Ars Lyrica Houston

Ars Lyrica Houston Its recordings have brought worldwide attention to Houston’s thriving early music community, including a Grammy nomination for Best Opera 2011. F.

With high-quality artistry and world-class performances, GRAMMY-nominated ensemble Ars Lyrica Houston presents a diverse array of music from the 17th and 18th centuries.

“a stunning mix of music and history” — Houston Chronicle MISSION

Ars Lyrica Houston performs a wide range of Baroque and early Classical era music on instruments that recreate the original sounds of this vibrant repertoire. It

s diverse programming, which features neglected gems alongside familiar masterworks, creates a contemporary context for the dramatic potential, emotional resonance, and expressive power of early music. VISION

By making music from the 17th and 18th centuries resonate anew through performances, recordings, and education initiatives, Ars Lyrica seeks to establish Houston as an international destination for period-instrument performance and appreciation of this timeless repertoire. ABOUT

Ars Lyrica Houston (ALH) specializes in music from the Baroque era, the “golden age” of the seventeenth and eighteenth centuries, as performed on period instruments and with sensitivity to historical style and context. Founded in Houston in 1998 by harpsichordist and conductor Matthew Dirst and incorporated in 2003 as a 501(c)(3) organization, this Grammy-nominated ensemble provides audiences with world-class performances of a wide range of dramatic, sacred, and chamber works. The early music ensemble-in-residence at the Hobby Center for the Performing Arts, Ars Lyrica uses period instruments because they produce a sweeter, more intimate sound than their modern equivalents and are better suited to the performance of Baroque music especially. In keeping with the flexible nature of performance during the Baroque age, ALH presents a wide range of music for voices and instruments on its downtown subscription series and in the surrounding area. Ars Lyrica’s thematically-based programs and contemporary dramatizations of Baroque stage works “set the agenda for imaginative period-instrument programming in Houston,” according to the Houston Chronicle, and the ensemble plays regularly at international festivals, including the 2014 Berkeley Early Music Festival & Exhibition, one of the most prestigious festivals of its kind. Under Dirst’s direction ALH brings major artists to Houston on a regular basis and has introduced local and national audiences to important Baroque masterworks. Ars Lyrica’s numerous Houston premières include Jacopo Peri’s Euridice (the first surviving opera), G. Handel’s Il Trionfo del Tempo e della Verità (in its first American performance), John Blow’s Venus and Adonis (the first English opera) and Claudio Monteverdi’s monumental 1610 Vespers. ALH collaborates regularly with other local organizations on the annual Houston Early Music Festival and has been featured at national meetings and conventions of the American Musicological Society, the American Bach Society, the American Guild of Organists, the Society for 17th-Century Music, and the Westfield Center for Early Keyboard Studies. In addition to its concert and recording activities, Ars Lyrica offers a variety of outreach programs that enrich the concert experience and build new audiences for classical music. These include educational programs that reach over 10,000 primary and secondary school students annually, performances at nontraditional venues, lectures, university collaborations, and hands-on training in period instruments and performance practices.

08/07/2026

JK… no Netflix documentary. 😅

But we do have our own streaming service. 💅🏽

🎥 Explore the Baroque Digital Hall to watch full performances, artist interviews, educational content, behind-the-scenes features, and more.

🔗 Learn more at our link in bio.

Red cards weren’t just for the World Cup this summer… 🚩⚽️
07/20/2026

Red cards weren’t just for the World Cup this summer… 🚩⚽️

07/20/2026

SPAIN WINS THE WORLD CUP!! 🇪🇸⚽️

Celebrate with us and enjoy this lively excerpt from Spanish composer and guitarist Gaspar Sanz.

The Canario performed is drawn from his 1674 treatise Instrucción de música sobre la guitarra española, one of the principal surviving sources for Baroque guitar music. Based on a popular dance type associated with the Canary Islands, the work illustrates the distinctive rhythmic language and performance style that shaped seventeenth-century Spanish guitar repertoire.

Performed here by Richard Savino during our 2017 concert, Don Quixote’s Excellent Adventure.

💻 Watch the complete concert with a Digital Replay Pass or at our Baroque Digital Hall.

🔗 Learn more at our link-in-bio.

07/17/2026

Happy Birthday, Cecilia Duarte! 🎉❤️ Today, we’re celebrating Cecilia with this powerful excerpt from Handel’s Theodora.

In “Bane of virtue,” Irene reflects on the forces that threaten virtue as she and her fellow Christians face persecution under Roman rule. Her words reinforce one of the oratorio’s central themes: the strength of faith and moral conviction in the face of oppression and suffering.

Sung here by Cecilia Duarte as Irene in our March 2025 performance of Handel’s Theodora.

💻 Watch the complete performance of Theodora with a Digital Replay Pass or at our Baroque Digital Hall.

🎶 Become a subscriber and hear Cecilia live with us this December, plus enjoy digital access included with your subscription!

🔗 More info at our link-in-bio.

07/02/2026

As Orfeo reaches the River Styx, he is confronted by Caronte, the ferryman who guards the entrance to the underworld. In “O tu ch’innanzi morte,” Caronte warns that no living person may enter the realm of the dead, presenting Orfeo with what seems to be an impossible obstacle. The scene marks the first true test of whether music can overcome death itself.

Sung here by Enrico Lagasca as Caronte in our recent production of Monteverdi’s Orfeo during our 2025/26 season, Twists of Fate.

💻 Watch the complete production with a Digital Replay Pass or at our Baroque Digital Hall.

07/02/2026

The joyful wedding celebrations come to an abrupt end as La Messaggiera arrives with devastating news: Euridice has died after being bitten by a snake while gathering flowers. In “In un fiorito prato,” her account transforms Orfeo from a pastoral celebration into one of opera’s most powerful stories of love, loss, and the hope of redemption.

Sung here by Cecilia Duarte as La Messaggiera in Ars Lyrica Houston’s recent production of Monteverdi’s Orfeo during our 2025/26 season, Twists of Fate.

💻 Watch the complete production with a Digital Replay Pass or at our Baroque Digital Hall.

Some choices leave you with donkey ears.This one leaves you with better seats. 👀Today is your last chance to secure Earl...
06/30/2026

Some choices leave you with donkey ears.

This one leaves you with better seats. 👀

Today is your last chance to secure Early Subscriber Benefits for the 2026/27 season.

Subscribe by tonight to enjoy exclusive early subscriber perks, including:
✨ A complimentary guest ticket
✨ Guaranteed seat renewal
✨ And more early subscriber benefits

🎟️ Subscribe at our link in bio, or contact The Hobby Center for the Performing Arts to secure your seats today!

06/30/2026

Me: “I should probably check when Early Subscriber Benefits end…” 👀



Today.

🎟️ Subscription info at our link in bio, or contact The Hobby Center for the Performing Arts today!

Address

4807 San Felipe, Suite 202
Houston, TX
77056

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