Reclaimed Gardens

Reclaimed Gardens Nature inspired with upcycled and repurposed materials šŸ„šŸŒæ Committed to being plastic free and wasting less

After Joseph Stalin’s death in 1953, the USSR entered a strange, brief thaw - censorship loosened, just slightly, and pe...
08/27/2026

After Joseph Stalin’s death in 1953, the USSR entered a strange, brief thaw - censorship loosened, just slightly, and people who had spent decades reading the ā€œwrongā€ books started to want them again.

Anything that ā€œdisparaged the Soviet order or appeared as anti-Soviet propagandaā€ simply had not been published. So people started making their own publishing houses: by hand.

They called it samizdat - self published. Writers and readers hand-coping art and literature, passing them along, knowing the risks: severe punishment, imprisonment, worse.Ā 

Samizdat didn’t just get forbidden novels into people’s hands — it’s how an entire generation of Soviet readers first encountered the Silver Age poets, many of whom the state had simply erased.

I think about that erasure - and the quiet, stubborn refusal to accept it.

A poem, hand-copied at 2am and slipped to a neighbor, doesn’t look like resistance. It looks small. It looks like nothing a government would bother to fear. But they did fear it. That’s the part I keep sitting with.

As I reflect on the clandestine, underground network of these humans, I’m reminded that there is often - if not always - a way forward, as long as we are brave enough to keep moving.

After Joseph Stalin’s death in 1953, the USSR entered a strange, brief thaw - censorship loosened, just slightly, and pe...
08/27/2026

After Joseph Stalin’s death in 1953, the USSR entered a strange, brief thaw - censorship loosened, just slightly, and people who had spent decades reading the ā€œwrongā€ books started to want them again.

Anything that ā€œdisparaged the Soviet order or appeared as anti-Soviet propagandaā€ simply had not been published.

So people started making their own publishing houses: by hand.

They called it samizdat - self published.

Writers and readers hand-coping art and literature, passing them along, knowing the risks: severe punishment, imprisonment, worse.Ā 

Samizdat didn’t just get forbidden novels into people’s hands — it’s how an entire generation of Soviet readers first encountered the Silver Age poets, many of whom the state had simply erased.

I think about that erasure - and the quiet, stubborn refusal to accept it. A poem, hand-copied at 2am and slipped to a neighbor, doesn’t look like resistance. It looks small. It looks like nothing a government would bother to fear.

But they did fear it. That’s the part I keep sitting with.
As I reflect on the clandestine, underground network of these humans, I’m reminded that there is often - if not always - a way forward, as long as we are brave enough to keep moving.

I can’t tell you how many times I’ve accidentally snapped a stem on a prized plant (by which I mean, any of my plants). ...
08/11/2026

I can’t tell you how many times I’ve accidentally snapped a stem on a prized plant (by which I mean, any of my plants). I usually wince, stare forlornly, move on. But last time it happened, I sat with it. I looked at the mangled edge. I wondered what was happening in there.

Turns out - a lot. When a plant is cut, whether it is a leaf, stem or root, its cells sound an alarm.Ā And almost immediately, the plant responds by activating its own internal ā€œclean-up crew.ā€ It removes damaged cell parts and brings everything back to balance before the wound can do more harm.Ā 

I couldn’t stop thinking about what that looks like for us. How do we heal? It’s an age-old question, one that has been studied for as long as we’ve been on this earth. And, as always, learning more about the life of plants has given me a few clues:Ā 

1. Be honest about the wound.
2. Know your ā€œclean-up crew,ā€ aka your plan of action for when a cut is made (mine is creating or being in nature).
3. Ask yourself if anything needs to be removed. Is there something I need to stop, alter, or remove from my life to grow in health?Ā 

Happy healing, friends. 🌱

It’s UNSHOP August!Ā Do you want to purchase something right now? Yes, same. We move through life with lists of things we...
08/06/2026

It’s UNSHOP August!Ā 

Do you want to purchase something right now? Yes, same. We move through life with lists of things we want, and sometimes I wonder if each new line adds a little bit of weight on our shoulders. If you are in the process of learning to navigate when to shop vs. unshop, here are a few questions you can ask yourself:Ā 

• When did I find out this item or offering existed?Ā 

• Will it fill a gap that I actually often need filling - or is it a gap I’ve just been told I have?Ā 

• Will it add significant beauty to my days?Ā 

• Do I need it brand new, or can I find it second hand?

• How many of these exist in the world - is this one-of-one or one of thousands?Ā 

• Am I willing to wait or work for this? If it won’t arrive in a week or less, do I still want it?Ā 

• Can I borrow it from a friend, the library, or another community resource?

It’s UNSHOP August!Ā Do you want to purchase something right now? Yes, same. We move through life with lists of things we...
08/06/2026

It’s UNSHOP August!Ā 

Do you want to purchase something right now? Yes, same.

We move through life with lists of things we want, and sometimes I wonder if each new line adds a little bit of weight on our shoulders.

