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10/18/2025

Hey fam I think that this one is done. Might even be the last one for the year.

I'm tired šŸ˜‚

I’m thrilled to share that my work will be featured in HYPERCOLOR — opening November 3rd at the Taber Art Gallery at Hol...
10/18/2025

I’m thrilled to share that my work will be featured in HYPERCOLOR — opening November 3rd at the Taber Art Gallery at Holyoke Community College.

Curated by Rachel Rushing, this exhibition celebrates the gallery’s 25th Anniversary and the enduring power of color to move, collide, and sing.

Honored to show alongside .sunny, , , and — each exploring color as language, vibration, and testimony.

Taber Art Gallery, Holyoke Community College
Exhibition Opens: November 3, 2025
Reception + Artist Panel: November 13, 2025

Here’s to color that refuses to whisper — it hums, glows, and reminds us we’re alive.

Images courtesy of
&

I’m excited to share that my painting Divers IV will be part of Root/Signal at the Arno Maris Gallery, Westfield State U...
09/26/2025

I’m excited to share that my painting Divers IV will be part of Root/Signal at the Arno Maris Gallery, Westfield State University.

This exhibition leans into something I’ve always believed: the living world has lessons for us. Roots, plants, and currents remind us how to slow down, tune in, and remember how deeply connected we are.

Dates: Sept 30 – Nov 7
Panel + Reception: Oct 2, starting 3:30 pm

Grateful to be showing alongside this amazing group of artists:
.tana .painting

Curated by Caitlin Hurd & Melanie Vote.

Still basking in the glow of last night's incredible artist talk! šŸŽØāœØThank you to Nicole Smythe-Johnson (Assistant Profes...
09/20/2025

Still basking in the glow of last night's incredible artist talk! šŸŽØāœØ
Thank you to Nicole Smythe-Johnson (Assistant Professor of Art History & African American & Black Diaspora Studies at Boston University) and Rachel Passannante (Assistant Director + Collections Manager) for such stimulating conversation - we dove deep into process and the Jamaican worldview, exploring what it means to identify a Jamaican diaspora.
Huge gratitude to:

Boston Center for the Arts for hosting
Michelle Stevens (Visual Arts Lead) for coordinating
Natalie de Jesus (Director of ) and Tiarra Inez (Curator at The Huntington African American Museum) for flawless setup
Rebecca Torres (artist, scholar, and President of the Monotype Guild of New England) , Wilhelm Neusser , and everyone who came out

Blown away by the response and support. And thank you to the wonderful staff for making everyone feel welcomed and loved! šŸ™
The exhibition continues through November 8th, 2025 - don't miss it!
Photos courtesy of
šŸ“ø

Thank you so much to the incredible .mcquaid for writing about the show. You words were heartfelt and riviting. This sho...
09/11/2025

Thank you so much to the incredible .mcquaid for writing about the show. You words were heartfelt and riviting. This show is truly a group effort. Thanks to for your love and support. Thanks to and for catching the vision and taking it further than I could have imagined. And thanks also to the crew. Much love.

repost via from .mcquaid Fear causes tunnel vision. Painter andraegreenstudios' "Paradise/Mash-up" widens the lens. While the show mashes up moments and places from the life of an immigrant, it’s not Andrae’s immigration story that refutes the Trumpian world view. It’s the breadth of his imagination. My review is in Ocean in a Drop – the link is in my bio and below.

https://catemcquaid.substack.com/p/the-best- defense-against-dystopia

Back in the studio today after a month away. šŸ™šŸ½Three hours of Zoom still tried to steal the day, but I carved out some p...
09/06/2025

Back in the studio today after a month away. šŸ™šŸ½
Three hours of Zoom still tried to steal the day, but I carved out some painting time—and man, it felt like a breath of fresh air. This is my happy place. My quiet place. My zen. My peace.

Teaching at Hartford Art School these past weeks has been a blessing—guiding and sharing ideas with students is its own gift. But stepping back to the canvas today reminded me why the studio always pulls me home.

