Bridge Press

Bridge Press Bridge Press publishes limited edition artist's books, etchings, and original watercolors by Brian D. Cohen. The press is in Kennebunk, Maine. Brian D.

Cohen is a printmaker, painter, educator, and writer. He was graduated Phi Beta Kappa and magna cm laude with high honors from Haverford College and completed his Master's degree in Painting at the University of Washington. In 1989 he founded Bridge Press to further the association and integration of visual image, original text, and book structure. As a printmaker, Brian has shown in over forty i

ndividual exhibitions, including a retrospective in 1997 at the Fresno Art Museum, and has participated in over 150 group shows. Cohen's books and etchings are held by major private and public collections throughout the country, including Yale, Harvard, Brown, and Stanford Universities, Middlebury, Smith, Wellesley, Swarthmore, and Dartmouth Colleges, the University of Vermont, The New York Public Library, The Library of Congress, the Victoria & Albert Museum, and the Philadelphia and Portland (Oregon) Museums of Art, as well as the United States Ambassador's residence in Egypt. Brian was the first-place winner of major international print competitions in San Diego, Philadelphia, and Washington, DC., was awarded the Best Book in Show at the Pyramid Atlantic Book Fair, and has received grants from the Vermont Arts Council and the Vermont Community Foundation. Brian was the founding director of The Putney School Summer Programs from 1987 until 2001, and was the founding artistic director of the Two Rivers Printmaking Studio in White River Junction, Vermont. He was an art teacher at The Putney School from 1985 until 2011, where he was Dean of Faculty, and is past president of the Idyllwild Arts Foundation. Cohen's teaching experience has also included classes and workshops at Marlboro College, Plymouth State University (New Hampshire), Johnson State College, Community College of Vermont, Norwich University, St. Michael's College, and The University of the Arts. He is the illustrator of two popular natural science books, Reading the Forested Landscape and The Granite Landscape, and is a frequent contributor of artwork to literary reviews and other publications, including the Paris Review. A book of his work, Brian D. Cohen: Etchings & Books, was published in 2001. His essays on arts education are a regular feature of the Arts and Culture section of the Huffington Post, and he writes for Parenthesis and Art in Print.

Rocks and Sea VI, etching on Magnani Pescia pale blue, 9 x 12" (image), 2024. From Exiled, a folio comprising the 1921 p...
07/29/2024

Rocks and Sea VI, etching on Magnani Pescia pale blue, 9 x 12" (image), 2024. From Exiled, a folio comprising the 1921 poem by Edna St. Vincent Millay and nine etchings by Brian D. Cohen. Design by Irene Stapleford, printing by Scott Vile, portfolio boxes by Lisa Hersey.

Rocks and Sea (V), from Exiled, a paean to the Maine coast, poet and artist sharing the love and longing for Maine that ...
07/28/2024

Rocks and Sea (V), from Exiled, a paean to the Maine coast, poet and artist sharing the love and longing for Maine that many of us feel. The folio comprises the 1921 poem by Edna St. Vincent Millay and nine etchings by Brian D. Cohen. Exiled is available an edition of ten folios with two artist's proofs for $1800.

I will be selling a limited number of individual prints of each plate for $200/each. Please PM if interested.

Rocks and Sea, etching, 9 x 12", from Exiled.
07/27/2024

Rocks and Sea, etching, 9 x 12", from Exiled.

Maine Coast, from Exiled, etching and drypoint, 9 x 12" (image), 15 x 18" (sheet).
07/26/2024

Maine Coast, from Exiled, etching and drypoint, 9 x 12" (image), 15 x 18" (sheet).

Exiled, poem by Edna St. Vincent Millay, etching by Brian D. Cohen. Full sheets 15 x 18".
07/25/2024

Exiled, poem by Edna St. Vincent Millay, etching by Brian D. Cohen. Full sheets 15 x 18".

I am too long away from water.I have a need of water near.Exiled is a paean to the Maine coast, poet and artist sharing ...
07/24/2024

I am too long away from water.
I have a need of water near.

Exiled is a paean to the Maine coast, poet and artist sharing the love and longing for Maine that many of us feel. The folio comprises the 1921 poem by Edna St. Vincent Millay and nine etchings by Brian D. Cohen.

The etchings for Exiled were completed by Brian D. Cohen during the spring and summer of 2023 at a residency at Brigham Young University and at Bridge Press in Kennebunk, Maine. Joshua Tangen and the artist editioned the plates on Pale Blue Magnani Pescia. Irene Stapleford designed the folio and set the text in Centaur. Exiled was printed by Scott Vile at The Ascensius Press in Buxton, Maine. Lisa Hersey of Antler Editions in Easthampton, Massachusetts designed and produced the folio slipcase. The poem Exiled was originally published in Second April, New York: Mitchell Kennerley 1921.

Exiled is available an edition of ten folios with two artist's proofs for $1800.

Brian D. Cohen is a printmaker, painter, educator, and writer living in Kennebunk, Maine.

Books and prints by Bridge Press are held by many museum, library, corporate, and private collections, including the Victoria & Albert Museum in London; Yale University; Stanford University; The Library of Congress; The New York Public Library; The Boston Public Library; Fogg Art Museum; The Philadelphia Museum of Art; The Fresno Art Museum; Portland (Oregon) Art Museum; The United States Ambassador’s Residence in Cairo, Egypt; and the Jacob Lawrence Foundation.

Fog, Bald Mountain, watercolor, 6 x 12", 2015
07/03/2024

Fog, Bald Mountain, watercolor, 6 x 12", 2015




Field, Trees, Autumn, watercolor, 6 x 12", 2016
06/29/2024

Field, Trees, Autumn, watercolor, 6 x 12", 2016




Meadow, Westmoreland, watercolor, 6 x 12", 2016
06/26/2024

Meadow, Westmoreland, watercolor, 6 x 12", 2016




Field, watercolor, 6 x 12", 2016
06/25/2024

Field, watercolor, 6 x 12", 2016




I have one or two spots left in my July intaglio workshop. Come to the Maine coast to make etchings this summer. The wor...
06/21/2024

I have one or two spots left in my July intaglio workshop. Come to the Maine coast to make etchings this summer.

The workshop is intaglio printmaking (making prints from metal plates). Intaglio comprises all forms of making prints from metal plates; drypoint, mezzotint, engraving, hard ground etching, aquatint, soft ground, lift ground, and white ground. I'm offering a workshop for four people for four days (July 23 - 27) at my studio in Kennebunk, Maine.

My approach is to guide you in achieving what you plan to do, making suggestions and offering technical guidance within the context of your own ideas. In other words, I won't be teaching in the traditional formal sense (as in "here's how you make a hard ground etching"...) but will offer you skills and techniques (if you don't already know them) that will help you accomplish what you envision. We'll look at each other's work as it develops, sharing responses and advice in the studio. We'll plan for you to complete an edition of the plate(s) you create.

I'll offer guidance, instruction, a critique of past work (if you'd like), an evening mini-course on the history of printmaking, and access to my extensive print collection and library.

You may have a lot of experience with intaglio printmaking or you might have none. It won't matter.

The studio (900 sq. ft) has a Crull press (24 x 42”), a Conrad press (36 x 60”), and a ferric chloride bath (30 x 40”).

Feel free to give me a call at 207-747-8128 if you'd like to touch base. I hope the workshop will work for you.

Trees, Westmoreland, watercolor, 6 x 12", 2014+++++
06/21/2024

Trees, Westmoreland, watercolor, 6 x 12", 2014

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Address

10 Maple Avenue
Kennebunk, ME
03467

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