Formosa Group

Formosa Group Formosa Group is an award-winning sound industry leader in post-production audio for film, television, music, & more.

Formosa Group is a full service post-production sound company, serving independent and studio filmmakers, content creators and interactive clients.

08/26/2026

Last day of voting!

Supergirl: Formosa Group Music Editor Nevin Seus on working with composer Claudia Sarne to achieve maximum creativity fo...
08/26/2026

Supergirl: Formosa Group Music Editor Nevin Seus on working with composer Claudia Sarne to achieve maximum creativity for the score

Read the full interview at the link in our stories!

“There is so much going on,” [Emmy-nominated Sound Designer Russell] Topal explains. “Fighting, destruction, lasers, gor...
08/20/2026

“There is so much going on,” [Emmy-nominated Sound Designer Russell] Topal explains. “Fighting, destruction, lasers, gore, weapons, tentacles, etc. We had to figure out what we wanted to hear and when so it felt unified while still being dynamic.”

He describes working on The Boys as an amazing experience and is grateful to have been involved on a show with so much fandom and creativity behind it.

“It was pleasure to work with Wade [Barnett], Rich Weingart, Alex Fehrman and Ryan Briley, and the rest of the post crew,” he adds.

Read the rest of the article on Post Magazine here: https://www.postmagazine.com/Press-Center/Daily-News/2026/-I-The-Boys-I-Sound-designer-Russell-Topal-look-.aspx

THE BOYS Russell Topal

08/20/2026

Deadline | In this clip, Emmy-nominated Formosa Group Supervising Sound Editor Chris Gomez discussing balancing drama and comedy when it comes to sound, with a shoutout to Emmy-nominated Formosa Group Re-Recording Mixer Penny Harold for the precise and artful dialogue mixing for the series BEEF.

Emmy-nominated for his work on the series BEEF, Christopher Gomez is the show’s supervising sound editor, responsible fo...
08/19/2026

Emmy-nominated for his work on the series BEEF, Christopher Gomez is the show’s supervising sound editor, responsible for discussing with the showrunner, director and picture editors the overall sonic vision of a project.

“We outline ideas and needs, such as sonic landscape, potential ADR and themes of a show,” he explains. “I then work with a team of sound editors to pass along those discussions and oversee the sound elements all the way through to our final sound mix.”

In the case of Beef, a directive was to always make sure the show was grounded in reality.

“We wanted the viewer to always feel immersed in the locations that we were in,” Gomez explains. “We also needed to maintain a level of ‘pristine and polished’ sound that would reflect the look and feel of this season.”

Read the rest in Post Magazine at the link in our Stories!

EMMY MAGAZINE | Issue No. 10 • 2026 | Me and My Emmy | Formosa Group Supervising Sound Editor Michael Benavente
08/18/2026

EMMY MAGAZINE | Issue No. 10 • 2026 | Me and My Emmy | Formosa Group Supervising Sound Editor Michael Benavente

 | ‘Widow’s Bay’ Music Editor Describes How Nerf Guns Influenced the ‘Sound of the Island’
08/17/2026

| ‘Widow’s Bay’ Music Editor Describes How Nerf Guns Influenced the ‘Sound of the Island’

08/13/2026

| Episode 372 “The Bear & Beef Season 2” | featuring Formosa Group Re-Recording Mixers Penny Harold & Andy Lange. Link in stories!

“372 – The Bear & Beef S2
PUBLISHED AUGUST 11, 2026
Emmy nominated re-recording mixers Andy Lange & Penny Harold (Beef), join Steve “Major” Giammaria (The Bear) in conversation about life on the mix stage for high end shows. All three discuss how they approached the mixes for the most recent season of both series. They compare and contrast what a day looks like while working through an episode, their techniques for getting in and out of music heavy scenes smoothly, what their reverb chains look like and lots more.”

08/10/2026

Emmy-nominated Supervising Sound Editor Christopher Gomez chats with BSB Insider about season 2 of Beef. Link in stories!

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