Lawndale Art Center

Lawndale Art Center Lawndale is a multidisciplinary contemporary art center that engages Houston communities. There is no fee to submit a proposal for an exhibition at Lawndale.
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Lawndale is one of the only institutions in Houston that is dedicated to the presentation of contemporary art with an emphasis on work by regional artists. Located at the edge of Downtown in the Museum District the organization utilizes its accessible location to present exhibitions, performances, lectures, film screenings and events, and offers an annual residency program to further the creative

exchange of ideas among Houston's diverse communities. In all programming and activities, Lawndale strives to extend the center's outreach. Lawndale includes four museum-quality galleries, three artist studios and an outdoor sculpture garden that facilitate its role as a vital cultural resource for Houston. A board Programming Committee made up of area artists and arts professionals meet twice per year to consider proposals and select artists and exhibitions for presentation. A balance is sought among emerging, mid-career and established artists, as well as a wide range of two and three-dimensional media and content. The committee gives special consideration to work that would not be shown in commercial or other museum venues due to its scale, ephemeral nature, or difficulty of installation. The schedule is intentionally flexible to allow for work to be shown within six months of its completion; accordingly, nothing is scheduled more than one year in advance. The committee also considers works from around the region that inform area artists and audiences about the most current themes and concepts in contemporary art, while remaining focused on Houston area artists. Every year Lawndale Art Center hosts an area-wide open call juried survey show, called The Big Show, which provides exhibition access to area artists. Approximately 400 artists who live and work within a 100-mile radius of Houston, bring over 950 works of art to the Lawndale galleries for jurying over three days. A nationally known curator from outside of the region selects The Big Show from these entries presenting an annual snapshot of contemporary art in Houston. Lawndale Art Center's most recent programming initiative was to launch an annual rotating mural project, which features the work of local artists on Lawndale's north exterior wall. One of Lawndale Art Center's most anticipated events is the annual festival celebrating, DΓ­a de Los Muertos, featuring an open-call exhibition of over 250 contemporary interpretations of the Mexican folk art tradition, the retablo, created by area artists and enthusiasts. During this time Lawndale also works closely with area schools, focusing on at risk and low income schools, to educate students about the Mexican tradition using contemporary art as a context and features artworks from the students during the retablo exhibition. This program provides a critical bridge to Houston's Latino community and helps build awareness within the Mexican-American community for our other programming. In addition, Lawndale also provides educational opportunities to area elementary, middle and high school-age children and to local college and university students through its teacher orientation program, internship program and guided tours and activities. History

Lawndale Art Center was founded in 1979 by artist James Surls, an instructor at the University of Houston, in a 100,000 square-foot warehouse, and provided studio spaces for MFA students. Surls created an exhibition area within the warehouse and programming soon expanded to explore experimental, alternative works and performances by other artists in the community and beyond. Through the early 1980s, Lawndale operated as a university-sponsored space. Performance art and music shows drew audiences that loved the club-scene atmosphere. By 1989 the university was no longer able to support the space and the organization was suddenly homeless. A small team of hard-working individuals, committed to keeping the entity alive, formed a board of directors, obtained non-profit status and borrowed spaces in which the newly independent Lawndale could continue to program. In 1992 Lawndale rented a three-story 1930 Art Deco building at its current location in Houston's Museum District. Its layout and location were well-suited to Lawndale's vision for program and audience expansion. In 1993 the organization purchased the building and hired an Executive Director. By the mid-1990s Lawndale was beginning to stabilize. The board structure was modified but continued the artist-run Programming Committee, charged with the curatorial duties of the organization and dedicated to presenting experimental art works from area artists. By the year 2000 the facility was in poor condition. The building required major repairs and renovations in order to have adequate exhibition and office space and to realize the goal of beginning an artist residency program. In 2003 Lawndale launched a $1.4M capital campaign to fund the project; most of the funds were raised within two years. During construction in 2004, staff moved out of the building, but was able to continue programming: producing an artist-designed billboard series and presenting annual exhibitions in other area art spaces. Renovations were completed in 2005 and Lawndale moved back into a first-rate, fully ADA compliant facility. In 2006 Lawndale launched the Artist Studio Program offering financial support and space for three artists annually. From the beginning, all programming has been artist driven. Lawndale Art Center became the premiere center for artists in Houston and the region to show work, experiment, perform and meet other artists. Early projects included works by Luis Jimenez, Sue Coe, The Art Guys, Nam June Paik and Rev. Johnnie Swearingen. Performance art and music were an important part of the early years, including varied performances from Allen Ginsberg and Spaulding Gray to Black Flag and the Meat Puppets.

🎞️ Presenting the Big Slide Show! 🎞️Join Lawndale and artists from The Big Show 2026 as they give short presentations ab...
07/16/2026

🎞️ Presenting the Big Slide Show! 🎞️

Join Lawndale and artists from The Big Show 2026 as they give short presentations about their work. The Big Slide Show is a chance to hear directly from artists about their creative practice!

