback, 2026
Signed on verso
Oil on linen
24 x 18 in.

Elizabeth King Stanton"Did you forget I like strawberries?," 2026Flashe on canvas stretched on wood panel14 x 11 in.Eliz...
06/15/2026

Elizabeth King Stanton
"Did you forget I like strawberries?," 2026
Flashe on canvas stretched on wood panel
14 x 11 in.
Elizabeth King Stanton

A new series by , the works are less about sexuality and more about femininity as something constructed, folded, worn, a...
06/10/2026

A new series by , the works are less about sexuality and more about femininity as something constructed, folded, worn, and lived within.

The artist approaches underwear as portraits rather than functional objects. A garment that is a very ordinary and everyday item, delicately painted, while also being extremely loaded.

Tallulah Dirnfeld
Unseen, She Dissolved Like Sugar in Warm Milk, 2026
Oil on canvas
20 x 20 in.

Currently on view in Los Angeles: Teddy BenfieldUntitled (Off the Lot: Impound Lot), 2025House paint, acrylic paint, oil...
06/10/2026

Currently on view in Los Angeles: Teddy Benfield
Untitled (Off the Lot: Impound Lot), 2025
House paint, acrylic paint, oil stick, oil pastel, china marker, ink on wood panel
18 x 24 in.

Thinking back to this  painting from a previous exhibition, Place Setting, and how an artist’s practice so beautifully e...
06/08/2026

Thinking back to this painting from a previous exhibition, Place Setting, and how an artist’s practice so beautifully evolves. In this series, “The settings of each painting—the desert, the road, the tunnel, and the horizon—are purposefully chosen to evoke both a journey and a sense of desolation. The vast desert represents both the limitless potential and the isolation of human endeavors, the road represents life’s unpredictable path, while the tunnel, inspired by the iconic trompe l’oeil painted tunnel from the 1949 Looney Tunes episode The Fast and the Furry-ous, mixes hope, persistence, insatiable appetite, and uncertainty.”

Tara Lewis
The Road, 2024
Signed Verso
Oil on linen
44 x 60 in.

Wilhelm Neusser’s new paintings are nod to previous Realist painters who depicted agricultural labor, such as Courbet, M...
06/01/2026

Wilhelm Neusser’s new paintings are nod to previous Realist painters who depicted agricultural labor, such as Courbet, Millet, Van Gogh, Homer. The autumn harvest of the crimson-colored berries, taking place from Mid-September early November, is an agricultural spectacle along the shore of Massachusetts. Neusser has explored the subject since 2018 and established a substantial body of around the harvest, merging observations of regional agriculture with expressions of inner landscape.

On view through June 20th.
1923 S Santa Fe Avenue, Los Angeles

A recap of our 2026 presentation at Future Fair in NYC:
05/25/2026

A recap of our 2026 presentation at Future Fair in NYC:

Abigail Ogilvy Gallery is proud to present Rite of Passage, a group exhibition featuring new artworks by Alison Croney Moses, Tallulah Dirnfeld, Elizabeth Ki...

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1923 S. Santa Fe Avenue
Los Angeles, CA
90021

Opening Hours

Wednesday 11am - 6pm
Thursday 11am - 6pm
Friday 11am - 6pm
Saturday 11am - 6pm
Sunday 11am - 4pm

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+16178205173

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