09/15/2026
Around 2012 and 2013, something unusual began appearing in parks, gardens, vacant lots, near sidewalks, and even beneath the L.
Huge white Buddha sculptures seemed to be rising straight out of the earth.
There were eventually 100 of them placed across nine Chicago neighborhoods and Evanston.
They were part of a public art project called Ten Thousand Ripples, created by Chicago-area artist Indira Freitas Johnson with the nonprofit Changing Worlds and local community groups.
And they weren't placed there just to look interesting.
Johnson wanted the sculptures to appear in places where people normally wouldn't expect to find public art.
Several were installed in neighborhoods dealing with violence and other serious challenges.
The idea was simple: put something peaceful in an unexpected place and see what kind of conversation it creates.
Each sculpture was made from fiberglass and resin and weighted with concrete.
Some weighed roughly 300 pounds, so moving one wasn't exactly easy.
Yet they were designed to look as though the Buddha was slowly emerging from the earth.
Johnson said the image represented the way people grow in their own understanding and spirituality.
The project quickly became more than just an art display.
People interacted with the sculptures.
In Rogers Park, one Buddha near the lake was repeatedly turned to face different directions.
Another sculpture was once decorated with makeup, only for someone else to later clean it off.
Some communities organized peace events, school activities, processions, and neighborhood programs around them.
The 100th sculpture was installed in Little Village in June 2013, completing the original project.
So Chicago didn't exactly bury 100 Buddha heads in the traditional sense. They were intentionally created to look like they were emerging from the ground.
And that strange sight was the whole point.
In a city where people can rush past the same corner every day without noticing much, these silent 300-pound faces gave people a reason to stop for a moment.
A strange piece of Chicago history where art wasn't meant to sit quietly inside a museum.
It was put right in the neighborhood.