As Mark Rothko said, ā€œthe best thing a painter can do is find a space to be quiet in.ā€

Hope you find your quiet place this weekend.
Blessings. Peace and Love. ✨

Friday night was pure magic ✨ Swipe right to see more šŸ‘‰Paradise/Mash-Up opened at  and my heart is still full. Seeing pe...
08/17/2025

Friday night was pure magic ✨ Swipe right to see more šŸ‘‰

Paradise/Mash-Up opened at and my heart is still full. Seeing people connect with these paintings - witnessing that moment when fragmented memories and diasporic stories resonate with others - this is why we create.

From Kingston to Boston, these port cities have shaped my journey, and through paint and canvas, I've tried to capture the beautiful tension between losing and belonging. The "mash-up" continues.

Deepest gratitude to the incredible team who made this possible: and the BCA board and staff, (missed you!), curators and who truly understood the vision, .painting for traveling to be there, and to Priya - my constant light through every doubt and uncertainty. You are my rock. šŸ’™

The show runs through November 8th at Mills Gallery. If you haven't experienced it yet, there's still time to step through these dreamscape portals with me.

It truly takes a village. Thank you to everyone who has supported this journey.

šŸ“ BCA Mills Gallery, 551 Tremont St, Boston
šŸ• Wed-Sat, 1-6PM

When it rains, it pours — in the best possible way. šŸŒ§ļøāœØI’m beyond excited to be working with Valerie Francis of  . Colla...
08/11/2025

When it rains, it pours — in the best possible way. šŸŒ§ļøāœØ

I’m beyond excited to be working with Valerie Francis of . Collaborating with her is both an honor and a privilege, and I’m so proud to have these works currently on view (you can read more in the repost below).

And the week only gets better… my solo show at the BCA Mills Gallery at the Boston Center for the Arts opens this Friday, 5–8 p.m. If you’re in Boston, come through — I’d love to see you there in person.

More news and behind-the-scenes moments coming soon.

repost via from From the streets of Kingston, Jamaica to the halls of international museums, Andrae Green’s journey began with comic books and a vivid imagination. Rooted in resilience, his work blends speculative fiction, faith, and emotion—exploring the spiritual weight of family and memory. Now based in Western Massachusetts, Green continues to shape a visual language that transforms vulnerability into power and hope.


šŸ–¼ Contact us to inquire about available works
šŸ“ Visit the Center of Knowhere at 73 Circuit Ave, Oak Bluffs, MA 02557
ā° Hours: Sun from 12-5, Mon - Sat from 11-5

Hey friends I'm so excited to share this great news with you all. My first solo show for 2025 šŸ˜repost via  from  COMING ...
07/15/2025

Hey friends I'm so excited to share this great news with you all. My first solo show for 2025 šŸ˜

repost via from COMING SOON šŸŒ†šŸ‡ÆšŸ‡² ā€˜Paradise/Mash-Up’ by opens Friday, August 15 with an opening reception from 6–9pm at BCA’s Mills Gallery.

Curated by & , Paradise/Mash-Up presents a striking collection of new and recent paintings that explore memory, identity, and diasporic longing. Grounded in the tender intimacies of everyday life, Green reflects on his hometown of Kingston, Jamaica and its shared maritime legacy with Boston—two port cities shaped by migration, colonialism, and resilience.

Using fragmented, dreamlike imagery, Green crafts a visual ā€œmash-upā€ā€”a Jamaican Patois term meaning broken or transformed—where time and geography blur. These poetic compositions reflect the tensions of diaspora: the search for belonging, the ache of distance, and the beauty found in the in-between.

Opening the same night in the Project Room is ā€˜Spiritual Technologies’ by . Rooted in Sicilian folk magic, the exhibition explores intergenerational trauma and gendered violence through sculptural works. In their ongoing series Made Real by Process of Annihilation, d’entremont uses burnout casting techniques to transform symbolic objects—charged with inherited pain—into uncanny bronze relics. Both exhibitions are on view August 16–November 8, 2025.

🌓 BCA Mills Gallery, 551 Tremont St., Boston
🌓 Opening Reception: Friday, August 15 | 6–9pm

Visit the link in bio to RSVP + learn more.

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532 Main Street
Holyoke, MA
01040

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