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!! Last two days at  💋BOOTH F14 (fighter jet)ANDY ROBERT : KITCHEN SINK—————-Pictured:Andy RobertCall Me On Your Way Bac...
02/28/2026

!! Last two days at 💋
BOOTH F14 (fighter jet)
ANDY ROBERT : KITCHEN SINK

—————-

Pictured:
Andy Robert
Call Me On Your Way Back Home, 2026
Pastel, ink, watercolor, gouache, pen, pencil,
colored pencil, feathers on paper, framed
27 x 20 3/4 inches
68.5x 52.7cm

Andy Robert
Marine, 2026
Pencil, ink, acrylic on paper, framed
27 1/4 x 57 inches
69.2 x 144.7 cm

Andy Robert
Far From Home, 2026
Watercolor, sunflower seeds, ink,
gouache, pencil, ball-point pen,
marker, on paper, framed
16 1/2 x 48 inches
42 x 121.9 cm

 CABANA 103Open through Sunday!!“Hollywood Noir”In Hollywood Noir, the Hollywood Roosevelt’s storied room becomes a stag...
02/27/2026

CABANA 103

Open through Sunday!!

“Hollywood Noir”

In Hollywood Noir, the Hollywood Roosevelt’s storied room becomes a stage for suspended reality, where the self can undress and unravel, performing the twin roles of witness and accomplice. With an eye toward Los Angeles’s founding mythology, the select group of fifteen artists transform the psychology of a hotel room into a collision of the cinematic, the performative, and the uncanny—anchored by Sturtevant’s Warhol Gold Marilyn, an explicit wink to the Hollywood Roosevelt’s most iconic resident.

FEATURING:
Elizabeth Colomba 
Leo Costelloe
Sissi Farassat
Emily Ferguson 
Faith Hughes 
Simone Leigh 
Glenn Ligon 
Jovana Millay 
Larysa Myers 
Richard Prince 
ƌmbia Studio 
Sturtevant
Adam Stamp 
Chet Taylor 
Jean-Pierre Villafañe 

CURATED WITH 

FELIX ART FAIR OPENING TODAYđŸ”„COME VISIT CABANA 103đŸ”„â€œI would describe the cowrie shell as a stand-in for the female body,...
02/25/2026

FELIX ART FAIR OPENING TODAY

đŸ”„COME VISIT CABANA 103đŸ”„

“I would describe the cowrie shell as a stand-in for the female body, or a body in general, or a representation of an absence as well as a presence.”
- Simone Leigh, Art Newspaper

The cowrie shell in Simone Leigh’s “Untitled (Cowrie)” operates as polyvalent symbol throughout her practice: simultaneously currency, spiritual, and corporeal metaphor. With yonic allusions in form, the Cowrie shell invokes fertility, protection, and spiritual power across Yoruba, Ifá, and Afro-Atlantic ritual traditions, while the intricate patterning of its shell hints at the artisanal crafts of hair braiding and textiles. Collapsing Western hierarchies between fine art and communal labor, Leigh transforms the Cowrie into sacred armor, elevating historically marginalized cultural objects into monumental presences.

1. Installation of Present work, Private Collection
2. Simone Leigh, 2021. Courtesy the artist. Photo by Shaniqwa Jarvis. Artworks © Simone Leigh
3. Untitled (Cowrie), 2012, Studio Museum in Harlem, New York

Quote: S. Leigh, quoted by Nancy Kenney in ‘The Art Newspaper,’ April 2019

PRESENT WORK:
Simone Leigh
Untitled (Cowrie), 2010-2018
Wood-fired stoneware, unique
15 x 8 1/2 x 6 1/2 in.
38.1 x 21.6 x 16.5 cm.

