MoMA PS1

MoMA PS1 A site of experimentation for over 40 years, MoMA PS1 champions artists at the intersection of the social, cultural, and political issues of our time.
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Admission is always FREE for New Yorkers.

Artists Against the Bomb opens in Homeroom on September 10.The exhibition highlights (AATB) and their advocacy for univ...
09/01/2026

Artists Against the Bomb opens in Homeroom on September 10.

The exhibition highlights (AATB) and their advocacy for universal nuclear disarmament with the International Campaign to Abolish Nuclear Weapons (ICAN). Uniting artists, musicians, writers, and activists, AATB is rooted in the urgent belief that meaningful change arises through collective action and public refusal.

Gathering over 100 urgent calls to action, the exhibition features posters, film, photography, literature, music, sculpture, and rare ephemera supporting the Treaty on the Prohibition of Nuclear Weapons (TPNW).

Organized by Estudio Pedro Reyes () and ICAN (, recipient of the 2017 Nobel Peace Prize for developing the TPNW), the show highlights worldwide contributions by artists with ties to MoMA PS1—including Regina José Galindo, Nani Chacón, Carlos Amorales, Frieda Toranzo Jaeger, Art & Language, and Laura Anderson Barbata—alongside newly produced works.

—
Jose Dávila () | Artists Against the Bomb

Thanks for dancing with us. For the past six weeks, artists flew in from all over the world to share their sound in our ...
08/31/2026

Thanks for dancing with us. 

For the past six weeks, artists flew in from all over the world to share their sound in our courtyard. From São Paulo baile funk and Detroit techno to nostalgic trance, IDM, and live performances featuring analogue gadgets and a droning cello—we hope you found your new favorite artist.

Special shoutout to our partner Red Bull for keeping us energized all summer long ❤️

Couldn’t have done it without some amazing food from our friends over at Street Vendor Project, and Mother’s Milk Coconut Water Cocktail, The Brooklyn Brewery, Velvet Llama, and curious elixirs who kept us hydrated backstage.

Thanks to all who joined us this season, through sunshine and one eve of downpour (we see you, CrackheadBarney& Friends). 

See you in 2027.

—
📸: ✨𝐌𝐚𝐫𝐢𝐬𝐬𝐚 │ 𝐏𝐡𝐨𝐭𝐨𝐠𝐫𝐚𝐩𝐡𝐞𝐫 │ 𝐍𝐘𝐂✨ Walter Wlodarczyk Ryan Muir

Mary Helena Clark reconfigures motorcycle gas tanks into smooth, ovate forms that lie prone on the floor. Then she makes...
08/30/2026

Mary Helena Clark reconfigures motorcycle gas tanks into smooth, ovate forms that lie prone on the floor. Then she makes them sick.

Each "Decoy" is wired to hold a 100.4 fever that never breaks. Projecting the febrile state of emergency onto an abstracted metal form, Clark blurs the distinctions between the human, the beastly, and the machinic, drawing our eyes to trace their uncanny commonalities.

See “Decoy 1" and "Decoy 3,” on view in Greater New York, through September 7.

—
Mary Helena Clark (). "Decoy 1," 2025. Steel gas tank, brass caps, heating cartridge elements, thermostat, and sand.

Mary Helena Clark. "Decoy 3," 2025. Steel gas tank, brass caps, heating cartridge elements, thermostat, and sand.

Warm Up 2026 ends tonight 🌠Limited tickets, online only — none available at the door today. Grab yours at the link in bi...
08/28/2026

Warm Up 2026 ends tonight 🌠

Limited tickets, online only — none available at the door today. Grab yours at the link in bio before they're gone. Last week sold out, and you don't want to miss this one.

We’re going out strong with five hours of live R&B, bubbling dancehall, and Y2K trance.

Show up early for your last chance to get 2026 fans, bass you can feel in your teeth, and perhaps for the last evening of “summer” as we know it.

—
📸

The monument you see here is sealed off behind seawall construction in Battery Park, where no one can currently access i...
08/27/2026

The monument you see here is sealed off behind seawall construction in Battery Park, where no one can currently access it.

Esteban Jefferson worked from a photograph he took over a year ago. In it, someone had left a bouquet across the top of Luis Sanguino's "The Immigrants" (1983), a bronze statue of immigrants arriving at Ellis Island, with a child held in a mother's arms. Jefferson painted the flowers in.

See this work for yourself in the extended partial view of Greater New York, on view through Labor Day weekend.

—
Esteban Jefferson (). "The Immigrants," 2026. Oil and graphite on linen.

