Degrees of Visibility

Degrees of Visibility Page for artist Ashley Hunt

Excited to be in dialogue with fellow Marking Time artists, James Yaya Hough  and Gary Harrell , tomorrow/Thursday Sept ...
09/11/2024

Excited to be in dialogue with fellow Marking Time artists, James Yaya Hough and Gary Harrell , tomorrow/Thursday Sept 12 at 7:30pm PST, as a part of Marking Time: Art in the Age of Incarceration, curated by at Two Rivers Gallery in British Columbia. Tune in to the webcast of it on Two Rivers’ page: https://www.facebook.com/tworiversart?mibextid=LQQJ4d

The coda image for  , this photograph of the old Atlanta Prison Farm was the bridge to a new body of work in which close...
09/11/2024

The coda image for , this photograph of the old Atlanta Prison Farm was the bridge to a new body of work in which closed and closing prisons are not the end point but the starting point — what life can and will grow out of their ruin, their decay, their ashes?

Visit where we’re telling the story of how this has developed since, across a few posts this and next, in the film cycle that includes , , and the **almost finished**

And visit the website linked in the bio to check out the And Water Brings Tomorrow trailer and subscribe for updates!

Pictured: Degrees of Visibility (Atlanta Prison Farm), installed at Pitzer College Art Galleries, curated by , with Christopher Michno, the amazing support of .naci and co-programming by Gloria Galvez and a host of amazing folks from , , and others….

Dear community of Darrell Walters, CalArts Photo and Media and beyond — I’m making sure folks know about tomorrow’s cele...
08/31/2024

Dear community of Darrell Walters, CalArts Photo and Media and beyond —

I’m making sure folks know about tomorrow’s celebration of Darrell, here in LA. I’m putting the following link for the event above in profile too…

https://www.eventcreate.com/e/darrellwalters

Sorry if this is the first you’re hearing of Darrell’s passing, Darrell was a tremendous colleague, director of our Photo Lab, and mentor who was truly loved and cared for by generations of our students. He was the first colleague to take me for a meal when I was a fresh-faced visiting artist, a simple attention in the midst of a busy semester that made me feel seen, and I know that’s how he made students feel too.

Post  #2! Please take a second to visit the website for my new film, view the trailer and subscribe for updates. Coming ...
08/05/2024

Post #2! Please take a second to visit the website for my new film, view the trailer and subscribe for updates. Coming this fall, link in bio and you can follow http://andwaterbringstomorrow.com

“And Water Brings Tomorrow” is a feature documentary that looks at the closures and repurposing of prisons throughout the US, tied together with themes of water, grief and change. How does something as seemingly permanent as a prison get closed? What happens to the people it imprisons, the millions it costs, its land and architecture, and the histories it has contributed to? What is the emotional work of that change? “And Water…” considers these questions while following grassroots efforts to close prisons and direct their repurposing toward community needs and justice.

Supported by the Art for Justice Fund and UC Santa Cruz’ Institute for Arts and Sciences and Visualizing Abolition

Announcing the website and IG page for my new film, “And Water Brings Tomorrow,” which will be released this fall! Follo...
07/27/2024

Announcing the website and IG page for my new film, “And Water Brings Tomorrow,” which will be released this fall! Follow and visit
http://andwaterbringstomorrow.com for the trailer, updates, profiles of its amazing participants and the campaigns that are closing prisons and stopping new ones from being built. You can also contribute some pocket change to finishing funds and the development of our grassroots screening tour 🌈

This Friday! The official release of Free Newspaper no. 10: Close California Prisons, alongside the opening reception of...
10/03/2023

This Friday! The official release of Free Newspaper no. 10: Close California Prisons, alongside the opening reception of the amazing and the opening of her exhibition, “Compositions.”

The newspaper was produced in dialogue with the words, thoughts and contributions of members, Nick DeRenzi, Lily Fahsi-Haskell, Alex Ludington, Viju Mathew, with contributions by Steve Brooke and Jo’an Dunn, in collaboration with , Californians United for a Responsible Budget and their Close California Prisons Campaign: https://curbprisonspending.org

PDF of the newspaper is linked in my bio and dm if you’d like a hard copy mailed to you!

Close California Prisons is the tenth free newspaper produced as a companion to , my ten year study of carceral systems through landscape photographs, text, and community conversations made in locations throughout all fifty U.S. states and territories.

I had a tough but excellent time getting both COVID (not so excellent) and this show together for the Burren Annual  in ...
09/16/2023

I had a tough but excellent time getting both COVID (not so excellent) and this show together for the Burren Annual in Ballyvaughan, Ireland: “Hostile Territories (between inside and out).” With the help of the excellent and their jack of all trades gallery technician, Adam Dutton (his title also includes “the keeper of the keys”), who patiently ran my many prints on their sturdy Epson, I spent a lot of time alone in the gallery at night and we got it together. (Last image is me raising a glass to the opening from a socially distanced outside)

The show brings together the photography and writing I’ve been doing around carceral-architectural histories, their visualities, ruins and recapitulations from one time to another as carceral relationships are mutated across them. We printed a new free newspaper for it, with a new version of the original essay I wrote in 2016 and a number of the images that had led to it and then followed from it.

