Carrie Haddad Gallery

Carrie Haddad Gallery Contemporary painting, photography, sculpture and other mixed media by artists in the Hudson Valley Occupying 3000 sq ft.

Established in 1991 as the first fine art gallery in Hudson, NY, Carrie Haddad Gallery represents professionally committed artists as well as emerging talent specializing in all types of painting, both large and small sculpture, works on paper and a variety of techniques in photography. on Warren Street, the gallery is conveniently located just two hours north of Manhattan. The annual exhibition s

chedule accommodates 8 exhibits on the main floor as well as a rotating selection of photography displayed on the second floor. Carrie Haddad Gallery also offers art consultation services, collaborating with design professionals and architects across the country to procure compelling works for private residences and corporate collections. Our diverse inventory offers solutions to fit all criteria and a small staff ensures direct and dedicated project management. Carrie Haddad is a Bard College alumnae, has juried numerous regional art shows and lectured at both the Center for Photography in Woodstock and the Woodstock School of Art. She also served on the board of the Columbia County Council on the Arts for 8 years and produced Hudson's annual Arts Walk for ten years. Linden Scheff was made Gallery Director in 2013 with previous experience in media production and hospitality management.

Opening this weekend! Fertile Ground features six women artists whose work explores the cyclical rhythms of the natural ...
08/31/2026

Opening this weekend! Fertile Ground features six women artists whose work explores the cyclical rhythms of the natural world and the tactile magic of material exploration. Dora Somosi, Allyson Levy, Annika Tucksmith, Betsy Weis, Lily Morris, and Eileen Murphy work across photography, painting, encaustic, and mixed media to explore growth, transformation, and time through distinct approaches to the natural world. Plants, weather, threads, shadows, and tangled forms recur throughout the exhibition and mirror the rhythmic gesture of their practices.

The title evokes the fertile darkness of night and the luminous energy of day, creating a space of perpetual cycles where the cosmic and the earthly mingle. It conjures a visual spell that draws these realms together, inviting us to sense the rhythms of the celestial within the intimate and tangible world.

On view: September 4 - October 18
Reception Saturday September 5, 5-7pm

Get a sneak peak at the exhibition on our website at carriehaddadgallery.com 💙

Allyson Levy
Lily Morris
Eileen Murphy
Dora Somosi
Annika Tucksmith
Betsy Weis

Kathy Osborn composes her works from miniatures that are meticulously arranged and photographed, producing starkly photo...
08/29/2026

Kathy Osborn composes her works from miniatures that are meticulously arranged and photographed, producing starkly photographic yet strangely physical paintings that haunt and disorient the viewer. Her cinematic paintings hark back to the 1950s and 60s, when a boom in wealth in the post-war era glorified consumption and the practice of traditional domestic roles. This time period has been depicted in art and culture in countless ways, often with a strong sense of longing for “simpler times”.

Osborn’s work, however, lacks this nostalgia. She addresses the darkness of the nuclear age that was buried beneath layers of cultural repression. Osborn captures women’s domestic isolation through stark shadows and voyeuristic angles, implying that one is not meant to see these scenes of women sitting in darkness, confined to their homes, absent from the public sphere.

🖤 Browse all available (and sold) works on our website, at the artist’s page! 🖤

Kathy Osborn is a painter based in Hudson, New York. She was an illustrator for 25 years, with work featured in several publications including The Atlantic Monthly, Rolling Stone, The New Yorker, The Washington Post, The Chicago Tribune, The New York Times, GQ and New York Magazine. Osborn began her painting career in 2014, showing in exhibitions at John Davis Gallery (2015), Geoffrey Young Gallery (2015), Gallery Molly Krom (2015), Susan Eley Fine Art, Art on Paper Fair (2016), Art Miami CONTEXT (2016).

On view in The Summer Show through the 30th!!

08/28/2026

One more weekend of The Summer Show 🌞 Closing August 30, 5pm.

John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His ima...
08/23/2026

John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 250,000 miles.

“My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph.

I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive.

Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour.”

