Act One Productions

Act One Productions Disruptive theatre. We produce one-actor plays that are changing the theatrical scene.

Act One Productions brings original three-act dramas and comedies to the stage, scripts that feature one character and a role for one actor. Our plays focus on the lives of not only fictional characters but intriguing historical figures, women and men that have played upon the world's stage.

The wit cuts deep.The cocktails flow. And the legend refuses to stay silent.Colorado TINTS proudly presents a Denver per...
05/30/2026

The wit cuts deep.
The cocktails flow.
And the legend refuses to stay silent.

Colorado TINTS proudly presents a Denver performance staged by Act One Productions —

Vicious Circles & A Writer of Note: The Tempest of Dorothy Parker
by Mike Broemmel

Featuring Ellen Shamas-Brandt as Dorothy Parker

Directed by Greg West

Step into the smoky, razor-sharp world of America’s most celebrated literary icon — a woman whose brilliance, heartbreak, humor, and fury still echo through every cocktail glass and cutting remark.

Set against the intoxicating atmosphere of the legendary Clocktower Cabaret during its 20th Anniversary season, this daring new theatrical event promises an unforgettable evening of sharp tongues, fractured hearts, and wickedly elegant storytelling.

🗓 July 12, 2026🕖 7:00 pm (doors open 6:30 The Clocktower Cabaret Cabaret
1601 Arapahoe Street

A world premiere theatrical experience from the creative teams behind some of Colorado’s boldest original productions.

Some people whisper.
Dorothy Parker never did.

Watch this space for tickets — available soon.

Why did I write a play about Dorothy Parker?by playwright Mike Broemmel Because Dorothy Parker never learned the art of ...
05/29/2026

Why did I write a play about Dorothy Parker?
by playwright Mike Broemmel

Because Dorothy Parker never learned the art of looking away.

She skewered hypocrisy, punctured pomposity, and refused to let power, privilege, or prejudice go unchallenged. Nearly a century later, that kind of voice feels less like history and more like necessity.

But I didn't write Vicious Circles & A Writer of Note: The Tempest of Dorothy Parker simply because Parker was witty. Plenty of people are witty. I wrote it because beneath the famous one-liners was a woman who wrestled with loneliness, love, loss, politics, and the price of telling the truth.

Parker lived in turbulent times. So do we.

She understood that words matter. That silence can be complicity. That laughter can be a weapon. And that writers have a responsibility to bear witness, even when the truth is inconvenient.

This play isn't a museum piece. It's a conversation across generations between Dorothy Parker and the world we inhabit today. In many ways, her questions remain our questions.

And perhaps that's the most remarkable thing about Dorothy Parker:

She may have left us in 1967, but she never really left the room.

Tickets to world premiere:

https://ci.ovationtix.com/35628/production/1278237?performanceId=11818944

Coming July 12 … the world premiere of Vicious Circles & A Writer of NoteThe Tempest of Dorothy Parkerby Mike BroemmelFr...
05/29/2026

Coming July 12 … the world premiere of

Vicious Circles & A Writer of Note
The Tempest of Dorothy Parker
by Mike Broemmel

From Colorado TINTS

At the incomparabThe Clocktower Cabaretaret in ,

Starring Ellen Shamas Brandt
as

Direct by Greg West

About the play:

Dorothy Parker was a literary tornado wrapped in elegance — a woman whose razor-sharp wit masked profound loneliness, heartbreak, and disillusionment with the glittering world around her.

Vicious Circles & A Writer of Note: The Tempest of Dorothy Parker plunges audiences into the storm of Parker’s brilliance, following the humor, fury, vulnerability, and biting intelligence that made her one of America’s most unforgettable voices. Funny, haunting, and fiercly human, the play reveals the woman behind the legendary one-liners and the emotional cost of surviving by wit alone.

Tickets now on sale:

https://ci.ovationtix.com/35628/production/1278237?performanceId=11818944

A daring, funny, haunting, and deeply human theatrical experience, Divinely, Alone: A Picnic with Divine by Mike Broemme...
05/28/2026

A daring, funny, haunting, and deeply human theatrical experience, Divinely, Alone: A Picnic with Divine by Mike Broemmel invites audiences into the outrageous, vulnerable, and legendary world of Divine like never before.

Join us at the Lavender Hill Cultural District Theatre Festival for this unforgettable theatrical event starring the extraordinary John-Christian Maheu as Divine and directed by Gregory West.

