08/19/2026
Isn’t it ironic that linseed oil in my paint and flax fiber in linen canvas come from the same plant?
As an experiment, I decided to paint on mounted linen without primer. I protected the linen fibers with a coat of Golden matte medium to make them less absorbent to the oils in the paint. I found that by leaving the linen “raw” the matrix of fibers clings to the paint in a helpful way, pulling the pigment off the brush and depositing it into the nest of fibers instead of smearing it onto the shield of gesso.
Drawing on it is a bit more difficult and I found wolffs carbon pencils 4B leave a decent mark, and General Pencil Charcoal White (is that an oxymoron?) show highlights. Here are the early results of this experiment: a 20x20 work in progress painting of Gooch’s Beach in Kennebunkport, Maine.