Linda Ganjian art

Linda Ganjian art Linda Ganjian is a visual artist based in Queens, NY who makes sculpture and drawings.

She has completed public art projects for the MTA and NYC School Construction Authority.

Here is the second collage from a new series, We Rebuild What You Destroy, (Մենք կը վերակառուցենք ան որ դուք կը քանդէք) ...
05/04/2026

Here is the second collage from a new series, We Rebuild What You Destroy, (Մենք կը վերակառուցենք ան որ դուք կը քանդէք) centering a Western Armenian altar from Lim Island Monastery in Van.
Van: Lim Island Monastery
2026
Mixed: watercolor, ink, gouache, mica, origami paper, giclee prints on Arches paper
30 x 22 in | 76 x 56 cm
(Source: Mekhitarist Order, San Lazzaro, Venice. Courtesy of Father Vahan Ohanian.)
See previous post for statement.
More images and full statement at https://www.lindaganjian.net/collages---paintings/we-rebuild-what-you-destroy

Here are some images of a new collage, completed late last year during a residency at I-Park in CT. Ourfa Sourp Asdvadza...
04/18/2026

Here are some images of a new collage, completed late last year during a residency at I-Park in CT.
Ourfa Sourp Asdvadzazin, 2025. Mixed media: watercolor, ink, gouache, mica, origami paper, giclee prints on Arches paper, 30 x 22 in | 76 x 56 cm
In this new series of mixed media collages, called “We Rebuild What You Destroy,” I center archival photographs of altars from churches in historic Western Armenia— sites of cultural erasure due to the Armenian genocide of 1915 and prior pograms by Ottoman Turks. I set up a visual dialogue between these photographs and a futuristic architecture that represents my experience as an American-born diasporan Armenian, a member of a re-constituted community. My goal is to channel the spirit of these destroyed altars’ aesthetic and structural properties, as well as their symbolic role as spiritual focal points, through a precisely drafted and invented architecture.
The altar is from Sourp Asdvadzazin church in Ourfa, and was found on the Houshamadyan website (https://www.houshamadyan.org/mapottomanempire/vilayetaleppo/ourfa/religion/churches.html) originally from the Christine Gardon collection, Berlin.
Thank you for taking care of me while I was working on this.
,
#հայարուեստ #հայարվեստ

I’m excited to announce that I’m a 2026 Queens Arts Fund recipient! This project-based grant will enable me to bring “Fa...
04/09/2026

I’m excited to announce that I’m a 2026 Queens Arts Fund recipient! This project-based grant will enable me to bring “Fantastical Altars – a mini exhibit and workshop” to Jackson Heights in October. I’ll be partnering with my friends at . Look out for details in the early fall.

Thank you to and for helping to support this work!

Click here for the full 2026 Queens Arts Fund award announcement: [https://www.nyfa.org/news/new-york-foundation-for-the-arts-nyfa-and-nyc-department-of-cultural-affairs-dcla-announce-493350-in-grants-for-129-queens-based-artists-artist-collectives-and-small-nonprofits-through-the-que/?mc_cid=944437c912&mc_eid=26c2fe27cd]

Be sure to follow for details on when and where you can experience the arts in Queens this calendar year!

image: detail of new work, untitled for the moment.

Here’s the companion piece to my last post. Wanting to share some good photos and details (thank you to photographer Kev...
04/03/2026

Here’s the companion piece to my last post. Wanting to share some good photos and details (thank you to photographer Kevin Noble).
Light Rising Light Falling, 2025. Mixed media: ink, acrylic, mica, gouache, watercolor, origami paper, patternmaking paper, giclee on Arches paper. 45 x 30 in. | 114 x 76 cm.
See my last post for statement. This was shown at my solo at last year and also in a group show at Boesky gallery in Chelsea in August.
More images from this series at my website: lindaganjian.net

Sharing a few details of Tree of Modern Life, 2025, collage on paper, 44x30 in. Trying to show texture and surface. Mate...
03/30/2026

Sharing a few details of Tree of Modern Life, 2025, collage on paper, 44x30 in. Trying to show texture and surface. Materials include: ink, mica, gouache, watercolor, origami paper, pattern-making paper, ink jet prints on Rives BFK paper.
It was recently on view at Westbeth gallery in “Breathe,” a group show of artists from the , curated by . It was also shown at last year as part of a solo show.
It’s from a series of collages called Future Monasteries that present a devotional space with elements of the medieval and futuristic. The structures hover between architecture, altars, totems, and diagrams. This body of work memorializes my Yaya, a devout Armenian immigrant from Istanbul and talented seamstress, and includes references to her: dressmaking patterns, embedded religious words and imagery, carpets, etc.
More images from this series at my website: lindaganjian.net

