Cape Ann Museum

Cape Ann Museum ⛵️ Celebrating Cape Ann’s place in American art & history since 1875. The Cape Ann Museum tells multiple stories, all relating to a single remarkable place.
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One museum, two campuses in Gloucester, MA.
🟩 CAM Green - 13 Poplar St.
🖼️ Downtown Campus - 27 Pleasant St From its earliest days as a fishing and shipping port, to its mid-19th century role in the granite industry, to its singular charms of light and sea that have attracted countless artists from the 19th century to the present, Cape Ann boasts a rich and varied culture of nationally significant historical, industrial, and artistic achievement. The Museum's fine art collection includes the largest grouping of works by native son and renowned marine artist, Fitz Henry Lane, as well as work by other prominent painters and sculptors who lived on, visited or were inspired by Cape Ann. The work of contemporary Cape Ann artists is also collected and exhibited. The permanent collection includes fine and decorative arts, artifacts from the major industries of the area - the fisheries and granite quarrying, two historic houses and an extensive library and archives.

10/13/2026

Did you miss some of the “Avery, Gottlieb & Rothko: By the Sea” lecture series? Find Dr. Elliot Bostwick Davis’s lecture “Artist Conversations Across Time: From Cape Ann to Rembrandt in Rothko’s ‘Thru the Window,’”—originally presented on June 3, 2026—on the Cape Ann Museum YouTube Channel!
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Watch the full program at https://youtu.be/RLqIADFwqdE?si=VACfInqQVs1Otlym.

On   we’d like to express our gratitude to Darius Coombs for his time and expertise on the 13 Moons field trip program t...
10/12/2026

On we’d like to express our gratitude to Darius Coombs for his time and expertise on the 13 Moons field trip program that Cape Ann third grade students participated in last month!
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13 Moons provides hands-on activities to learn about the Wampanoag experience with educator, culture keeper, and outreach coordinator for the Mashpee Wampanoag Tribe—Darius Coombs.
Students took a guided tour of the wetu (traditional structure) at CAM Green to learn the history, culture, and traditions of the Wampanoag peoples in an interactive program. Mr. Coombs brings over 30 years of experience in education, scholarship, and advocacy. He was also part of the team from SmokeSygnals that organized and constructed the wetu and mush8n (traditional canoe) in 2023 as part of CAM’s “Native Waters; Native Lands” ongoing exhibition.
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The communities of Cape Ann are located on the traditional and ancestral homelands of the Pawtucket people and their neighbors the Massachusett, Nipmuc, Penacook, and Wampanoag tribes. We recognize and honor those Indigenous peoples who have lived in this territory for more than 10,000 years, are here now, and will be here for generations to come.

Guess who’s back!?🖼️After spending several months at the Gianfranco Pocobene Conservation Studio for restoration and sta...
10/11/2026

Guess who’s back!?
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After spending several months at the Gianfranco Pocobene Conservation Studio for restoration and stabilization work, Charles Hopkinson’s beloved “Three Dancing Girls” has returned to the Cape Ann Museum. The painting will be reinstalled in the Museum’s top-floor gallery dedicated to 20th- and 21st-century art that opens for public viewing on Saturday, November 14, at 10 am.
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“Three Dancing Girls” had been on loan to the institution since 1997, and in 2024 thanks to the generous attendees of the 2023 CAM Luncheon, the Museum was finally able to purchase this painting that is a longtime favorite among visitors.
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Charles Hopkinson (1869-1962), “Three Dancing Girls,” 1917-1923. Oil on canvas. Collection of the Cape Ann Museum. Purchase made possible through proceeds from the 2023 CAM Luncheon [2024.012.001].

