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08/02/2026

Sarah M. Rodriguez
Whitney Biennial 2026
Whitney Museum of American Art, New York
On view through August 26

Click the link in our bio to learn more about Sarah M. Rodriguez’s work at the Whitney Biennial.

In this work on paper, Harry Fonseca dresses Coyote as Buffalo Bill. Buffalo Bill Cody’s Wild West shows (1883–1910s) pe...
07/08/2026

In this work on paper, Harry Fonseca dresses Coyote as Buffalo Bill. Buffalo Bill Cody’s Wild West shows (1883–1910s) perpetuated enduring, often racist, stereotypes by portraying Native Americans as ‘savage’ antagonists to civilized progress. The shows featured, and thus popularized depictions of Natives in loincloths, war bonnets, and face paint, attacking white settlers, reinforcing the stereotype of the dangerous “other.”

Margaret Archuleta writes, “The stereotype of the stoic Noble Savage doesn’t allow for the Indian to laugh. Despite white stereotype of stoic and frozen faced Indians, humor is at the heart of much Indian life, culture and art. In part, that is because the only way to survive in the face of much of what White society has done to the Indian is to laugh—both at the white man and at the irony of one’s own plight.”

Coyote as Buffalo Bill was a part of Harry Fonseca’s series entitled “Coyote’s Wild and Woolly West Show,” first shown at Elaine Horwitch Gallery in Santa Fe in 1987. In this series, Fonseca also depicted Coyote as the stereotypical depiction of the Plains Indian deftly controlling the entire structure of the narrative.

Image: Harry Fonseca, “Coyote as Buffalo Bill”, 1987. Acrylic on paper. 40 x 26 inches (unframed). 48 1/4 x 34 3/4 inches (framed)

In “Bear Dancers”, 1984 two bears are holding boughs of wormwood and dancing in the snow. Harry Fonseca’s friend and his...
07/01/2026

In “Bear Dancers”, 1984 two bears are holding boughs of wormwood and dancing in the snow. Harry Fonseca’s friend and historian Brian Bibby recalls when in Yosemite, “Harry and I danced the Bear Dance in 1974 and 1976. 1976 was when it snowed. That’s why all the paintings have snow because the snow started late at night, and in the morning it was all white.”

Bibby later recalls, “Fonseca depicts actual bears as if they were going to enter the dance house…Harry surmised that the actual bears might have enjoyed the song so much they decided to have their own dance outside.” He continues, “The bears dancing are a mirror image of the bears dancing inside. They are enjoying being out in the snow.”

Harry Fonseca
Portrait of the Artist as a Young Coyote
PDC Design Gallery (previously MOCA PDC)
700 N. San Vicente LA, CA 90069
Through July 11th (Closed July 3rd & July 4th)

Image: Harry Fonseca, “Bear Dancers”, 1984. Acrylic on canvas. 48 x 60 inches.

Pacific Design Center

FINAL WEEK‼️Justin Ortiz Will I Live Again Closing Reception: Saturday, June 27th 3-5PM Image: Justin Ortiz, “Summoner”,...
06/25/2026

FINAL WEEK‼️

Justin Ortiz
Will I Live Again
Closing Reception: Saturday, June 27th 3-5PM

Image: Justin Ortiz, “Summoner”, 2026. Oil on linen. 67 x 67 inches.

Justin OrtizWill I Live Again Through Saturday, June 27th
06/20/2026

Justin Ortiz
Will I Live Again
Through Saturday, June 27th

Harry Fonseca’s print “When Coyote Leaves the Res”, 1979 is included in the exhibition 𝘏𝘰𝘶𝘴𝘦 𝘔𝘢𝘥𝘦 𝘰𝘧 𝘋𝘢𝘸𝘯: 𝘈𝘳𝘵 𝘣𝘺 𝘕𝘢𝘵𝘪𝘷𝘦...
06/18/2026

Harry Fonseca’s print “When Coyote Leaves the Res”, 1979 is included in the exhibition 𝘏𝘰𝘶𝘴𝘦 𝘔𝘢𝘥𝘦 𝘰𝘧 𝘋𝘢𝘸𝘯: 𝘈𝘳𝘵 𝘣𝘺 𝘕𝘢𝘵𝘪𝘷𝘦 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯𝘴 1880 𝘵𝘰 𝘕𝘰𝘸 𝘚𝘦𝘭𝘦𝘤𝘵𝘪𝘰𝘯𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘏𝘴𝘶-𝘛𝘢𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯 at the NY Historical, curated by NY Historical Chief Curator, Wendy Ikemoto.

