08/05/2023
✨Here’s yet another piece of the puzzle!
This shape is a tiny portion of a new addition to our installation. This time, LED lights aren’t providing the color that we see. Instead, this epoxy pour showcases another trick up our sleeve- And yes, some of the new inclusions do indeed contain October Merrill’s copper medallions!
We’ve been using pigment for the new epoxy pours because this section utilizes light from outside of the immersive space, thereby creating a type of stained glass effect. This approach is quite different from setting up a “black box” environment, which is where artists deplete all light sources from the inside of their installation so that they can fully control the interior with programmed lights, which is similar to a movie theater.
Instead of doing that, our project is about carefully bringing in that which surrounds us. We do so in part by using reclaimed materials and by integrating other surrounding factors, such as light, but most importantly we invite people to come and experience the installation while we’re creating it..👉AND we share our process with them so that they can have more tools at their disposal, in order to bring about their own creations!
The “stained glass” epoxy pours are double sided, which means we’re starting on the outside of what has been, so far, deemed an immersive installation. Yet, while the immersive aspect of the installation is a critical feature, that label doesn’t fully encapsulate the entire endeavor. After all, there’s an exterior as well, which will also adorns artwork!
The physical manifestation of this project is architectural as well as artistic, which ties it to structures like that which inspired us to create it in the first place, such as The Watts Towers in LA and The City Museum in Saint Louis. Alternately, this project is intentionally much smaller than those two historic, heavyweights and is more focused on giving a specific feeling to one area.
What feeling might that be?
Perhaps you can tell us when visiting the space! 💫