Mighty Real/Queer Detroit

Mighty Real/Queer Detroit Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Mighty Real/Queer Detroit, Visual Arts, P. O. Box 32027, Detroit, MI.

MR/QD's third biennial, GIVE ME TONIGHT: for all the dreams we’ve dreamed, opens in multiple Detroit galleries in June 2027 and features LGBTQ+ artists from throughout the USA and abroad.

We’re raising funds to support the upcoming Detroit Q***r Biennial. Your gift supports Q***r artists, and visibility in ...
12/02/2025

We’re raising funds to support the upcoming Detroit Q***r Biennial.

Your gift supports Q***r artists, and visibility in Detroit and beyond. Let’s keep our history alive and our future bold.
Together, we can create meaningful change, amplify Q***r voices, and cultivate a more inclusive and vibrant arts landscape. We invite you to join us on this journey of creativity, expression, and empowerment.

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12/01/2025
Closing, Saturday, October 11, 2025In the Life: Black Q***rness—Looking Back, Moving Forward brings together intergenera...
10/11/2025

Closing, Saturday, October 11, 2025

In the Life: Black Q***rness—Looking Back, Moving Forward brings together intergenerational artists exploring intimacy, kinship, and historical reinvention through the lens of Black Q***rness. Co-curated by patrick burton and Wayne Northcross, the exhibition spans photography, painting, drawing, and archival intervention, reframing community through chosen kinship and familial memory. Exhibiting artists: April Bey, John Edmonds, Alanna Fields, LeRoy Foster, Clifford Prince King, Richard Lewis, Felicita “Felli” Maynard, Zanele Muholi, Vernando Reuben, Tylonn J. Sawyer, Pamela Sneed, Bre’Ann White, and Anthony Peyton Young.

Tylonn J. Sawyer

Strata Drawing 4: Cakewalk
Lavender pencil on paper
6 x 4 ft
2023

The Strata Drawings series fuses multiple historical moments into expansive compositions that explore enduring themes of identity, performance, and power. Within this, the Cakewalk drawings link early acts of q***r protest and liberation to periods of systemic oppression.

Referencing archival images of vaudeville performer Jack Brown, portraying William Dorsey Swann alongside Charles Gregory—Swann, born into slavery in 1860, leader of the first known q***r resistance group, and self-identified as the first “queen of drag”—Sawyer centers their legacy. Swann’s “balls” featured the cakewalk, a dance in which formerly enslaved people parodied the white Southern elite. This performance tradition resonates with ballroom culture from the late 1970s to the present day, where participants emulate the fashion elite on the runway.

Rendered in lavender pencil on 6’ × 4’ paper, the works also recall the 1950s “Lavender Scare,” when Executive Order 1040 criminalized open nonheterosexuality and purged LGBT federal employees. In Cakewalk, Sawyer juxtaposes moments of Black q***r visibility and liberation with eras of targeted suppression, reflecting on their collision in the current political climate.

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In the Life: Black Q***rness—Looking Back, Moving Forward brings together intergenerational artists exploring intimacy, ...
10/08/2025

In the Life: Black Q***rness—Looking Back, Moving Forward brings together intergenerational artists exploring intimacy, kinship, and historical reinvention through the lens of Black Q***rness. Co-curated by patrick burton and Wayne Northcross, the exhibition spans photography, painting, drawing, and archival intervention, reframing community through chosen kinship and familial memory. Exhibiting artists: April Bey, John Edmonds, Alanna Fields, LeRoy Foster, Clifford Prince King, Richard Lewis, Felicita “Felli” Maynard, Zanele Muholi, Vernando Reuben, Tylonn J. Sawyer, Pamela Sneed, Bre’Ann White, and Anthony Peyton Young.