The final Warm Up lands this week. TDJ, De Schuurman, keiyaA, and DJ WORKING CLASS are closing out the season this Frida...
08/26/2026

The final Warm Up lands this week. TDJ, De Schuurman, keiyaA, and DJ WORKING CLASS are closing out the season this Friday, Aug 28 from 4–10 p.m. 💿👯‍♀️

Last week sold out, grab tickets early to secure your spot: https://mo.ma/4gllaGo

💿 The final Warm Up lands this week. TDJ, De Schuurman, keiyaA, and DJ WORKING CLASS are closing out the season this Fri...
08/26/2026

💿 The final Warm Up lands this week. TDJ, De Schuurman, keiyaA, and DJ WORKING CLASS are closing out the season this Friday, Aug 28 from 4–10 p.m.

TDJ (TDJ)
Montreal-based electronic music producer and DJ known for her sonic universe ruled by nostalgic Y2K trance, techno, and Eurodance. After parting with her former alias, RYAN Playground, TDJ’s guitar-forward ballads and emo music surfaces through an abstracted soundscape entirely her own.

De Schuurman (DE SCHUURMAN 神 7 ⛤ 23 ☿)
The Hague producer who came up inside ‘bubbling,’ the fast Afro-diasporic club reshaping global bass music. He rebuilt it in FruityLoops in the late 2000s, running dancehall’s syncopation through rap, R&B, trance, and electro house.

keiyaA (keiyaA)
Chicago-raised singer-songwriter, producer, and multi-instrumentalist building sound in NYC. keiyaA synthesizes her jazz training, R&B sensibilities, and hip-hop upbringing to create new soul sounds inundated with her powerful, sultry voice and dense lyricism.

DJ WORKING CLASS (Pe Ferreira)
DJ and producer, raised in the countryside far from Rio and working as a self-described “uncertified musical scientist.” Her sets span global electronic rhythms and avant-garde club sounds.

It’s your last chance to experience Warm Up this summer. Last week sold out, grab tickets early to secure your spot ❤️‍🔥

The Brooklyn Bridge, completed in 1883, has long been painted as one of the city's engineering wonders. Once a symbol of...
08/25/2026

The Brooklyn Bridge, completed in 1883, has long been painted as one of the city's engineering wonders. Once a symbol of forward progression, the first fixed crossing between Manhattan and Brooklyn is now a routine staple of the daily commute.

Janiva Ellis's "Lens Error" (2021) captures the storied connector from a perspective in which the levitating pathway leads toward imperceptibility: a bridge to nowhere. If you look close enough, you'll find a falling figure, one arm grasping upward, faint at the center.

See the work on view through September 7.

—
Janiva Ellis. "Lens Error," 2021. Oil on Linen.

08/24/2026

Glottoplasty is the name of a medical process by which vocal cords are shortened, surgically altering their structure to emit a more highly pitched, or more feminine, sound. It is also the title of Coco Klockner's sound installation in Greater New York, which remains on view through September 7 in the show's extended partial view.

For the installation, Klockner cut the cones out of six speakers and inserted them into plastic storage drawers. The work incorporates excerpts from trans oral history archives around the country, alongside the artist's own voice and Foley sounds, all subjected to distortion, saturation, and modulation that results in a syncopated cacophony.

Experience "Glottoplasty" through Labor Day weekend at MoMA PS1.

—
Coco Klockner. "Glottyplasty," 2026. Modified plastic storage drawers, speaker drivers, amplifier, cables, plastic, inkjet print on paper, 6.1 channel audio (6 min., 13 sec.).

As a kid in Hartford, G. Rosa-Rey dug for worms, excavated rocks, and tried to peel the silver off the ones that looked ...
08/23/2026

As a kid in Hartford, G. Rosa-Rey dug for worms, excavated rocks, and tried to peel the silver off the ones that looked like they had some inside. She made her tools out of sticks. She's been working with dirt ever since.

Her paintings are made from sand, earth, and pigment, worked over with hand-cut sticks, dental picks, and X-ACTO knives until the surface holds. Some of that sand she carried home from the sandbox of the New York public school where she used to teach. Underneath each one is a grid—the way property lines underlie land—and her marks come in and overrun it.

Her family left Puerto Rico for Connecticut during the Great Puerto Rican migration of the 1950s, and years later she titled her Greater New York series "Region in the Mind," after James Baldwin's text "Letter from a Region in My Mind." She made "Brown Earth" (2022–23) after visiting a cave in Loíza and watching the light come apart inside it.

See her work in the extended partial view of Greater New York through September 7.

—
G. Rosa Rey. "Desert Seed," 2022. Acrylic and sand on paper mounted on wood panel.
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