The Frazetta Art Museum

The Frazetta Art Museum The official page for the Frazetta Art Museum, opened by Frank and Ellie in 2001.
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ScrambleArtwork by Frank Frazetta 1978Oil on masonite 21"×17"An advertisement for the TV series "Battlestar Galactica" t...
06/19/2026

Scramble
Artwork by Frank Frazetta 1978
Oil on masonite 21"×17"
An advertisement for the TV series "Battlestar Galactica" that ran in TV Guide.

Other artists tend to c**k a disbelieving eye when Frazetta insists that he never used reference photos while actually painting, but people who have had the opportunity to watch him wade into an assignment substantiate his claim. Of course, he did research a subject or take photographs of actions to get his creative juices flowing: the family album contains pictures of Ellie in the kitchen wearing tights and strapping on a helmet in poses simular to the fighter pilots in "Scramble." As Frank explains, "Once I see something, once I snap a picture, that image is locked in my head forever, ready for me to pull out and use whenever I want. But whatever I pull out is my version of what I saw, it's gone thru my filter. It could never exist as an actual event or photo."
--Frank Frazetta
Excerpt from Frazetta Testament book

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"Final Blackout" by L.Ron Hubbard"The Lieutenant"Artwork by Frank Frazetta circa 1989Frazetta’s “Lieutenant” is drawn fr...
06/17/2026

"Final Blackout" by L.Ron Hubbard
"The Lieutenant"
Artwork by Frank Frazetta circa 1989

Frazetta’s “Lieutenant” is drawn from the pages of L. Ron Hubbard’s novel Final Blackout and visually captures the intense character and mythical essence of the protagonist, known only as “The Lieutenant.” In Frazetta’s own words “I enjoyed illustrating Hubbard’s stories. They contained a strong sense of adventure that lent themselves to some good paintings."
Moreover, as hardcore fans will see immediately, what makes this painting stand apart from his usual fantastical art is that it is a self-portrait.

FINAL BLACKOUT, THE BOOK
L. Ron Hubbard’s Final Blackout was first published in April 1940 as World War II raged across the face of Europe. Originally entitled “The Unkillables,” the novel is consistently ranked among the ten greatest works of science fiction’s Golden Age, rightfully compared to Orwell’s 1984, and certainly just as chilling.

Acclaimed as the exemplar of “future war,” and as a trendsetting “alternate history,” it is at its core antiwar and inevitably sparked no small controversy on that eve of international mobilization.

In a Europe laid waste by decades of unending warfare, one brigade of invincibles is led by a battle-tested strategist known only as “the Lieutenant.” In the end, it will be up to this band of survivors and the Lieutenant—whose conviction is that an individual can make a difference—to salvage what is left of their lives and their civilization before all is lost.

From its unforgettable opening lines, “He was born in an air-raid shelter─and his first wail was drowned by the shriek of bombs, the thunder of falling walls and the coughing chatter of machine guns raking the sky,” to its shattering conclusion, Final Blackout and the Lieutenant forever remain icons of science fiction literature.

L. Ron Hubbard worked with many of the greats of illustration during the 1930s and 40s, and so it was not for nothing that he termed Frank Frazetta “The King of Illustration”─a tribute to the artist’s mastery, popularity and enduring influence on the world of art. “The Lieutenant” is one of nine pieces Frazetta painted for the covers of L. Ron Hubbard’s novels and the L. Ron Hubbard Presents Writers of the Future anthologies.

“I enjoyed illustrating Hubbard’s stories. They contained a strong sense of adventure.” —Frank Frazetta

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Battlefield EarthArtwork by Frank Frazetta 1984Oil on masonite 16"x24"Frazetta created a number of covers for Bridge Pub...
06/16/2026

Battlefield Earth
Artwork by Frank Frazetta 1984
Oil on masonite 16"x24"

Frazetta created a number of covers for Bridge Publications in the 1980's. This painting, based on Scientology founder L. Ron Hubbard’s final science fiction novel, was originally intended as the book's jacket, but was ultimately used as a single page calendar instead. Despite being a bestselling novel, a film adaptation of Battlefield Earth starring John Travolta didn't attract an audience and was a major box-office failure in 2000.
Excerpt from Frazetta Testament book

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Happy Birthday to my grandmother, Ellie Frazetta!My grandparents first met at Nathan's Hot Dog stand in Coney Island. Th...
06/15/2026

Happy Birthday to my grandmother, Ellie Frazetta!

