08/30/2026
“Misogynist in Chief” by Carlos Quinto Kemm. The background is a wall of small gilded portraits — young victims of a real-life predator, each confined to her own ornate frame. At the center, pale luminous figures represent the deceased. Kemm borrows the visual language of the reliquary and altarpiece — usually used to honor saints — and turns it into a memorial for the lives lost, a silent testimony behind the grotesque spectacle staged in the foreground (see Parts I and II).