ANDY ROBERT: KITCHEN SINKFOR  BOOTH F14;)For Frieze Los Angeles, Robert will present a group of works abstract in nature...
02/20/2026

ANDY ROBERT: KITCHEN SINK
FOR
BOOTH F14

;)

For Frieze Los Angeles, Robert will present a group of works abstract in nature, where composition, line, point, color and movement are of concern; where feathers, found objects, pits and sunflower seeds find themselves alongside gestural marks.‹‹There is a sense of things or there is an attempt to capture things as they are coming together or falling apart, either humming or into place. Or to catch the wind, to grasp at, a glimpse of; in search of something beating.
 ‹Andy Robert (b. 1984, Les Cayes, Haiti) is a Haitian-American painter who negotiates abstraction and non-representation; memory and displacement. His practice is experimentally rooted in its engagement with art. He lives and works in New York.‹‹Robert’s paintings have been presented in solo and group exhibitions spanning museum and galleries from Artists Space, New York; Michael Werner Gallery, London and New York; MoMA PS1, New York; Museum of Contemporary Art Chicago, Chicago; Hammer Museum, Los Angeles;  Crystal Bridges Museum of American Art, Bentonville; and The Studio Museum in Harlem. His work is held in public institutions, including The Museum of Modern Art (MoMA), New York; Hammer Museum, Los Angeles; The Studio Museum in Harlem, New York; The Blanton Museum of Art, Austin, Texas; Astrup Fearnley Museum of Modern Art, Oslo, Norway; Whitney Museum of American Art, New York. Robert has received numerous awards and grants, including a Po***ck Krasner Foundation Artist Grant and the Foundation for Contemporary Arts Roy Lichtenstein Award; Robert is represented by Hoffman Donahue and VeneKlasen.

đŸ”„ITS ANOTHER DOUBLE FEATUREđŸ”„OPENING WEDNESDAY THE 25TH“HOLLYWOODNOIR”  CABANA 103 // WE POOLSIDE FEATURING: Elizabeth Co...
02/20/2026

đŸ”„ITS ANOTHER DOUBLE FEATUREđŸ”„

OPENING WEDNESDAY THE 25TH
“HOLLYWOODNOIR”
CABANA 103 // WE POOLSIDE

FEATURING:
Elizabeth Colomba
Leo Costelloe
Sissi Farassat
Emily Ferguson
Faith Hughes
Simone Leigh
Glenn Ligon
Jovana Millay .millay
Larysa Myers
Richard Prince .ryder
Ìmbia Studio
Sturtevant ;)
Adam Stamp
Chet Taylor .taylor.chet.taylor
Jean-Pierre Villafañe .villafane

CURATED WITH

PICTURED ABOVE:
Sturtevant
Warhol Gold Marilyn, 1973
Signed, titled and dated ‘“Warhol Gold
Marilyn” Sturtevant ‘73’ (on the reverse)
Acrylic and silkscreen ink on canvas
diameter: 17 3/4 in.
45.1 cm

One of only two ‘Warhol Gold Marilyn’ tondo works in the artist’s 2004 catalogue raisonnĂ©, and previously held in the distinguished collection of Doris and Thomas Ammann from 1988 until their landmark sale, the present work embodies the critical calibre and wit of Sturtevant’s pioneering approach to appropriation. One of only two ‘Warhol Gold Marilyn’ tondo works in the artist’s 2004 catalogue raisonnĂ©, and previously held in the distinguished collection of Doris and Thomas Ammann from 1988 until their landmark sale, the present work embodies the critical calibre and wit of Sturtevant’s pioneering approach to appropriation.

IMAGES:
1-Present work: Sturtevant, Warhol Gold Marilyn (1973)
2-Present work: installed at Ammann Residence, NYC
3-Marilyn Monroe at the Hollywood Roosevelt, POOLSIDE
4-Publicity still of Marilyn Monroe for the film ‘Niagara’ (1953) showing crop marks made by Andy Warhol, then by Sturtevant
5-Andy Warhol, Round Marilyn (1962), Museum Brandhorst, Germany

Address

3201 La Cienega Avenue
Los Angeles, CA
90016

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