My grandparents first met at Nathan's Hot Dog stand in Coney Island. The story was that my grandfather (Frank Frazetta) was looking at her quite a bit, which then prompted her to introduce herself rather than the other way around. And I think that's what made her so different to him compared to anyone else: she took initiative. She wasn't afraid to speak up or speak out; she was strong and independent, just like the women he would draw in his comics at the time and later paint in his paintings.

She was also interested in art, but decided to take over the business side of things for my grandfather when she saw how horribly his employers were treating him. She fought for her husband so that he could keep the original artwork he created along with the licensing rights, which allowed them to have a steady stream of income from works that had already been created (something very rare in the art world at the time). Ellie eventually opened up a print business, starting with just a handful of images, which evolved into what is now the museum's storefront. She also made sure to keep as many original paintings as possible, rather than sell them, because her philosophy was that "art should not be for just the rich" (as she would often tell me). She knew the fans were the reason my grandfather achieved his dreams, and the museum was her way of giving back to everyone.

She adopted my grandfather's Sicilian culture and would cook massive feasts for holidays. She'd put on some Italian-American music from the 40s and 50s and start her day preparing meals for all of us to enjoy. Over the years I've tried figuring out what those songs were, and I've had some success with that; they certainly are nostalgic for me to listen to, especially in her house while I cook.

On a personal level, my grandmother and I got along very well. Though she aged just as everyone else eventually does, her mind stayed young, and that made it easy for me to be close with her even as a kid. I was never afraid of her yelling at me or punishing me for minor things, which allowed me to view her as a friend. She was always the type of person who could make anything fun or exciting, and for things that were SUPPOSED to be fun and exciting, she'd put in the extra effort to make them even more special. Halloween parties were my favorite, as she'd set up so many games and activities for us to do that we'd spend the entire afternoon and evening at her house. What was interesting, in hindsight, is how much she enjoyed watching us have fun: if we splashed water on the floor bobbing for apples, she wouldn't tell us to slow down-- she'd cheer us on! She was a very fun-loving person, and that translated well into being a good grandmother.

We miss and love you very much, grandma! Thank you for helping to create such a wonderful legacy for people to enjoy; and thank you for being a wonderful grandmother to me!

-William Frazetta

What Is Flag Day?Flag Day is a celebration of the American flag that occurs each year on the anniversary of the flag’s o...
06/14/2026

What Is Flag Day?

Flag Day is a celebration of the American flag that occurs each year on the anniversary of the flag’s official adoption, June 14.
What we know fondly as the “Stars and Stripes” was adopted by the Continental Congress as the official American flag on June 14, 1777, in the midst of the Revolutionary War. Colonial troops fought under many different flags with various symbols—rattlesnakes, pine trees, and eagles—and slogans—”Don’t Tread on Me,” “Liberty or Death,” and “Conquer or Die,” to name a few.
The Declaration of Independence made the adoption of an American flag necessary. Previously, each colony or special interest had its own flag.
On the 14th of June, Congress made the following resolution: “The flag of the United States shall be thirteen stripes, alternate red and white, with a union of thirteen stars of white on a blue field …” Official announcement of the new flag was not made until Sept. 3, 1777.

Wild rideArtwork by Frank Frazetta 1985Oil on canvas 24"×16"A personal work "This is my 'California Painting'," Frazetta...
06/13/2026

Wild ride
Artwork by Frank Frazetta 1985
Oil on canvas 24"×16"
A personal work

"This is my 'California Painting'," Frazetta says with some amusement. "And maybe it's title sums up my life and career. It's been a wild ride, and I wouldn't have missed it for anything."
--Frank Frazetta
Excerpt from Frazetta Testament book

Pictured here:
Wild Ride rough
Wild Ride 1st Version
Wild Ride final version proudly hanging in the Frazetta Art Museum in PA

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Temptation Artwork by Frank Frazetta 1987Oil on board 9"×13"A personal work, previously unpublished "I obviously like to...
06/12/2026

Temptation
Artwork by Frank Frazetta 1987
Oil on board 9"×13"
A personal work, previously unpublished