Closing, Saturday, October 11, 2025

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10/07/2025

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Zanele MuholiTriple III, from the series Only Half the Picture, 2005Gelatin silver printImage: 19 3/8 x 14 1/2Paper: 18 ...
10/04/2025

Zanele Muholi

Triple III, from the series Only Half the Picture, 2005
Gelatin silver print
Image: 19 3/8 x 14 1/2
Paper: 18 3/4 x 23 5/8 inches
© Zanele Muholi. Courtesy of the artist and Yancey Richardson, New York.

In the Life: Black Q***rness—Looking Back, Moving Forward brings together intergenerational artists exploring intimacy, kinship, and historical reinvention through the lens of Black Q***rness. Co-curated by patrick burton and Wayne Northcross, the exhibition spans photography, painting, drawing, and archival intervention, reframing community through chosen kinship and familial memory. Exhibiting artists: April Bey, John Edmonds, Alanna Fields, LeRoy Foster, Clifford Prince King, Richard Lewis, Felicita “Felli” Maynard, Zanele Muholi, Vernando Reuben, Tylonn J. Sawyer, Pamela Sneed, Bre’Ann White, and Anthony Peyton Young.

September 5–October 11, 2025, the Carr Center, Detroit

Zanele Muholi is a South African visual activist and photographer. For over a decade, they have documented Black le***an, gay, bisexual, transgender, and intersex people’s lives in various townships in South Africa. Responding to the continuing discrimination and violence faced by the LGBTQ+ community, in 2006 Muholi embarked on an ongoing project, Faces and Phases, in which they depict Black le***an and transgender individuals. Muholi’s self-proclaimed mission is “to re-write a Black Q***r and trans visual history of South Africa for the world to know of our resistance and existence at the height of hate crimes in SA and beyond.” These arresting portraits are part of Muholi’s contribution towards a more democratic and representative South African Q***r history. Through this positive imagery, Muholi aims to counteract the stigma and negativity associated with Q***r identity in African society.

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Anthony Peyton YoungShotgunAcrylic on linen36 × 33 in2025In the Life: Black Q***rness—Looking Back, Moving Forward (Sept...
09/30/2025

Anthony Peyton Young

Shotgun
Acrylic on linen
36 × 33 in
2025

In the Life: Black Q***rness—Looking Back, Moving Forward (September 5–October 11, 2025, the Carr Center, Detroit) brings together intergenerational artists exploring intimacy, kinship, and historical reinvention through the lens of Black Q***rness. Co-curated by patrick burton and Wayne Northcross, the exhibition spans photography, painting, drawing, and archival intervention, reframing community through chosen kinship and familial memory. Exhibiting artists: April Bey, John Edmonds, Alanna Fields, LeRoy Foster, Clifford Prince King, Richard Lewis, Felicita “Felli” Maynard, Zanele Muholi, Vernando Reuben, Tylonn J. Sawyer, Pamela Sneed, Bre’Ann White, and Anthony Peyton Young.

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Bre’Ann WhiteMasterpiece II, 2025PhotographFramed: 16 x 20 inches40.6 x 50.8 cmEdition of 2In the Life: Black Q***rness—...
09/28/2025

Bre’Ann White

Masterpiece II, 2025
Photograph
Framed: 16 x 20 inches
40.6 x 50.8 cm
Edition of 2

In the Life: Black Q***rness—Looking Back, Moving Forward (September 5–October 11, 2025, the Carr Center, Detroit) brings together intergenerational artists exploring intimacy, kinship, and historical reinvention through the lens of Black Q***rness. Co-curated by patrick burton and Wayne Northcross, the exhibition spans photography, painting, drawing, and archival intervention, reframing community through chosen kinship and familial memory. Exhibiting artists: April Bey, John Edmonds, Alanna Fields, LeRoy Foster, Clifford Prince King, Richard Lewis, Felicita “Felli” Maynard, Zanele Muholi, Vernando Reuben, Tylonn J. Sawyer, Pamela Sneed, Bre’Ann White, and Anthony Peyton Young.

