07/30/2022
‘The sunflower is mine’ 🌻
Vincent van Gogh died in 1890. Soon after his death he became known as the painter of sunflowers, an identification that endures to this day. No other artist has been so closely associated with a specific flower, and these works continue to be among Van Gogh’s most loved.
Yellow may have been the artist’s favourite colour, but the flower also had significance for Van Gogh. In this painting the fifteen sunflowers are in different stages of their life cycle, from young bud through to maturity and eventual decay and death. The bud in the lower left corner has yet to reach full flower, seven flowers are in full bloom and the other seven have lost their petals and are turning to seed. Long strokes follow the direction of the petals, leaves and stems, whose sinuous lines echo those of Art Nouveau style, while small, raised dabs of stippled paint imitate the bristling seed heads.
The sunflowers’ life cycle follows the vanitas tradition of 17-century Dutch flower painting, but the sunflower had also been associated with love, both sacred and profane, since the 16th century. This was because just as the sunflower turns to follow the sun, so the true believer follows Christ, and the lover follows the object of their affection. This idea could be extended to other instances of devotion, such as the subject who follows a leader or to the notion of art following nature. Symbolism aside, sunflowers were also visually striking examples of the beauty and vitality of nature, with which Van Gogh had always had a strong bond.
Take a closer look at this iconic painting on our website: https://bit.ly/2FtK7dN