1. Salt Lagoons 9029 - San Francisco Bay near Fremont, California USA, 2024 archival digital print, edition of 25, 26 x 39 in.
2. Salt Lagoons 9088 - San Francisco Bay near Fremont, California USA, 2024 archival digital print, 39 x 26 in.
3. Detail
4. Salt Lagoons 9065 - San Francisco Bay near Fremont, California USA, 2024 archival digital print, 26 x 39 in.
5. Soft Hills and Road - near the Continental Divide, Montana, USA (/25), 2007 archival digital print, 26 x 39 in.
6. Red Spain and Tree Shadows, La Mancha Spain (/25), 2005 archival digital print, 19.3 x 29 in.
7. Five Green Ponds, Batavia, New York (/25), 2005 archival digital print, 23.5 x 29 in.
8. Iron Ore Piles - Gary, Indiana USA, 2007 archival digital print, 26 x 39 in.
9. Portrait of the Artist John Griebsch

On view in The Summer Show, through August 30.

Peter Hoffman is a sculptor and painter based in Columbia County, New York, whose practice spans more than four decades....
08/21/2026

Peter Hoffman is a sculptor and painter based in Columbia County, New York, whose practice spans more than four decades. He earned his BFA from Rhode Island School of Design in 1979 and went on to work as an assistant to sculptor Herbert Ferber in New York City, as well as serving as an Artist in Residence with the NYC Cultural Affairs Council. Since 1978, Hoffman has exhibited extensively throughout the Hudson Valley, Southern Vermont, and New England, including exhibitions at Carrie Haddad Gallery, Southern Vermont Art Center, and the Elizabeth de C. Wilson Museum. He also worked as a furnituremaker and woodworker for four decades, from 1979–2019.

1. Full Circle, (all) 2026 acrylic, wood, and wire 26 x 24 x 5 in.
2. Cloud Circle
3. Yellow Circle

“I consider myself to be a sculptor and painter in equal parts. Most often, working within an abstract realm is what inspires me to create, as it leaves open the responses any given piece might elicit. With some exceptions, rarely do I approach a sculpture with a preconceived notion of what it might look like, preferring instead to work intuitively. When this process is flowing, and with enough time, I feel a piece begins to inform me as to what is needed to bring it into wholeness.

Working from large collections of wooden remnants and found objects collected over time, as well as manufactured elements, I begin to construct sculptures. I try combining pieces that interact with one another, gradually creating something larger than the sum of the parts. I feel the construction of a sculpture is complete when all of the individual components seem to have found the place they want to be within the whole. Color is used to accentuate or minimize forms, overlay new shapes, or create visual movement.“

Kathy Osborn, ‘Blue Chair,’ 2026 oil on panel, 10.5 x 14.5 in., 11.5 x 15.5 in. framed. 💙On view in The Summer Show thro...
08/19/2026

Kathy Osborn, ‘Blue Chair,’ 2026 oil on panel, 10.5 x 14.5 in., 11.5 x 15.5 in. framed. 💙

On view in The Summer Show through August 30.

Osborn composes her works from miniatures that are meticulously arranged and photographed, producing starkly photographic yet strangely physical paintings that haunt and disorient the viewer. Her cinematic paintings hark back to the 1950s and 60s, when a boom in wealth in the post-war era glorified consumption and the practice of traditional domestic roles. This time period has been depicted in art and culture in countless ways, often with a strong sense of longing for “simpler times”.

Osborn’s work, however, lacks this nostalgia. She addresses the darkness of the nuclear age that was buried beneath layers of cultural repression. Osborn captures women’s domestic isolation through stark shadows and voyeuristic angles, implying that one is not meant to see these scenes of women sitting in darkness, confined to their homes, absent from the public sphere.

Kathy Osborn is a painter based in Hudson, New York. She was an illustrator for 25 years, with work featured in several publications including The Atlantic Monthly, Rolling Stone, The New Yorker, The Washington Post, The Chicago Tribune, The New York Times, GQ and New York Magazine. Osborn began her painting career in 2014, showing in exhibitions at John Davis Gallery (2015), Geoffrey Young Gallery (2015), Gallery Molly Krom (2015), Susan Eley Fine Art, Art on Paper Fair (2016), Art Miami CONTEXT (2016).

“The first Memory Wall painting acts as a visual encyclopedia of shapes, compositions, color juxtapositions, etc. I hav...
08/16/2026

“The first Memory Wall painting acts as a visual encyclopedia of shapes, compositions, color juxtapositions, etc. I have always been interested in wall surfaces and how they are constructed. I studied the artisan craft of Venetian Plaster in Italy and have spent years practicing this craft in people’s homes. I take containers of mixed, pigmented plaster into my studio and use it in my work. I have developed a type of fresco painting using Stucco Veneziano. These abstract compositions are done in multiple layers of overlapping colors made of pigmented plaster and marble dust and rubbed with refined beeswax. I then burnish the surface to bring out the stone like quality and seal in the color. My imagery is never far from the real world whether it be man-made or from nature.