Wednesday we had a symposium around the theme, including these fantastic folks:

Lisa Brock reflecting on imprisonment and liberation struggle, in poetry, photograph, song and archival footage, from Chicago to Dakar to South Africa and Cuba;

Cahal McLaughlin sharing his Prisons Memory Project and participatory documentary practice, in particular with communities around imprisonment in Northern Ireland during the Troubles;

And Ines Schaber on her project with Avery Gordon on the archival and memorializing histories of Breitenau, threading across its shifting role as a Monastery, a workhouse, a concentration camp and museum and the ethics of memorialization and archives.

Big thank you to Conor and Adam and Lisa Newman, and to Martina and Julia who also brought me COVID tests, meals and good cheer, and to Ines, Cahal and Doc Brock!

let me go during the first week of classes 🙄

Just arrived at Burren College of Art to these beauties: 1,000 copies of the free newspaper we produced for my show, “Ho...
09/11/2023

Just arrived at Burren College of Art to these beauties: 1,000 copies of the free newspaper we produced for my show, “Hostile Territory (between inside and out),” which opens this Thursday, and is preceded by a symposium on Wednesday with Dr. Lisa Brock, Cahal McLaughlin and Ines Schaber, moderated by the amazing Conor McGrady.

This newspaper includes a revised version of my 2016 essay, "Politics of Vision in the Carceral State: Legibility and Looking in Hostile Territory,” published in the special edition of the Oxford Encyclopedia of Crime, Media, and Popular Culture, edited by and Nicole Rafter.

That writing brought together years of visual thinking and provoked more in the years since, which together are distilled into this exhibition for the Burren Annual.

This is the tenth free newspaper that I’ve produced since I began to make them for exhibitions of , and they’ll be available for takeaway in the exhibition. Big thanks to the Burren College Of Art and the Clare County Council for supporting its printing!

Opening tomorrow in Detroit! At the Belt and Library Street Collective, curated by Allison Glenn: “Public Matter: New Fo...
07/07/2023

Opening tomorrow in Detroit!

At the Belt and Library Street Collective, curated by Allison Glenn: “Public Matter: New Forms,” with yours truly and (in order of accompanying images above) Jared Owens, Ronny Quevedo, Basel Abbas and Ruanne Abou-Rahme, Carole Harris, and Lonnie Holley; organized in relation to what looks like an amazing exhibition of Gary Tyler’s work (link to Gary’s work in my bio).

My contribution:
“955 men and 55 women, Metropolitan Detention Center, Los Angeles, California”

Back story: The first public presentation of was in Mike Kelley’s “Mobile Homestead” when it was at LA MOCA’s Geffen Contemporary in 2014, in a temporary installation curated by , including the late great Kevin Michael Key, and others.
At the north end of the Homestead, a window looked straight onto what always looms over the museum and its neighbors for those who know to see it: the 16-story Metropolitan Detention Center, holding around 1,000 people as federal prisoners. In addition to hanging my photographs, I applied two strips of diffusion to the window to frame the view onto the facility, writing on the strips the number of people imprisoned there and name of the facility (the titling convention for “Degrees of Visibility”).
Allison and the curatorial team chose the documentation of this from among different possibilities I sent them, showing a window onto a window framing so many windows, in dialogue with Gary’s show and the others included here.

Opening and this Saturday, July 8, 7-9pm, on occasion of “Gary Tyler: We Are the Willing.” Thanks !

Installation photos by PD Rearick. Courtesy of Library Street Collective.










New Yorkers! Boarding a plane to come to you right now for this opening Monday at the  of Marking Time: Art in the Age o...
04/30/2023

New Yorkers! Boarding a plane to come to you right now for this opening Monday at the of Marking Time: Art in the Age of Mass Incarceration, 5–9pm at the Schomburg Center! So many amazing artists in this show that you might have missed during the pandemic, but after visiting Birmingham, Cincinnati, Providence since it’s opening at PS1, the show is back. Please come out! Link is in bio…

The show is up! PLEASE COME OUT TOMORROW for the opening of Degrees of Visibility and Ashes Ashes together at UC Santa C...
02/05/2023

The show is up! PLEASE COME OUT TOMORROW for the opening of Degrees of Visibility and Ashes Ashes together at UC Santa Cruz’s new exhibition space for the Institute of Arts and Sciences. Along with an exhibition of works by Sky Hopinka and more great shows to come, it kicks off the new phase of their platform.

Sunday 2/5 noon–5. Please share!

Thanks to for some of these pics, and for joining to support, Rachel, Luke and Louise as the fierce curatorial and preparator team and this big group of new interns for Visualizing Abolition, including folks from the Underground Scholars and Barrios Unidos!

Pleased to be working with these fine folks at UCSC Institute for Arts and Sciences and their Visualizing Abolition plat...
01/24/2023

Pleased to be working with these fine folks at UCSC Institute for Arts and Sciences and their Visualizing Abolition platform. We’re getting ready to open an exhibition that will also open their beautiful new art space, in conjunction with a show by Sky Hopinka. I’ll be showing Degrees of Visibility and Ashes Ashes, the first time I get to show them together, which I’m excited about since one grew out of the other, stay tuned for more details! Opening February 3rd with public opening events on Feb 5th, 12–5. Please come out if you’re close by!

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Detroit, MI

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