"I obviously like to paint a woman who has a little meat on her bones--not like Roy (Krenkel), for God's sake who thought 200lbs was petite! In real life I like slender shapely women, but I found that when I was interpreting them on canvas or paper it just doesn't read. I have to exaggerate in order to match my imagination. For me, for my style, if I draw a slim woman, it doesn't seem right, it doesn't create the Frazetta effect I'm always shooting for. It's missing the strength, the movement, the dimensions. Look at those great gala Bob McGinnis paints: their long and lean and just as exaggerated as mine are. If he was trying to paint a Frazetta woman it wouldn't feel right, just like me trying to paint a McGinnis girl wouldn't work. An artist has to be true to his own vision--wherever it takes him-- if he wants to create anything that lasts."
--Frank Frazetta
Excerpt from Frazetta Testament book

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The LieutenantArtwork by Frank Frazetta 1990Oil on masonite 20"×16"Featured on novel cover for Final Blackout by L. Ron ...
06/08/2026

The Lieutenant
Artwork by Frank Frazetta 1990
Oil on masonite 20"×16"
Featured on novel cover for Final Blackout by L. Ron Hubbard

"I enjoyed illustrating Hubbard's stories, "Frank says. "They contained a strong sense of adventure the lent themselves to some good paintings. Some people asked if I had become a Scientologist because of the work I was doing for Bridge: naahh. And they never got me to join. They were just a very good client that treated me fairly." L. Ron Hubbard's apocalyptic pulp science fiction novel Final Blackout was written in the 1950's and set in the flung future of 1975.
Excerpt from Frazetta Testament book

L. Ron Hubbard worked with many of the greats of illustration during the 1930s and 40s, and so it was not for nothing that he termed Frank Frazetta “The King of Illustration”─a tribute to the artist’s mastery, popularity and enduring influence on the world of art. “The Lieutenant” is one of nine pieces Frazetta painted for the covers of L. Ron Hubbard’s novels and the L. Ron Hubbard Presents Writers of the Future anthologies.

Pictured is the Art with details. Take notice of the last pic. Example of how Frank was every character in his artwork.

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"Winged Terror"Artwork by Frank Frazetta circa 1965Oil on academy boardFeatured on cover of "Creepy  #9" 1966and referen...
06/06/2026

"Winged Terror"
Artwork by Frank Frazetta circa 1965
Oil on academy board
Featured on cover of "Creepy #9" 1966
and referenced in
"Fantastic Paintings of Frazetta"

Creepy #9 (Warren, 1966) Frank Frazetta cover. Fan page has the first published work of Bernie Wrightson. Wally Wood, Steve Ditko, Roy Krenkel (frontispiece), Gray Morrow, Johnny Craig, Joe Orlando, and Reed Crandall art. There is an Alex Toth biography inside too. The first Wood and Ditko art on this title appears here.

"Ellie called me in 1974 to talk about the possibility of trading me another painting for the cover painting for Creepy #9. Ellie mentioned a handful of paintings that she and Frank would be willing to trade, but I didn't care for any of them enough to trade. Before I thought of Tarzan and The Ant Men, I asked Ellie if the April 1971 National Lampoon cover might be available for the trade; it was one of my favorite paintings by Frank and I would have really liked to have it. But Frank wouldn't hear of it, saying that he really liked it and had plans for it. So I ended up with the Tarzan painting and I was/am completely satisfied!"
Robert R. Barrett (Frank Frazetta Facebook group April 25, 2013)
In the Fantastic Paintings of Frazetta book

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Death Dealer VArtwork by Frank Frazetta 1989Oil on academy board 16"×20"Paperback cover written by James SilkeThe popula...
06/05/2026

Death Dealer V
Artwork by Frank Frazetta 1989
Oil on academy board 16"×20"
Paperback cover written by James Silke

The popularity of the original "Death Dealer" painting sparked the idea of a paperback series starring the character. "We had gotten this writer and that writer and I chucked a bunch of them out because they didn't understand what I was looking for. This character is unusual and difficult. Death Dealer isn't a barbarian, he isn't noble...he'll, I hardly know what he is. And it was difficult to get a writer to translate that mood into words. But they were just intended as entertainment and if nothing else I did some damn nice pictures."
Tor Books produced four Death Dealer novels in the late 1980's, all written by James Silke. While fans were excited about Frank's new covers, tastes in fiction had changed and the series never really caught on with readers.
--Excerpt from Frazetta Icon book

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Address

141 Museum Lane
East Stroudsburg, PA
18301

Opening Hours

Thursday 10am - 4pm
Friday 10am - 4pm
Saturday 10am - 4pm
Sunday 10am - 4pm

Telephone

+15702426180

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