My Big Little series has been going on for many years now. Each panel is 12x12 inches and done in pigmented plaster and wax on wooden panels. The small scale allows for experimentation and intuitive playfulness. They become vignettes of my visual memory.”

1. 44 Horizon Lines no. 2, 2026 acrylic, pigmented plaster, and wax on panel, 16 x 20 in.
2. Vince, yesterday! 👋🏻
3. Big Little 193, 2026 acrylic, pigmented plaster, and wax on wood panel, 12 x 12 in.
4. Big Little 190, 2026 acrylic, pigmented plaster, and wax on wood panel, 12 x 12 in.
5. Installation view of Big Littles
6. Vincent Pomilio studio visit
7. The Field Across The Road, 2025 acrylic, pigmented plaster, and wax on canvas, 36 x 36 in.
8. Sylvana, Taghkanic Creek, 2024 acrylic, pigmented plaster, and wax on canvas, 40 x 60 in.
9. How, Why, 2026 acrylic, pigmented plaster and wax on canvas, 24 x 24 in.
10. Memory Wall no. 10, 2026 acrylic, pigmented plaster and wax on canvas, 62 x 60 in.
11. Memory Wall no. 11, 2026 acrylic, pigmented plaster and wax on canvas, 50 x 52.5 in.
12. Memory Wall no. 9, 2025 acrylic, pigmented plaster, and wax on canvas, 60 x 62 in.
13. Vince with Memory Wall no. 9
14. North - South no. 3, 2021 (install view)
acrylic, pigmented plaster, wax, and marble dust on panel
18 x 24 in.

We had a beautiful night last month at the 2026 PS21 Gala in Chatham, NY PS21 Chatham ✨ over $465k raised to support t...
08/13/2026

We had a beautiful night last month at the 2026 PS21 Gala in Chatham, NY PS21 Chatham ✨ over $465k raised to support their operations!

The Summer Show is on view at Carrie Haddad Gallery through August 30 🌞

𝓝𝓮𝔀 𝓐𝓻𝓻𝓲𝓿𝓪𝓵𝓼: Jenny Nelson, ‘Garden Party,’ 2026 oil on canvas, 48 x 48 in. 💐 Linden for scale / Jenny in her Woodstock ...
08/08/2026

𝓝𝓮𝔀 𝓐𝓻𝓻𝓲𝓿𝓪𝓵𝓼: Jenny Nelson, ‘Garden Party,’ 2026 oil on canvas, 48 x 48 in. 💐 Linden for scale / Jenny in her Woodstock studio.

“I view the painting process as a collaboration between myself and the materials. A conversation starts that has a beginning and an end, but everything in between is unpredictable. It seems at first some exciting things may show up but it’s important to disregard these first, too beautiful bursts, work over them, and develop something deeper from them. As the painting evolves, shapes and lines solidify, and I begin to see how the parts affect the whole.

This way of layering, adding and subtracting, creates a history on the canvas. Shapes have a story to tell. Lines that have been obliterated and resurrected over and over again have an emotional charge. This process that started as a wild party ends up as a contemplative carefully edited composition, involving precise modifications, while hopefully leaving the life force in tact.”

Jenny attended Maine College of Art in Portland Maine, and is a graduate of Bard College, where she received a scholarship to the Lacoste School of the Arts in France. She has been living in Woodstock, New York for nearly two decades, including a Residency at the Byrdcliffe Art Colony from November 2004-08. Jenny has exhibited for many years nationally and regionally including; Hidell Brooks Gallery in Charlotte, North Carolina, Carrie Haddad Gallery, Hudson, NY, and the Thomas Henry Gallery, Nantucket, MA.

08/05/2026

Vince Pomilio’s ‘Memory Wall #10’ is a feast of color. The artist reaches new depths in a sea of red, teaming with unexpected pops of green and blue. Don’t be afraid to get right up close! 🤩

On view now in The Summer Show, thru August 30.

Address

622 Warren Street
Hudson, NY
12534

Opening Hours

Monday 11am - 5pm
Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 5pm
Sunday 11am - 5pm

Telephone

+15188281915

Website

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