I’m excited to be showing two reliefs from my Prayer Maps series in this show curated by Sarah Walko.In the End, Everyth...
01/16/2026

I’m excited to be showing two reliefs from my Prayer Maps series in this show curated by Sarah Walko.
In the End, Everything Gives: Women Sculptors Group Exhibition at Silver Art Projects
Dates: January 23-April 23, 2026
Opening: , Friday, January 23, 6-8 pm
Locaton: 4 WTC, 28th floor, 150 Greenwich St.
**Note: If you’d like to attend the opening, register with me beforehand. You will need to bring ID to enter.
From the Press Release: In the End, Everything Gives presents a selection of works by thirty-one WSG members responding to turbulent political, ecological, and social conditions. The exhibition takes its title from a line by Ada Limón, which names both material and emotional states of yielding: “Everything gives way—the shorelines, the house decaying and becoming shrub and moss and haunt, the body that gives and gives until it cannot give anymore.” Here, giving way is not framed as collapse alone, but as a condition that calls making into being. Creation becomes a form of muscular hope—first for oneself, then extending outward—through which artists hold, shape, and reckon with the complexities of the present moment.
In this context, making emerges not as a search for answers, but as an urgent act in itself. “A bird doesn’t sing because it has an answer; it sings because it has a song.” First appearing in Joan Walsh Anglund’s 1967 book A Cup of Sun and later taken up by Maya Angelou, this idea finds resonance in Brooks’s declaration above. Together, these voices point to art as something born not only of inspiration, but also of grief, rage, and injustice. I shall create! becomes the shared cry of this exhibition. Across the works on view, materials range from watercolor, clay, plaster, steel, paper, and canvas to vintage prayer books, horsehair, eelgrass, antelope hide, and horns. Through varied materials, gestures, and forms, these artists insist on the necessity of creation itself. The works do not offer resolution, but they do offer care—affirming making as a collective act of attention, endurance, and survival.

image 2: Prayer Map #5, 2022, mixed media: metal pieces, polymer clay, board, paint, vintage prayer book, reproductions, velvet on wood, 13'' x 13'' x ~3''
Image 3: Prayer Map #4, 2020, mixed media: metal pieces, wood, board, paint, vintage prayer book, reproductions, velvet on wood, 13'' x 13'' x ~3''

So grateful for spaces like I-Park foundation  that offer a retreat-like environment for artists, writers, and composers...
11/16/2025

So grateful for spaces like I-Park foundation that offer a retreat-like environment for artists, writers, and composers, to slow down and dig heels into creative projects. I’ve been enjoying the quiet of these rural surroundings in East Haddam, CT. Taking walks to clear my head on moss-covered paths, and appreciating a great collection of outdoor sculpture as well.
Open house next Sunday afternoon. Message me for details if interested.
Will tag artworks where known.

Happy to have my recent exhibition at  reviewed by   link in bioPosted  •  Honoring her grandmother and Armenian heritag...
09/22/2025

Happy to have my recent exhibition at reviewed by link in bio
Posted • Honoring her grandmother and Armenian heritage, Linda Ganjian’s exhibition “Her Memory, a Metropolis” intertwines personal narrative with collective memory, using intricate geometric patterns, collage, and sculpture to explore survival, history, and past trauma alongside imaginative futures.

Link in bio

Thank you to everyone who came by Art on Paper fair, and to Elza Kayal gallery for bringing me. It was an honor sharing ...
09/08/2025

Thank you to everyone who came by Art on Paper fair, and to Elza Kayal gallery for bringing me. It was an honor sharing the booth with three super-talented colleagues: Amy Cheng (my former professor from Bard!), Jaynie Gillman Crimmins, and Joanne Unger. Turnout was quite something; I had so many lovely interactions with friends and strangers when I was present Thursday night and Saturday.
Now back to the studio!
1. Blossoming Altar, 2025, 22x30 in / 56x76 cm, see media below*
2. Circuit Board Totem, 2025, 22x30 in / 56x76 cm, mixed media *
3. Vibrating Heart Altar, 2025, 22x30 in / 56x76 cm, mixed media*
4. Diamond Cross, 2024, 12x9 in / 30.5 x 23 cm, mixed media*
5. Samsun Small Totem, 2024-25, 9x12 in / 23 x 30.5 cm, mixed media*
6. Totem 3, 2023, 10x7.25 in / 25.4x18.4 cm, mixed media*
7. Boothmates, work by Jaynie on left, missing Joanne Unger :(
*media on all: watercolor, ink, mica, collaged papers on watercolor paper)

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