Art Honors Life Projects at Funeria

Art Honors Life Projects at Funeria FUNERIA launched in 2001, creating a new model and opportunities for artist-made urns & memorials. Visitors arrived from throughout the world.

When Art Honors Life Gallery at FUNERIA opened to visitors in Jan. 2007, it was a front page story in the business section of The New York Times and "the nation's first art gallery dedicated to cremation urns and personal memorial art," 1/18/2007. Some carried news clippings, or a page turned to stories in travel guides and books. We have helped innumerable families find a beautiful memorial urn o

r artwork to honor a life they've loved. Many have chosen their own urn to be enjoyed simply as original artwork without ever revealing its purpose. The FUNERIA Portfolio offers urns and artworks that range from elegant to whimsical in the broadest range of media; from stately cast bronze and superbly forged steel, to sublime ceramics in every glaze and form imaginable. Plus, wood, glass, stone and biodegradable options. What will your urn look like? What would you choose for someone you love?

06/10/2024

We are saddened to mark the passing of William Anders, the NASA astronaut who in 01968 took Earthrise, the first human-captured photograph of Earth from the Moon.

By capturing an image of the Earth from space, Anders changed everything.

06/02/2024

"My foster dog stinks to high heaven. I don’t know for sure what breed he is. His eyes are blank and hard. He won’t let me pet him and growls when I reach for him. He has ragged scars and crusty sores on his skin. His nails are long and his teeth which he showed me are stained.

I sigh.

I drove two hours for this. I carefully maneuver him so that I can stuff him in the crate. Then I heft the crate and put it in the car. I am going home with my new foster dog.

At home I leave him in the crate till all the other dogs are in the yard. I get him out of the crate and ask him if he wants ‘outside.’ As I lead him to the door he hikes his leg on the wall and shows me his stained teeth again.

When we come in he goes to the crate because that’s the only safe place he sees. I offer him food but he won’t eat it if I look at him, so I turn my back. When I come back the food is gone. I ask again about ‘outside.’ When we come back I pat him before I let him in the crate, he jerks away and runs into the crate to show me his teeth.

The next day I decide I can’t stand the stink any longer. I lead him into the bath with cheese in my hand. His fear of me is not quite overcome by his wish for the cheese. And well he should fear me, for I will give him a bath.

After an attempt or two to bail out he is defeated and stands there. I have bathed four legged bath squirters for more dog years than he has been alive. His only defense was a show of his stained teeth that did not hold up to a face full of water.

As I wash him it is almost as if I wash not only the stink and dirt away but also some of his hardness. His eyes look full of sadness now. And he looks completely pitiful as only a soap covered dog can. I tell him that he will feel better when he is cleaned. After the soap the towels are not too bad so he lets me rub him dry. I take him outside. He runs for joy. The joy of not being in the tub and the joy of being clean. I, the bath giver, am allowed to share the joy. He comes to me and lets me pet him.

His skin is healing. He likes for me to pet him. I think I know what color he will be when his hair grows in. I have found out he is terrified of other dogs. So I carefully introduce him to my mildest four legged brat. It doesn’t go well.

Two weeks later a new vet bill for an infection that was missed on the first visit. He plays with the other dogs.

Three weeks later he asks to be petted. He chewed up part of the rug.

Eight weeks later his coat shines, he has gained weight. He shows his clean teeth when his tongue lolls out after he plays chase in the yard with the gang. His eyes are soft and filled with life. He loves hugs and likes to show off his tricks, if you have the cheese.

Someone adopted him today... When they saw him the first time they said he was the most beautiful dog they had ever seen.

Six months later I got a call from his new family. He is wonderful, smart, well behaved and very loving. How could someone not want him? I told them I didn’t know. He is beautiful. They all are".

Fosters change the world, so please consider opening your home to a dog in need 🙏🐾

🙂
09/24/2022

🙂

Even in the traditionally conservative funeral business, new solutions are possible. A researcher at the Estonian University of Life Sciences (Estonian: Eesti Maaülikool, EMÜ) has developed an urn made of mushrooms. When a person is buried in one, they will eventually become one with the soil.

Art honors life gloriously is this mesmerizing portrait of one superb artist by another.
02/19/2022

Art honors life gloriously is this mesmerizing portrait of one superb artist by another.

Gordon Parks was the first Black hire at Vogue in 1947 and the first Black staff photographer for Life magazine in 1949. He went beyond fashion and expanded both the political and aesthetic boundaries of photography. Parks advanced a new image of modern society in the United States in Ebony and Life. He was keenly attuned to how people were represented as gendered, racial, or unseen, utilizing the camera as a means of persuasion.

This photo by Parks in the is of the artist Helen Frankenthaler and it was taken for Life Magazine in 1956. The photo was included in a feature titled “Women Artists in Ascendance” that celebrated the work of five American women painters, Frankenthaler, Grace Hartigan, Nell Blaine, Joan Mitchell, and Jane Wilson, who all had established careers as painters, but were far from household names.



📸: Gordon Parks, “Portrait of Helen Frankenthaler,” 1957, printed 2018. Archival pigment print. Artwork © The Gordon Parks Foundation

Fine writing on ruins and their wake.
10/04/2020

Fine writing on ruins and their wake.

The monument is essentially didactic: look on my works, ye mighty. But the ruin, the legless trunk, is often the real lesson, on the passing of time and the erosion of reputation.

We couldn't be more proud of Carol Green and Lynn Hayes, whose creativity, depth of knowledge, sensitivity to subject ma...
03/02/2019

We couldn't be more proud of Carol Green and Lynn Hayes, whose creativity, depth of knowledge, sensitivity to subject matter, superb skill and elegant forms were already exceptional in our view for elevating what FUNERIA hoped to find when we organized the first international juried exhibition of original artist-made funerary urns and personal memorial art in 2001. The Ashes to Art exhibition opened at San Francisco's historic Fort Mason Center Nov 29-Dec 2 and we've been making our own history with Carol and Lynn's work ever since.

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2860 Bowen Street
Graton, CA
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