  to artist Maurice Prendergast (1859–1924)! Prendergast's artistic output included over 2,300 paintings and drawings. M...
10/11/2026

to artist Maurice Prendergast (1859–1924)! Prendergast's artistic output included over 2,300 paintings and drawings. Many of these are New England beach scenes which he painted throughout his career. The loose, improvisational quality of Prendergast's watercolors is well illustrated in this example in the Museum's collection. He sketched a rough under-drawing in pencil, but was guided—not dictated—by it. Prendergast edited as he painted. Figures become rocks; small details are added and subtracted; outlines are emphasized with touches of pastel.
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Maurice Prendergast (1859–1924), “Annisquam Massachusetts,” c. 1919. Watercolor, pastel and pencil on paper. Collection of the Cape Ann Museum, Gloucester, MA. Gift of Mrs. Charles Prendergast, 1991 [2729.1].

  to artist Frank Duveneck (1848–1919)! Duveneck was a pivotal figure of the Cape Ann art community at the turn of the l...
10/09/2026

to artist Frank Duveneck (1848–1919)! Duveneck was a pivotal figure of the Cape Ann art community at the turn of the last century. A native of Covington, Kentucky, he first visited Gloucester during the summer of 1890, bringing with him a group of art students from Boston. Over the next quarter of a century, Duveneck returned to the area on an annual basis bringing with him a trail of other artists including such well-known figures as Theodore Wendel, Joseph DeCamp, John W. Alexander and John Twachtman.
Duveneck came to Cape Ann late in his career after already gaining recognition for his work abroad. It is said that while he was here he used two studios, one for the morning light and one for the afternoon.
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Frank Duveneck (1848–1919), “Horizon at Gloucester,” c. 1905. Oil on canvas. Collection of the Cape Ann Museum. Gift of Robert L. and Elizabeth French, 2009 [2009.51.8].

Mark your calendar for the CAM Talk: From Clay to Bronze, The Making of the Seated Cat, by Robert Shure on Saturday, Oct...
10/08/2026

Mark your calendar for the CAM Talk: From Clay to Bronze, The Making of the Seated Cat, by Robert Shure on Saturday, October 24 at 2 pm!
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The Cape Ann Museum welcomes sculptor Robert Shure for an engaging talk on the “Seated Cat,” a newly installed bronze in the Museum’s renovated Federal Street courtyard that he enlarged from Katharine Lane Weems’ iconic work of the same name and modeled in 1941. Shure will reflect on his past work with Weems, the artistic dialogue that emerged between their two cats, and the meticulous sculptural process behind creating this magnificent piece for CAM’s campus. It is a chance to hear directly from the artist about the history, craft, and character embodied in this contemplative feline form.
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Registration required. Learn more and register at
https://www.capeannmuseum.org/event/cam-talk-from-clay-to-bronze-the-making-of-the-seated-cat-by-robert-shure/.
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Katharine Lane Weems (1899–1989), “Seated Cat (Sphinx),” Modeled in 1941; cast in 2026. Bronze. Collection of the Cape Ann Museum. Museum purchase, 2026 [2026.017.001].
(1) Photo by Skylight Studios, Inc.
(2) Photo by Callisto & Co.

10/07/2026

Did you miss some of the “Avery, Gottlieb & Rothko: By the Sea” lecture series? Find CAM Chief Curator Martha Oaks’ lecture “To Live Like an Artist”—originally given on April 22, 2026—on the Cape Ann Museum Youtube Channel!
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Watch the full program at https://youtu.be/p2ey_iyRGQU?si=pnPPvH-Wo1G8Q9Qw.

  to artist Lee Kingman Natti (1919-2020)! Lee Kingman Natti was born in Reading, Massachusetts, and developed a passion...
10/06/2026

