Long-Sharp Gallery

Long-Sharp Gallery Long-Sharp Gallery specializes in works by modern and contemporary masters

Tarik Currimbhoy works most often in metal (though occasionally in wood or stone). His sculptures, perfectly weighted an...
06/17/2026

Tarik Currimbhoy works most often in metal (though occasionally in wood or stone). His sculptures, perfectly weighted and balanced, ask to be engaged with as much as seen.

See 'The Eye' at Long-Sharp Gallery at Treasure House Fair, London, June 24–30.

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'The Eye' © Tarik Currimbhoy, 2022. 316 Stainless steel, 12 in diameter x 2 in at its thickest (30.4 x 2.5 cm)

Portrait of the artist, Tarik Currimbhoy. Image courtesy of the artist/artist's studio

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06/12/2026

Five artists. Five entirely different relationships to 3-dimensionality.

See works by Chul Hyun Ahn, Nicola Anthony, Tarik Currimbhoy, Patrick Hurst, and Julia Ibbini at Treasure House Fair, London — Long-Sharp Gallery, June 24–30.

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Works featured in video:

‘Portal’ © Chul Hyun Ahn, 2020. Plywood, changing LED lights, mirrors, 49 x 49 x 6 in.

‘Sun dance’ © Nicola Anthony, 2023. Stainless steel, 33 x 28 x 25 in.

‘Kŷma | Vessel’ © Julia Ibbini, 2026. Paper, ink , cotton, gold leaf, 17.52 x 10.63 in.

‘Paisley’ © Tarik Currimbhoy, 2026. 316 stainless steel, 18 x 9 in.

‘Stargazer’ © Patrick Hurst, 2026. Marine-grade stainless steel, 16 x 16 x 16 in.

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Paper, steel, stone, resin, wood, glazed ceramic, and bronze – materials shaped across centuries, pushing the boundaries...
06/10/2026

Paper, steel, stone, resin, wood, glazed ceramic, and bronze – materials shaped across centuries, pushing the boundaries of what sculpture can be.

This edition of the Sculpture Walk Series explores the many ways that materials carry memory, meaning, and touch. These works invite us to consider what happens when stone appears to soften, bronze seems to move and steel folds like paper. Together, they challenge our perception of weight, texture, and permanence, encouraging us to experience sculpture not only with our eyes, but also through an awareness of its physical presence and material history.

‘Shared Views’: 33 sculptures, 29 artists, 4 centuries, 8 materials.

Artist Included in the post:
Julia Ibbini
James Ryan
Ron Arad
Our Planet ;) .nl
Anne Curry
Pieter Obels
Anselm Reyle
Barry Flanagan

Curators: Ben Brougham , Flo Horswell , Wilfrid Wright .wright

walk

Fiona Grady makes work that lives in light. Her large-scale installations — built into windows, walls, and architectural...
06/08/2026

Fiona Grady makes work that lives in light. Her large-scale installations — built into windows, walls, and architectural space — use color and geometry to transform the rooms they inhabit, shifting with the hour, the season, the weather. Her fused glass panels are transformations of for that work; in Grady’s own words: “I’m keen to translate the magic of my vinyl installations into glass — the process is much slower but it’s exciting to challenge myself.”

Grady’s work will be featured in “The Present Is Female: A Reckoning” — presented by Long-Sharp Gallery at Treasure House Fair, London, June 24-30.

DM or email [email protected] for an e-catalog or complimentary passes.

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Images:

1. 'Refraction (Blue/Yellow)' © Fiona Grady, 2025. Handcut and fused glass
panel. 7.75 x 7.75 in.
2. 'Natural Triangulations' © Fiona Grady, 2017. Site-specific vinyl window
installation, dimensions varied.
Photograph of the installation by William Wong
3. Artist Fiona Grady poses in front of her work, 'Sun-Kissed' (2023).
'Sun-Kissed' © Fiona Grady, 2023. Site-specific digitally printed vinyl
present in three K6 telephone boxes, dimensions varied.
Headshot by Chris Winter

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Moira Cameron’s paintings move between figurative and abstract— between the specific and the atmospheric. See new works ...
06/05/2026

Moira Cameron’s paintings move between figurative and abstract— between the specific and the atmospheric.

