10/17/2026
After years working with organic materials and forensic evidence from Mexico City's morgue, Teresa Margolles shifted in the early 2000s to materials tied to criminal acts in public space. Her work began to examine violence through the residue left in the streets, what she frames as the "periphery of the body."
These two pieces of jewelry are made with glass shards recovered from score-settling incidents of organized crime in Culiacán, Sinaloa. A local jeweler recreated designs from his repertoire, setting the glass in place of precious stones.
See them in "Teresa Margolles: En el lugar de los hechos (At the Scene)," on view through Feb 8.
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Teresa Margolles. "Joya (Cadena) (Jewel [Chain])," 2007. Ten-carat gold with inlaid glass sourced from windshields shattered by car-to-car crossfire in Culiacán, Mexico. Courtesy the artist and Galerie Peter Kilchmann, Zurich/Paris