to artist Lee Kingman Natti (1919-2020)! Lee Kingman Natti was born in Reading, Massachusetts, and developed a passion for reading and writing as a child. Natti graduated from Smith College in 1940 and at the age of 24 began working at Houghton Mifflin Company as assistant to the editor of children’s books. She soon rose to the position of editor. In 1942, Natti’s children’s book “Pierre Pidgeon” was published by Houghton Mifflin, the first of 29 works she would see in print. It was during her time at Houghton Mifflin that Natti met Virginia Lee Burton.
Lee Kingman Natti first came to Cape Ann when Houghton Mifflin sent her to take art classes from George Demetrios, Virginia Lee Burton’s husband who was a sculptor and taught life drawing. The model who was working for Demetrios at that time was Robert Natti, on leave from the U.S. Army. Lee and Robert married in 1945 and settled in the Lanesville neighborhood of Gloucester, building their home alongside Blood Ledge quarry. Together they had two children, Susanna in 1948 and Peter in 1950.
In the late 1940s, Natti took Virginia Lee Burton’s design course and soon became a member of the Folly Cove Designers. Over a period of 20 years, Lee was one of the group’s most productive members—creating designs, cutting blocks and printing fabric that was made into placemats, napkins, aprons and skirts.
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Lee Kingman Natti (1919–2020), Ink on cotton. Folly Cove Designers Collection of the Cape Ann Museum:
(1) “Chickadees,” 1967.
(2) “Underbrush,” 1951.
(3) “Old Sturbridge Country Store.” 1959.

  to artist Hugh Henry Breckenridge (1870-1937)! An innovative painter and influential art teacher, Breckenridge was an ...
10/06/2026

to artist Hugh Henry Breckenridge (1870-1937)! An innovative painter and influential art teacher, Breckenridge was an established member of the Philadelphia art scene at the turn of the 20th century. Trained at the Pennsylvania Academy of the Fine Arts and at the Academie Julian in Paris, Breckenridge was a champion of experimentation whose work was influenced throughout his life by emerging artistic movements: Impressionism, Fauvism, Cubism, post-Impressionism, Abstraction and Modernism. Color and composition were his métier.
In addition to teaching at the Pennsylvania Academy, Breckenridge ran a very popular summer art school on Gloucester's Rocky Neck from 1920 until his death in 1937. The school was located in what is now The Studio Restaurant, overlooking Smith's Cove. Among his students were Allan Freelon, Sidney Raynes and Harriet Randall Lumis. Breckenridge's classes were large and primarily worked outside, moving inside only when the weather was bad and for painting critiques.
Breckenridge was enamored with Cape Ann and in a 1926 interview proclaimed that the area had "everything the artist wants—everything except the mountains."
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Hugh Henry Breckenridge (1870-1937), “The Cape Ann Shore,” 1924. Oil on canvas. Collection of the Cape Ann Museum. Museum purchase, 2004 [2004.53].

10/05/2026

Have you noticed this new fountain in the Museum’s sculpture garden across Pleasant Street? CAM Members are invited to learn more about it on the Walking Tour: New Outdoor Sculptures at CAM, with Martha Oaks on Saturday, October 24 at 10:30 am!
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Discover the Museum’s outdoor sculptures on a special curator-led tour of our downtown property. Guided by Chief Curator Martha Oaks, this engaging experience offers exclusive insight into the artistic vision, history, and significance of works at the campus. The tour will spotlight several newly installed sculptures, giving visitors a first look at these exciting additions and the stories behind their acquisition and placement. Whether you’re a long-time art enthusiast or a first-time visitor, this unique walking tour provides an inspiring opportunity to experience art in conversation with the city and its surroundings.
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This tour is offered for CAM Members only. Registration required. Learn more and register, or sign up for CAM Membership, at https://www.capeannmuseum.org/event/walking-tour-new-outdoor-sculptures-with-martha-oaks/.
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Walker Hancock, “Triton,” 1983. Bronze. Collection of the Cape Ann Museum. Gift of Laura Stephanio Kerr,” 2022 [2022.002].

Address

27 Pleasant Street
Gloucester, MA
01930

Opening Hours

Tuesday 10am - 5pm
Wednesday 10am - 5pm
Thursday 10am - 5pm
Friday 10am - 5pm
Saturday 10am - 5pm
Sunday 10am - 5pm

Telephone

+19782830455

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