Broschofsky Galleries

07/15/2026

Currently on view, David Yarrow Photography© “Constructed Realities”.
“The Fall”, Pigment Print Photograph, 66” x 52” Standard, 92” x 71” Large. Limited Edition of 12, available in both B&W and Color.
I am familiar with this bend in the track high up in the Smoky Mountains of North Carolina and I saw potential for the backdrop in the fall when the leaves on the trees would be a picture postcard medley of green, fawn, yellow and orange. Location scouting is such an important part of what we do and this was a good find. I do not believe anyone’s camera has ever been in this spot before, well certainly not with a steam train approaching head on.
We set about the logistics of bringing a horse to this inaccessible part of the track and all went reasonably according to plan. The problem we had, was that it would simply not stop raining. The first day was a complete right off as the rain was heavy and unrelenting, but on the second day, at around 9 am in the morning, we had our moment. It was a 20-minute window.
The wide range of colors in the frame elevates the photograph and I think it’s as powerful as we could ever have hoped for. The red, the white and the black complement the autumnal patchwork quilt behind. I was, of course, looking to find a way for the smoke to allow both the robbers to “pop” within the frame - not easy, especially for Erica Lawrence on the roof right next to the smoke funnel.
That week we were just a crazy bunch of misfits hanging out in the wood cabins of the Smoky Mountains, trying to stay out of trouble and stay dry whilst making some art. The problem, as many know, is that trouble tends to find us. Just as with this train, danger lurks around every corner.

07/03/2026

Join us Friday, July 3rd 5-7:30 for the opening reception of David Yarrow Photography© “Constructed Realities”.

“Moths to a Flame”, Pigment Print Photograph, 49” x 91” Standard, 61” x 118” Large. Limited Edition of 12, available in both B&W and Color.

Just as moths are drawn to a light, those without celestial pretensions are drawn to the No Name Saloon in Park City, Utah. It is as good a saloon as there is in the West and it is good because the patrons are not virtuous. This is a place where those without a moral compass are accorded a front seat, a free shot and a hall pass.

When Mark Twain confessed, “I don’t want to go to heaven. None of my friends are there.” He spoke to the patrons of this joint. There is no code of conduct at the “No Name” other than to enjoy life.

The slight irony is that in Utah, state laws on drinking are increasingly conservative and entry to the No Name is only secured after the most fastidious of door policies. A foreigner in the autumn of their life, who can secure free bus travel back home, must bring their passport to gain entry.

These tableaux photographs are not easy to get right as I want to evoke an intense sense of place regarding the interiors while also highlighting the human archetypes that make the place unique. The two are codependent: there is no fabled saloon without a good clientele and there can be no strong patronage unless the destination has a unique vibe. Once this circularity is fixed, there is every chance an iconic venue can evolve and that is exactly what has happened at this saloon in Park City.

We would like to thank the owners and management of the No Name Saloon and indeed the locals of Park City for their help with this project. We promised to beat the record for a bar bill by midday on a Tuesday morning and I think we comfortably achieved that.”

06/29/2026

Isaac and Ian 48” x 60” x 2.5”
Mixed Media with Resin Finish
KOLLABS is the creative partnership of Luis Garcia Nerey and Anke Schofield, whose collaborative works explore the intersection of wildlife, humanity, and the environments we share.

Through paintings and mixed-media works that place untamed animals within domestic and urban settings, KOLLABS challenges traditional distinctions between the wild and the familiar. For more than fifteen years, the duo has developed a visual language that blurs the boundaries between nature and civilization, creating thought-provoking narratives that encourage viewers to reflect on their relationship with the natural world—and with themselves.

At the heart of their work is the belief that nature is a universal force that transcends culture, background, and experience. By examining the instincts and behaviors of animals, KOLLABS invites us to recognize that nature is not only something around us, but something deeply rooted within us all.

Now on view at Broschofsky Galleries.

06/25/2026

Winston 48” x 60” x 2.5” Mixed Media with Resin Finish
KOLLABS is the creative partnership of Luis Garcia Nerey and Anke Schofield, whose collaborative works explore the intersection of wildlife, humanity, and the environments we share.

Through paintings and mixed-media works that place untamed animals within domestic and urban settings, KOLLABS challenges traditional distinctions between the wild and the familiar. For more than fifteen years, the duo has developed a visual language that blurs the boundaries between nature and civilization, creating thought-provoking narratives that encourage viewers to reflect on their relationship with the natural world—and with themselves.

At the heart of their work is the belief that nature is a universal force that transcends culture, background, and experience. By examining the instincts and behaviors of animals, KOLLABS invites us to recognize that nature is not only something around us, but something deeply rooted within us all.

Now on view at Broschofsky Galleries.

06/19/2026

C**t and Casey 48” x 60” x 2.5” Mixed Media

KOLLABS is the creative partnership of Luis Garcia Nerey and Anke Schofield, whose collaborative works explore the intersection of wildlife, humanity, and the environments we share.

Through paintings and mixed-media works that place untamed animals within domestic and urban settings, KOLLABS challenges traditional distinctions between the wild and the familiar. For more than fifteen years, the duo has developed a visual language that blurs the boundaries between nature and civilization, creating thought-provoking narratives that encourage viewers to reflect on their relationship with the natural world—and with themselves.

At the heart of their work is the belief that nature is a universal force that transcends culture, background, and experience. By examining the instincts and behaviors of animals, KOLLABS invites us to recognize that nature is not only something around us, but something deeply rooted within us all.

Now on view at Broschofsky Galleries.

05/29/2026

04/10/2026

Russell Chatham (1939-2019), “Still Winter Evening 1991”, 30” x 36” Oil on Linen. Currently on view.

03/05/2026

“The Shape of Light”
Join us for the closing reception, Friday March 6th. This exhibition features a curated selection of recent acquisitions by the renowned American artist Russell Chatham (1939–2019).
Evening Near Springdale 1987, 20” x 24” Oil on Linen

03/02/2026

“The Shape of Light”
Currently on view, this exhibition features a curated selection of recent acquisitions by the renowned American artist Russell Chatham (1939–2019).
Oyster Beds - Marshall, Circa 1979, 65” x 87” Oil on Linen

02/25/2026

“The Shape of Light”
On view through February, this exhibition features a curated selection of recent acquisitions by the renowned American artist Russell Chatham (1939–2019).
Springtime Squall 1991, 30” x 36” Oil on Linen