To celebrate the upcoming 250 year anniversary of the signing of the Declaration of Independence, The New York Historical received a landmark collection of promised gifts of modern and contemporary Indigenous works from Dr. Agnes Hsu-Tang and Oscar Tang.

“Named after the 1969 Pulitzer-winning novel ‘House Made of Dawn’ by N. Scott Momaday (Kiowa) the exhibition presents distinct artistic expressions and practices of modernism by artists of diverse Indigenous heritage, beginning with late-19th century and early-20th century artists…”

𝘏𝘰𝘶𝘴𝘦 𝘔𝘢𝘥𝘦 𝘰𝘧 𝘋𝘢𝘸𝘯: 𝘈𝘳𝘵 𝘣𝘺 𝘕𝘢𝘵𝘪𝘷𝘦 𝘈𝘮𝘦𝘳𝘪𝘤𝘢𝘯𝘴 1880 𝘵𝘰 𝘕𝘰𝘸 𝘚𝘦𝘭𝘦𝘤𝘵𝘪𝘰𝘯𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘏𝘴𝘶-𝘛𝘢𝘯𝘨 𝘊𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘰𝘯
NY Historical
April 22 - August, 2026

Image: Harry Fonseca, “When Coyote Leaves the Res”, 1979.

Justin Ortiz, “Spider”, 2026. Oil on linen. 75 x 55 inches. Justin Ortiz Will I Live Again Through June 27th
06/12/2026

Justin Ortiz, “Spider”, 2026. Oil on linen. 75 x 55 inches.

Justin Ortiz
Will I Live Again
Through June 27th

Sarah M. Rodriguez Whitney Biennial 2026Whitney Museum of American Art, New York On view through August Sarah M. Rodrigu...
06/10/2026

Sarah M. Rodriguez
Whitney Biennial 2026
Whitney Museum of American Art, New York
On view through August

Sarah M. Rodriguez collects organic materials, casts them individually in aluminum using sand casts and lost-wax casts, and welds the separate casts together as sculpture. The components welded together create freestanding forms meant to be encountered from all sides. The sculpture shifts and reveals different relationships between parts as the viewer moves around it. The visible weld joints and machine cuts are as formally important as the casts. For her, the forms emerge through an accumulative process. Each work develops over months as the collected materials determine their own resolution before casting. The original material is destroyed in the process, making every cast an irreversible transformation.

“I view these like fossils and I view them as being in between states of alive and dead and carrying traces of an imagined evolutionary process through their ongoing transformation from when I collect them to when they come to my studio.” — Sarah M. Rodriguez

Photography credit: Morgan Waltz

In the late 1980’s, Harry Fonseca went on a series of road trips in the American West. “Stone Poem  #18”, 1989 is one of...
06/02/2026

In the late 1980’s, Harry Fonseca went on a series of road trips in the American West. “Stone Poem #18”, 1989 is one of a “series of paintings inspired by his visits to rock art sites in the Coso Range in the Eastern Sierra and Canyonlands Park in Utah. Sometimes Fonseca was drawn to
dotted patterns, spiral forms or anthropomorphic figures he saw, and other times it was animals like big horned sheep or deer that caught his attention.”

Fonseca wrote, “the Stone Poems are not meant to be so much an interpretive recording of rock images but a way of self-exploration. The canvases, some as large as 6’ by 12’, suggest the size and scope of petroglyphic panels in situ.”Fonseca wrote that, “these images were painted since the first of this year, 1989. They all deal with the petroglyphs of the Coso Range in Southern California. My intentions are to use these petroglyph images as a starting point to make paintings, not just to reproduce the petroglyphs themselves.” “I’m working with abstract images and figures that are hundreds of years old and hopefully making statements that are relevant to our time.”

Image: Harry Fonseca, “Stone Poem #18”, 1989. Acrylic and oil stick on canvas, framed. 73 x 59 inches.

Harry Fonseca: Portrait of the Artist as a Young Coyote
Pacific Design Center Design Gallery
On view through July 3rd
750 N. San Vicente Blvd.
LA, CA 90069

Justin Ortiz, “Giant”, 2026. Oil on linen. 75 x 41 inches.
05/29/2026

Justin Ortiz, “Giant”, 2026. Oil on linen. 75 x 41 inches.

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Los Angeles, CA
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