02/19/2020
I was watching YouTube a couple months back and came across a demo by Shozo Michikawa at Leksands folkhögskole. His mastery of texture and form were on full display as he demonstrated different techniques to transform your pot. I attempted to recreate two of them and have had varying degrees of success. I am really proud of both of these pieces, but I confess to having a favorite and it’s the plate. I got it back this Monday from a wood firing where it was placed in the salt chamber.
To create this form I threw a disc on the wheel and then used a textured metal rib to add concentric circles of varying widths from the center. I then undercut the disc, threw the clay on the table to stretch it out, placed it back on the wheel, cut out a plate sized circle with a needle tool, coiled the excess, added the coil to the rim and then threw the rim.
I loved how organic the form was, but didn’t know how I was going to glaze fire the plate to accentuate the movement. I’m glad I held out for this firing and made it into the salt chamber because this firing really highlights the plate in my opinion.
@ Lancaster Clay Studios