In Search of the Frightening and Beautiful

In Search of the Frightening and Beautiful A motorcycle journey, artist residency and visual arts project. My name is Heather Johnson. On the road I take pictures and record experiences.

I've been an exhibiting visual artist for over 25 years. 14 years ago I started riding motorbikes, which changed my life completely. "In Search of the Frightening & Beautiful" began in 2013 as a motorcycle journey and nomadic art project. It started with an invitation to BoxoHOUSE, an artists’ residency program in Joshua Tree, CA, and has since taken me over 40,000 miles around the United States,

México, Central and South America. In acts of exchange, I have so far left or given away 47 hand-embroidered art works across the Western Hemisphere for people to take and keep. Eight years later, the project continues, taking on a wide range of different forms. With the Covid pandemic's limitation of travel options and safe contact with strangers, I now travel more slowly, often on foot, studying my surroundings and taking note of tensions revealed between the natural world and our built environment. I make art based on what I find, in response to the precarious balance between death and survival, darkness and light. "In Search of the Frightening and Beautiful" is motivated by a need for connection and understanding in a world governed too frequently by fear, ignorance and mistrust. It crosses geographic, cultural and psychological boundaries, leaving bits of humanity in its wake, intimate gestures meant to change hands, context and meaning. Conceived through the act of riding a motorcycle, this venture embraces risk and vulnerability to record and testify to the “frightening and beautiful” - to the coincidences, contradictions and struggles that underlie the essence of human experience. M O R E I N F O R M A T I O N:

MY WEBSITE - http://heatherLjohnson.com
FACEBOOK - http://Facebook.com/thefrighteningandbeautiful
GRAND CANYON CONSERVANCY INTERVIEW -
https://m.facebook.com/watch/?v=258940962588991&_rdr
KCET ARTBOUND ARTICLE -
https://www.kcet.org/shows/artbound/motorcycle-world-traveler-heather-johnson-leaves-art-along-the-way
BLOG -http://thefrighteningandbeautiful.blogspot.com
ISFB VIDEO - https://vimeo.com/119767875

Site reconnaissance: feeling out what certain places mean, personally - aside from and in addition to their environmenta...
02/06/2024

Site reconnaissance: feeling out what certain places mean, personally - aside from and in addition to their environmental and historical implications. Laying foundations for a project that is both exciting beyond words and terrifying.

Drawings in progress. As I work on these, it starts to rain outside, the tiniest bit, from a passing pocket storm. It oc...
08/25/2023

Drawings in progress. As I work on these, it starts to rain outside, the tiniest bit, from a passing pocket storm. It occurs to me that the last time I felt any rain was on July 4, 51 days ago - the same day I rode out to investigate and photograph the private property that is depicted in this series. I’ll take it as a sign to keep looking, thinking about and venturing where I don’t belong..

79. ResistanceMy partner Henry and I recently visited Mexico City, staying with friends who invited us to join them for ...
08/01/2023

79. Resistance

My partner Henry and I recently visited Mexico City, staying with friends who invited us to join them for a few days. On our last day we struck out on our own, venturing out to Plaza de las Tres Culturas at Tlatelolco - a choice Henry made on instinct, having read about its historic and archaeological importance. It was a bit out of the way, a couple metro stations off our planned trajectory - but we agreed it would be worthwhile to check it out. We didn’t fully grasp the gravity of this place until we found ourselves immersed in it, absorbing its indescribable depth.

I learned that this was where, in 1521, Aztecs fought their last battle to defend themselves against the Spanish, and lost. It was also where, on October 2 1968, government forces surrounded and opened fire on students demonstrating against the anti-democratic regime of Gustavo Díaz Ordaz. Many died or were taken away and never heard from again. Officials minimized the event (which happened 10 days prior to the Mexico City Olympics), blaming it on student agitators and diminishing the numbers killed, which researchers now estimate to be several hundred (the exact number is still unknown). It wasn’t until 2018 that the Tlatelolco Massacre was officially recognized as a state crime.

We felt a palpable stillness in the plaza as we walked around, looking at the Aztec ruins, the cracked and stained volcanic paving stones of the plaza, the apartment buildings that are still there, and a humble monument erected to those murdered, mold-stained and crumbling. Inside the 16th century Spanish basilica there was a slide show installation with black and white images and sound that hinted at sadness and rage simmering beneath surfaces, waiting to bust out and bubble over should circumstances require it. With this much suffering packed into collective memory, it doesn’t take much.

Resistance comes in many forms. When I look, I find it everywhere. And I can move forward with gratitude.

https://youtu.be/bsBlVkHhcwA
https://yucatanmagazine.com/tlatelolco-a-story-of-violence-sacrifice-and-the-birth-of-modern-mexico/
https://en.wikipedia.org/wiki/Tlatelolco_massacre

78. Trespassing.On the 4th of July, I got on my bike for the first time in a long while. There were violent pocket storm...
07/10/2023

78. Trespassing.

On the 4th of July, I got on my bike for the first time in a long while. There were violent pocket storms in the sky, the kind that flood roads in seconds, but that can be dodged by changing direction, or waiting at a gas station an extra few minutes.

I went to check out a site I’ve been fantasizing about recently, down in an empty-ish section of Houston south of where the Astrodome still sits, waiting for its fate to be determined by overburdened Harris County bureaucrats. The site itself is off a road closed for reconstruction, undeveloped, scrubby and scarred, pock-marked with a handful of black and olive crater lakes that you can see from satellite pictures. Further south, the land has been scraped and punctured, its surface white and chalky, with more lakes - bigger ones, distinctively rectangular with rounded corners, graduated embankments and depth meters, white rings of salt left at edges where water has ev***rated away. This territory belongs to Texas Brine Company, as all of this sits directly atop one of the Gulf Coast’s many salt domes - underground geological features known for bearing pockets of oil and gas. Salt domes are often used to store vast petroleum reserves and other potentially toxic substances because the salt is considered impermeable.. ‘til it comes into contact with water..

