4Most Gallery

4Most Gallery UF's off-campus gallery empowering students to share their creative work with the broader community.

The University of Florida School of Art + Art History's storefront art gallery features a variety of student, graduate, and alumni artwork for sale to the general public. The Post-Graduate Artist-in-Resident for the 2019/2020 academic year is Ashley Ortiz-Diaz (MFA Printmaking). Ashley can be reached at [email protected] for questions, concerns, and comments.

✨ Call for Solo and Group Exhibitions ✨4Most Gallery is now accepting solo and group exhibition proposals for 2026-2027!...
09/14/2026

✨ Call for Solo and Group Exhibitions ✨

4Most Gallery is now accepting solo and group exhibition proposals for 2026-2027!

🐊 Open to current UF undergraduate and graduate students.
🎨 All medium welcome
⏰ Deadline: September 28, 11:59pm EST
🔗 Apply through the link in bio

Questions? 📧 [email protected]

Shots from “Loading Proxies…”, a duo exhibition by Lindsay Carlton and Komal Goswami.
06/01/2026

Shots from “Loading Proxies…”, a duo exhibition by Lindsay Carlton and Komal Goswami.

Join us for the FINAL 4Most exhibition of the season next Friday, May 29 from 6 – 8 pm for the duo exhibition, “Loading ...
05/22/2026

Join us for the FINAL 4Most exhibition of the season next Friday, May 29 from 6 – 8 pm for the duo exhibition, “Loading Proxies….” by Lindsay Carlton and Komal Goswami!

“Loading Proxies…” is a duo exhibition between artists exploring the proxy as both embodied and simulated.

Lindsay Carlton: My work utilizes self-portrait photography as a method of avatar performance, where I use my own body as a tool to construct and perform characters that are separate from myself; proxies rather than representations of my own identity. Through these works, I explore how femininity is performed through digital media, cinema, and the history of visual culture. Throughout my work, I also remix and reference existing imagery from popular culture, using these visual languages to construct my characters. The works exist in the tension between seduction and abjection, where femininity is both performed and distorted, exposing the constructed nature of idealized beauty.

Komal Goswami: My work employs 3D/CG generation, creative coding, and digital imaging processes to further investigate “living in the hyphen” culturally and tangibly, exploring the evolving landscape of human expression, meaning, and thought within an increasingly digitally assimilated world. These works emerge from experimentation with the detachment of the self through busts that are 3D-rendered, 3D-animated, or digitally replicated. Using my own likeness and animal-based mythic forms as source material, and referencing both Hindu and Western portrait conventions, I create abstract self-portraiture and portrait forms that deny autobiography. Instead, these figures – suspended between portrait, avatar, idol, and simulation – operate as provisional proxies through which identity and embodiment are continuously generated, processed, and displaced between the “reel” and the “real” world. 

Shots from “The Way Things Are”, a solo exhibition by Dylan A. Taylor ()
05/18/2026

Shots from “The Way Things Are”, a solo exhibition by Dylan A. Taylor ()

Join us this Friday, May 15 from 6 – 8 pm for the solo exhibition, “The Way Things Are” by Dylan A. Taylor!Statement fro...
05/11/2026

Join us this Friday, May 15 from 6 – 8 pm for the solo exhibition, “The Way Things Are” by Dylan A. Taylor!

Statement from the artist:

My art employs narrative storytelling to investigate the construction of social reality — primarily through short-form filmmaking and tableau photography. I observe how cultural and cinematic codes are arbitrarily naturalized to perpetuate a particular status quo characterized by artificiality, absurdity, and mundanity. Additionally, I explore how this contemporary discontent manifests itself as a motivation to reproduce and control the world through visual media. As representations increasingly pervade and supersede the ‘real world’, my work argues that the reality we collectively inhabit is as fabricated and narratively controlled as film itself.

In collaboration with film production crews, my practice applies the visual language and logistical operations of traditional cinema. Through this methodology, apparatus and fictionality are foregrounded — supporting an interrogative intersection between artifice and actual. Additionally, through the engagement of antimimetic narrative, I survey the properties of temporality, continuity, and metafiction in visual storytelling; this ultimately contributes to the evolving dialogue on how cinematic language can be reinterpreted across contemporary film, photography, and visual art.

Shots from “Viridescent”, a solo exhibition by Chloe J. Harpst ()
05/04/2026

Shots from “Viridescent”, a solo exhibition by Chloe J. Harpst ()

Join us this Friday, May 1 from 6 – 8 pm for the solo exhibition, “Viridescent” by Chloe J. Harpst!Statement from the ar...
04/27/2026

Join us this Friday, May 1 from 6 – 8 pm for the solo exhibition, “Viridescent” by Chloe J. Harpst!

Statement from the artist:

Viridescent is an assemblage of encounters and correspondences. Some of the work is pieced together and altered, while others take form as entirely conjured images, blurring the line between painting object and installation. The green originally emerged from synchronicity, morphing into an expensive language: flourishing, toxicity, vegetation, enveloping, calming, color of night. I questioned my relationship to the natural and the experience becomes both secret and strange here.

Request from the artist: Wear as much green as possible to the opening! 💚

04/09/2026

Clips from “Foyer”, a solo exhibition by Claire Moody ()

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534 SW 4th Avenue
Gainesville, FL
32601

Opening Hours

Tuesday 12pm - 5pm
Thursday 12pm - 5pm
Friday 9am - 1pm

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