πŸ—“οΈ Saturday, July 18
⏰ 2 pm - 4 pm
🎟️ FREE

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Presenting artists:

Grayson Chandler (Grayson Chandler)
Yanka Dzombak (Yanka Dzombak)
Dixie Friend Gay (Dixie Friend Gay)
Marc Furi (Marc Furi aka Marc Newsome, MFA)
Peter Gynd (Peter Gynd)
Melody Locke (Melody Locke Art| Ethereal Botanical Photography)
Elizabeth Martins (Liz)
Walter McNairy (Walter Eric Chief McNairy)
Sara Meyer
Delaney Moore-McNamee (sako.bug)
Amanda Berg (Amanda Lynn Berg)
Carlos Ocando (Carlos Ocando)
Tega Okperuvwe (Tega Okperuvwe)
Tony Rincon (Tony Rincon)
Liam Shaw (Liam Shaw)
John Slaby (John Slaby)
Todd Stevens (Todd Stevens)
Peri Sutherland (Peri Sutherland)
Chantal Wnuk (Chantal Wnuk)

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The Big Show 2026 media sponsor is Texas Visual Art

Our next awardee chosen for The Big Show 2026 by our juror Valerie Cassel Oliver (Valerie Cassel Oliver) is Danielle Jon...
07/08/2026

Our next awardee chosen for The Big Show 2026 by our juror Valerie Cassel Oliver (Valerie Cassel Oliver) is Danielle Jones (Danielle Jones)! Today, we highlight their work By a Thread #1.

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On By a Thread #1:

By a Thread #1 is a wall-hanging and partial ceiling-hanging installation constructed from fragments of reclaimed tarps from various places that have been adorned and pieced back together. This recontextualization of tarp is part of a larger ongoing body of work that responds to the parallels and collisions between psychological and environmental upheaval. Having grown up in Louisiana surrounded by water and a culture of continuous flood and storm preparation, I am very much influenced by the strange and specific energy involved in exhaustively and ineffectually preparing for the inevitable. That cycle feels familiar in terms of psychological instability as well, and the quiet, overlooked persistence of what continues to grow and surface between cycles of destruction.

How does it fit into your practice as an artist?:

My installations and intricate works respond to cyclical patterns of disaster and repair through the transformation and celebration of the often-overlooked residuals of destruction. I am interested in the human need to prepare for what cannot be prepared for, protect what cannot be protected, and fix what can only be momentarily restored. By using specific materials like paper and tarp, I engage in habitual cycles of preparing, breaking, and mending to speak to the inevitable alternation of disaster and recovery. All of my work is heavily informed by my relationship with water… flooding, the highs and lows, and the soft and unapologetically destructive as a metaphor for the cycle of mental instability and shifting psychological states.

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The Big Show 2026 media sponsor is Texas Visual Art

Images courtesy Sol Diaz-PeΓ±a Sol Diaz-PeΓ±a

We have our next awardee, chosen for The Big Show 2026 by our juror Valerie Cassel Oliver (Valerie Cassel Oliver). Today...
07/01/2026

We have our next awardee, chosen for The Big Show 2026 by our juror Valerie Cassel Oliver (Valerie Cassel Oliver). Today, we highlight DIXIE FRIEND GAY (Dixie Friend Gay) and their work Nothing You Believe Is Real.

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On Nothing You Believe Is Real:

"The work reflects a state of entanglement. What reads as landscape also reads as body. Macro and micro converge. This piece was created in response to the Guadalupe River floods on July 4th, 2025. The paintings are a record of process and pose a question. What does it mean to alter the systems that sustain life?"

How does it fit into your practice as an artist?

I am drawn to systems: weather patterns, geological strata, water flow, plant growth, microbial life. Growing up on an isolated ranch, the raw power of nature instilled a visceral awareness of cycles of growth, collapse, death. Now living in an urban landscape, those forces, intensified by human intervention, breach the spaces we build. I construct paintings as terrains, using old canvas, tarps, and recycled fabric to create surfaces that direct the flow of paint. Layers of detailed painting, drawing, sanding, and incision record erosion, decay, rupture, saturation and collapse.

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The Big Show 2026 media sponsor is Texas Visual Art

Algo Que DeclararTe invitamos a una degustaciΓ³n participativa de Malditos Caramelos. Para participar, cada persona deber...
04/16/2026

Algo Que Declarar

Te invitamos a una degustaciΓ³n participativa de Malditos Caramelos. Para participar, cada persona deberΓ‘ compartir un relato, poema o memoria sobre comida que haya viajado a travΓ©s de distancias o fronteras.

La participaciΓ³n es parte de la experiencia. La actividad se llevarΓ‘ a cabo en espaΓ±ol, con interpretaciΓ³n al inglΓ©s disponible.

πŸ—“ 25 Abril Β· 2–4 PM
πŸ“ Lawndale Art Center
🎟 Registro requerido: [link in bio]

Organizado por Jorge GalvΓ‘n Flores como parte de Mud + Corn + Stone + Blue. Logo por .notes

Something to Declare

Join us for a participatory tasting of Malditos Caramelos. To take part, each guest will be asked to share a story, poem, or memory about food that has traveled across distance or borders.

Participation is part of the experience. The event will be held in Spanish, with English interpretation provided.

πŸ—“ April 25 Β· 2–4 PM
πŸ“ Lawndale Art Center
🎟 Registration required: [link in bio]

Organized by Jorge GalvΓ‘n Flores as part of Mud + Corn + Stone + Blue. Logo by .notes

Address

4912 Main Street
Houston, TX
77002

Opening Hours

Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 11am - 5pm

Telephone

(713) 528-5858

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