A casually curious individual like myself has no access to this. But I want to see the little pothole lakes revealed in the satellite pics in person. What do they smell like? How deep are they? Do their surfaces ripple with iridescence? Does anything live in them? And what else exists in this rare, urban uninhabited landscape? Are there oil derricks and are they still working?

I could have ridden into it, past sleeping earth movers and sodium v***r work lights, down a dirt road, where the lakes are and beyond. There was no fence, only a green flooded trench I could have ridden through if I were a more aggressive and better skilled rider. But I don’t take trespassing lightly where there are multidirectional security cameras in a state with a legislature that encourages folks to shoot first and ask questions later. But I got close enough. For now.

“Wetlands”. Graphite on paper, 2009. Good to be home. And super happy to have retrieved this drawing, stored by an old f...
07/06/2023

“Wetlands”. Graphite on paper, 2009.

Good to be home. And super happy to have retrieved this drawing, stored by an old friend while I was on the road for ISFB for many years. It took me about 3 months to make it using a method that involves tracing the original and burnishing it onto the paper, which makes the final result look like a very detailed letterpress print. Then I framed it myself in the middle of the night before I was scheduled to drop it off for an exhibition. Close inspection reveals a hair and some of my blood inside the frame :)

With gratitude 🥰

Tomorrow! Proud to have a drawing included in ’s “Big Show”, opening from 7-9 pm. Come have a drink and see it in person...
05/31/2023

Tomorrow! Proud to have a drawing included in ’s “Big Show”, opening from 7-9 pm.
Come have a drink and see it in person, alongside 100+ others by many fantastic artists from Houston and beyond.

“Treatment (2) - GRCA”. Graphite on paper, 2021. 30x44”.

Details of a thing in progress. Made of used work pants, worn out like my middle aged skin. Worn out like the southeast ...
05/20/2023

Details of a thing in progress. Made of used work pants, worn out like my middle aged skin. Worn out like the southeast Texas landscape, scraped and punctured with many thousands of holes. To be continued..

Work in progress. Taking a break from the utilitarian to explore some no-longer-buried ideas..
04/14/2023

Work in progress. Taking a break from the utilitarian to explore some no-longer-buried ideas..

Getting ready for tomorrow’s  , I decided to pull out a piece I haven’t laid eyes on in nearly 15 years. It’s 5 panels o...
02/17/2023

Getting ready for tomorrow’s , I decided to pull out a piece I haven’t laid eyes on in nearly 15 years. It’s 5 panels of hand-stitched thread on linen, measuring around 5 x 7 feet - a recreation of a set of civic engineering plans I fell in love with - that took me two years to make. Needless to say, it’s something that must be seen in person.

If you’re in Houston tomorrow, join us from 11am-2pm for the launching of ‘s Texas Contemporary Art Brunch, in my studio. DM me for details.

Back in November, on our way to Joshua Tree for my show at BoxoProjects, my partner Henry and I stopped in Cancon, TX to...
02/07/2023

Back in November, on our way to Joshua Tree for my show at BoxoProjects, my partner Henry and I stopped in Cancon, TX to visit friends who run a beautiful traveler's compound called The Inn Between. Less than a mile away from Garner State Park, it's got goats, chickens, ultra comfortable, rainbow colored cabins, amazing hospitality, and a podcast.. yup. Leah and Jake take a special interest in their visitors, collecting their stories and serving them up to the interweb-tuning public in this biweekly digest.

They interviewed us just before we headed further west, asking us questions about our work as artists, what it means to us and why we do it. Got an hour? Check it out :)

Artists Henry Sanchez and Heather Johnson are joining us on today’s episode of The Inn Between. Leah and Henry went to grad school together and are having a ...

Friends - this is the final weekend to see Boxo 10x10 if you are in or traveling to the Mojave Desert for New Year’s!I c...
12/30/2022

Friends - this is the final weekend to see Boxo 10x10 if you are in or traveling to the Mojave Desert for New Year’s!

I cannot adequately express how fulfilling it was to make this piece - that had been hiding in my blood cells for what felt like years - in the company of new and old friends, among them several brilliant, widely-respected artists. To be able to carry this experience into 2023 is one hell of a gift.

For those unable to see the show in person, there’s great documentation of it at https://boxoprojects.com/boxo10x10-documentation/ , including video links to events and presentations. A video of our artist panel discussion that took place December 19 is here: https://youtu.be/8tovq1E5MLQ

Boxo 10x10 is on view at BoxoProjects in Joshua Tree, CA, through December 31.

Photos by Sarah Lyons.

Pipe  #1. Thread on linen, 2006. Today I had the pleasure of wrapping it up for a dear friend who purchased it at my stu...
12/09/2022

Pipe #1. Thread on linen, 2006.

Today I had the pleasure of wrapping it up for a dear friend who purchased it at my studio sale a little while back. Part of a series of hand-stitched embroideries inspired by freeway construction plans and stuff overheard in urban streets. A few more from the series are still available. DM for info.

Address

Friendswood, TX
77546, 77549

Alerts

Be the first to know and let us send you an email when In Search of the Frightening and Beautiful posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to In Search of the Frightening and Beautiful:

Share

Category