Bre’Ann White (b. 1988, Detroit, MI) is a Detroit-based photographer and creative director whose portraiture merges cinematic style with emotional intimacy, exploring the fullness of Black identity, beauty, and presence. Rooted in Detroit’s creative ecosystems and largely self-taught, her practice spans fine art and editorial photography, challenging dominant representations while foregrounding narrative, styling, and visual sovereignty. Her portraits often function as windows into selfhood—resilient, adorned, and defiantly seen.

For In the Life, White presents Masterpiece II (2023), a photographic work that affirms both visibility and opacity as acts of beauty. As the artist states: “What we are, in the shadow and in the light, is art enough.”

White’s work has been exhibited nationally and internationally and has appeared in campaigns for major brands, consistently emphasizing authenticity and empowerment. Her portraits have been shown at venues including the Museum of Contemporary Art Detroit, the Charles H. Wright Museum of African American History, and the Arab American National Museum, and her images circulate widely in Detroit’s creative and cultural landscapes.

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Clifford Prince KingBeneath our Orange TreeArchival pigment print on Canson Rag Photographique 310GSM48 x 32 inches121.9...
09/24/2025

Clifford Prince King

Beneath our Orange Tree
Archival pigment print on Canson Rag Photographique 310GSM
48 x 32 inches
121.9 x 81.3 cm
2020

In the Life: Black Q***rness—Looking Back, Moving Forward (September 5–October 11, 2025, the Carr Center, Detroit) brings together intergenerational artists exploring intimacy, kinship, and historical reinvention through the lens of Black Q***rness. Co-curated by patrick burton and Wayne Northcross, the exhibition spans photography, painting, drawing, and archival intervention, reframing community through chosen kinship and familial memory. Exhibiting artists: April Bey, John Edmonds, Alanna Fields, LeRoy Foster, Clifford Prince King, Richard Lewis, Felicita “Felli” Maynard, Zanele Muholi, Vernando Reuben, Tylonn J. Sawyer, Pamela Sneed, Bre’Ann White, and Anthony Peyton Young.

Clifford Prince King (b. 1993, Tucson, AZ) ) documents scenes of intimacy, vulnerability, and tenderness among Black q***r men and their communities. Working primarily in analog film, he creates portraits that balance the immediacy of the everyday with timeless poetics, situating desire, domesticity, and care within both personal and collective contexts. By staging and documenting encounters in bedrooms, shared apartments, and natural settings, King challenges dominant histories of representation, creating images that function as both personal record and cultural archive.
For In the Life, King presents: Beneath our Orange Tree and Conditions. Both works embody his ongoing commitment to portraying Black q***r intimacy in spaces of tenderness and vulnerability. These images resist erasure by preserving fleeting encounters in light and color, offering glimpses of private life that resonate as both familiar and extraordinary. As King explains, “A lot of the imagery I try to create is just placing Black men in scenarios or scenes that seem familiar, and so the ultimate goal to me is creating imagery where we see these Black men … and give that imagery a space.”

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Mighty Real/Q***r Detroit presents: Q***r Diasporic Horizons 
A Short Film Program Curated by  — Artist, Filmmaker, and ...
09/18/2025

Mighty Real/Q***r Detroit presents: Q***r Diasporic Horizons

A Short Film Program Curated by — Artist, Filmmaker, and Co-founder of the Nova Frontier Film Festival & Lab.

This curated selection of q***r short films from the traces urgent themes of belonging, exile, and migration. Through poetic, intimate, and politically charged narratives, the program amplifies diasporic voices across the globe—unfolding personal and collective stories of displacement, q***r becoming, and the search for home. Each film pushes against borders—geographic, cultural, and emotional—while centering the resilience and fluidity of q***r identity in motion.

Program Line-up:

1. Never Stop Shouting — Abdellah Taïa ()

2. The Distance of Time — Carlos Ormeño Palma ()

3. I Was Never Really Here — Gabriel B. Arrahnio () & Valery Gabriel Bihina

4. Caribbean Queen by Sekiya Dorsett ()

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P. O. Box 32027
Detroit, MI
48232

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