See new works from the studio on exhibit at London’s Treasure House Fair, and stay tuned for details about Moira’s inclusion in “The Present Is Female: A Reckoning”

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Images:

1) 'Judith and Holofernes' © 2025. Oil on canvas, 86.6 x 78.7 in
2) Portrait of the artist, Moira Cameron, in her studio

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David Spiller paintings carry wit and genuine tenderness in equal measure -- pop imagery and vocabulary in service of so...
06/03/2026

David Spiller paintings carry wit and genuine tenderness in equal measure -- pop imagery and vocabulary in service of something much more tender.⁠
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David Spiller’s paintings will be on exhibit with Long-Sharp Gallery at Treasure House Fair, London, June 24–30. DM or email [email protected] for an e-catalog or complimentary passes.⁠
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1) ‘Don’t Be Afraid of the Dark’ © David Spiller, 1999. Acrylic and pencil on stitched canvas panels, 72.05 x 75.98 in⁠
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2) A portrait of the artist, David Spiller⁠
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05/25/2026

April showers. May flowers.

……We’ve always thought that sounded like a collecting prompt.

From Warhol’s Polaroid eye to Sultan’s aluminum blooms, Ibbini’s algorithmic petals, Brodskaya’s paper-quilled botanicals, and Kennedy’s lens — flowers have moved through art history not as decoration, but as symbol. Abundance. Fragility. The insistence of beauty in a difficult world.

They’re all here. Different hands, different materials, one enduring subject.

‘Warhol Flowers XIV’ © William John Kennedy, 2012, Chromogenic print, 20 x 40 in

‘Flowers’ © Andy Warhol, 1982, Unique Polaroid print, 4.25 x 3.5 in

‘Ornamental Mixtapes (Wildflowers)’ © Julia Ibbini, 2024, Layered laser cut papers over hand painted paper backing and custom painted frame, 31.7 x 43 in

‘Spikes’ © Yulia Brodskaya, 2025, Paper, 18.5 x 26.4 in

‘White and Silver Poppies’ © 2021, Donald Sultan, Shaped aluminum, polished and with white powder coat, on polished aluminum base, 24.5 x 24 x 3.5 in

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What does a landscape look like when you get close enough to lose it?⁠⁠Nicole Pietrantoni’s ‘Landscape No. 2’ (2021) sta...
05/11/2026

What does a landscape look like when you get close enough to lose it?⁠
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Nicole Pietrantoni’s ‘Landscape No. 2’ (2021) starts with extreme close-ups of actual landscapes — photographs abstracted until only color gradient remains. Then she introduces pure neon red strips, bent steel, and Kozo paper, fracturing the surface into something kinetic and architectural.⁠
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The result lives between photography, painting, and sculpture — and it commands a room.⁠
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'Landscape No. 2' © Nicole Pietrantoni, 2021, Inkjet on Kozo paper, spray paint, bent steel. 40 × 42 × 3 in.⁠
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We had four extraordinary days at the Park Avenue Armory — conversations about Warhol’s early career, about Gilliam’s le...
04/15/2026

We had four extraordinary days at the Park Avenue Armory — conversations about Warhol’s early career, about Gilliam’s legacy, about what it means to collect works by living artists. Grateful to be in the company of great galleries, for the IFPDA’s amazing team, and for the veritable art buzz that existed in the Armory last week.

Until next time, NYC!

04/06/2026

The careful work of moving art is something most people never see. Glassine. Acid-free tissue. Corner protectors. Crates that took weeks to prepare for works that took decades to acquire.

There’s something that sharpens in the days before a fair. Every decision — what to bring, how to hang it, how to tell its story in a booth the size of a small room — is made with the collector in mind.

We’ll be at , April 9–12, Park Avenue Armory, New York, Stand B-11.

Who’s going to be there? Drop a 👋 below — we’d love to connect in person.

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1 N Illinois Street, Ste A
Indianapolis, IN
46204

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