If you are in the process of learning to navigate when to shop vs. unshop, here are a few questions you can ask yourself:Ā 

• When did I find out this item or offering existed?Ā 

• Will it fill a gap that I actually often need filling - or is it a gap I’ve just been told I have?Ā 

• Will it add significant beauty to my days?Ā 

• Do I need it brand new, or can I find it second hand?

• How many of these exist in the world - is this one-of-one or one of thousands?Ā 

• Am I willing to wait or work for this? If it won’t arrive in a week or less, do I still want it?Ā 

• Can I borrow it from a friend, the library, or another community resource?Ā 

On finally having room to grow 🌱
07/30/2026

On finally having room to grow 🌱

The Pacific Yew taught me about falling sideways.This month, I learned something new from a different kind of plant: a f...
07/30/2026

The Pacific Yew taught me about falling sideways.

This month, I learned something new from a different kind of plant: a fiddle leaf fig that won’t branch.

In plants, there’s a hormone called auxin. It’s produced at the very tip of the dominant vertical shoot and travels downward through the stem — quietly suppressing every lateral bud below it, ensuring the plant pours all of its energy upward, toward the light.

The plant isn’t choosing this. It’s being chemically instructed to grow tall at the expense of everything it might have branched into.

I’ve been sitting with this.

How often have I let my own version of auxin — the metrics, the milestones, the pressure to keep producing and progressing — quietly suppress the lateral possibilities?

The detour that turned into a body of work.
The slow project with no clear outcome.
The season of rest I kept postponing in the name of momentum.

Here’s what the plant scientists discovered, though: when you remove or interrupt the dominant tip — through careful pruning, or a small notch in the bark — the suppression lifts.

The lateral buds, which were there all along, simply waiting, finally have room to grow. And what emerges isn’t a weaker plant.

It’s a fuller one.

I’m learning that sometimes the most generative thing we can do is make a cut. To let go of the upward trajectory long enough to ask: what has been quietly waiting to grow?

For too long, women have fought the underlying, insidious belief that to be a woman is to be in pain. Having been passed...
07/15/2026

For too long, women have fought the underlying, insidious belief that to be a woman is to be in pain.

Having been passed over and disregarded as overly emotional, dramatic, or ā€œin our headsā€ by physician after physician, many women spend years searching for the right treatment and provider.Ā 

As someone who has lived this cycle, I’m thrilled to see the growing recognition of endometriosis, a chronic inflammatory disease with the average time of definitive diagnosis between seven to ten years.Ā 

If you are a woman who lives in chronic pain, is still looking for the right care, or who knows something is ā€œoffā€ and is fighting for answers, I would love to offer my support.

Our stories matter, as does our solidarity. 🫶

I recently read an article on The Guardian lamenting that everything good is being sold as a means to an end, rather tha...
07/10/2026

I recently read an article on The Guardian lamenting that everything good is being sold as a means to an end, rather than an end in itself (linked in my bio), including art, nature, and s*x.

The author was disturbed after reading an ad for the National Art Pass (which gives holders free or discounted entry to galleries and museums around the UK) urging people to purchase the passĀ not because art in itself is inherently valuable, but because looking at art has been shown to potentially add years to your life.

After reading the article, I’m left with a nagging question: why do we have to be convinced to enjoy things that were once considered inherently enjoyable?

Lately it seems that anything that forces us to slow down and be in our bodies instead of on our phones requires a PR campaign convincing us of the ROI.

But what if…and hear me out here… nature and art are not required to give us anything quantifiable?

What if the best things actually cannotĀ give us anything quantifiable?

What if the goal is just joy. Enjoyment. Presence.

In the words of Mary Oliver…

ā€œI go down to the shore in the morning
and depending on the hour the waves
are rolling in or moving out,
and I say, oh, I am miserable,
what shall—
what should I do? And the sea says
in its lovely voice:
Excuse me, I have work to do.ā€

This summer, it feels as though I am facing my grief down. Shoulders squared. Hands steady. I am looking at it head on, ...
07/02/2026

This summer, it feels as though I am facing my grief down.

Shoulders squared.

Hands steady.

I am looking at it head on, living in the heaviness of how this country has (and continues to) fail us.

As I reach toward art as a form of resistance, I find encouragement in the stories of those who came before. During the Pinochet dictatorship in Chile (which lasted over 16 years), women sewed secret messages of resistance into patchwork tapestries.

The women who made the tapestries were working-class citizens who had lost loved ones - mothers, daughters, sisters, and friends who came together in crowded rooms, immortalizing their mutual grief and rage in tapestries called arpilleras.

The William Benton Museum of Art explains, ā€œTheir handwork told the outside world of their hunger, fear, unemployment, housing shortages, and their missing men folk who are still referred to in Chile as the ā€œā€˜disappearedā€ and ā€œdetained.ā€™ā€

Once each month, the new arpilleras were collected from each workshop and taken to a human rights group of the Catholic Church in Santiago that distributed them internationally.

The arpilleras showed the outside world both the horrors the Chilean people were experiencing, and the lives they hoped to live.

May we learn from them, and may we keep resisting.

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