Early bird discount tickets available for a short time at:

https://theatrixdenver.wellattended.com/events/divinely-alone-a-picnic-with-divine-at-the-lavender-hill-cultural-district-theatre-festival

05/25/2026

So disgraceful … it warrants a repost …

Worth a repeat …

The Chilling Effect: When Service Becomes a Liability

by Mike Broemmel

There’s a storm gathering over the nonprofit sector—quiet, insidious, and potentially devastating. It’s not the familiar tempest of declining donations or grant fatigue. It’s something far more personal. Increasingly, litigants are targeting individual members of nonprofit boards of directors instead of the organizations themselves.

This gross misconduct is epitomized by a sputtering organization in Denver, Colorado, operating under the pretense of being a community-centered church. First Baptist Church recently sued a volunteer board member of a nonprofit over a rental dispute—a claim widely regarded as meritless—putting a private citizen personally on the hook for decisions made in good faith. This is not accountability. It is intimidation. And it is a warning shot to every volunteer who has ever considered stepping up to serve their community.

At first glance, this might seem like a technicality, a legal quirk. It isn’t. It’s a direct threat to the very spirit of community service. When people who serve without pay—motivated by civic duty, not profit—find themselves personally named in lawsuits for actions taken in good faith, the damage radiates far beyond the courtroom.



When Law Becomes a Weapon

A nonprofit is a separate legal entity. That separation is not a loophole; it’s a safeguard. It exists so that people can make difficult decisions in the public interest without risking their homes, savings, or reputations. Yet more and more, aggrieved parties—whether driven by vengeance, misunderstanding, or opportunism—are piercing that boundary, hauling volunteer board members into court as stand-ins for the organization itself.

The result is a distortion of accountability. Laws designed to protect transparency and integrity are being twisted into tools of intimidation. What should be a mechanism of justice becomes a cudgel of fear.



The Price of Fear

Imagine saying yes to a board position at your community theatre, food bank, or youth center—only to discover that one misinterpreted decision could bankrupt you. How many qualified, principled people will volunteer under those conditions?

The answer is as predictable as it is tragic: fewer and fewer. Those who once gave their expertise freely now think twice. They decline invitations to serve. They recuse themselves from the kind of difficult conversations that keep institutions ethical and alive.

In short, fear begins to govern where courage once did.

And when service becomes a liability, communities suffer. The arts dim. Shelters struggle. Programs that heal, educate, and inspire lose their compass because the people best equipped to guide them step away.



Irony in the Courtroom

There is a bitter irony here. Nonprofits are born to serve—to fill gaps that markets and governments cannot. Yet their leaders now risk being punished for the very act of stewardship. Board service was never meant to be an act of self-preservation; it was meant to be an act of generosity.

The danger lies not only in the lawsuits themselves but in what they symbolize: the erosion of civic trust. When altruism meets litigation, society loses its most essential connective tissue—the belief that we owe something to one another.



Drawing the Line

The law must speak clearly: board members acting in good faith, within the scope of their authority, are not fair targets for individual litigation. Period.

That means states must reaffirm statutory protections, insurers must educate boards on coverage limits, and courts must recognize that piercing the corporate veil in the nonprofit sector undermines public good.

But the solution isn’t only legal—it’s cultural. We must begin, again, to honor service. We must remind ourselves that volunteerism is not an indulgence but a cornerstone of democracy.



The Final Act

As a playwright, I’m reminded that every good story turns on conflict and choice. We now face one of our own: do we allow fear and litigation to silence those who serve, or do we reaffirm the social contract that says public service deserves respect, not reprisal?

If we fail to act and take a stand against entities like First Baptist Church in Denver, the stage of civic life may soon grow empty—not because there are no stories left to tell, but because those who once dared to tell them have been driven into the wings by the threat of a summons.

05/25/2026

Thought a repost is warranted of this article I wrote for the winter 2025 issue of at Metromode magazine:

Transgender Rights at the Precipice

by Mike Broemmel

As national attacks intensify, fragile federal workplace safeguards and Colorado’s delayed Kelly Loving Act offer limited hope, revealing both the promise of progress and the legal uncertainty surrounding transgender protections.

READ MORE:

https://www.metromodemagazine.com/stories/transgender-rights-at-the-precipice

Memorial Day and the Quiet Debt We OweBy Mike BroemmelBeyond the Barbecues and SalesMemorial Day arrives each year wrapp...
05/25/2026

Memorial Day and the Quiet Debt We Owe

By Mike Broemmel

Beyond the Barbecues and Sales

Memorial Day arrives each year wrapped in contradiction. It is a solemn national observance that too often gets swallowed whole by mattress sales, barbecue smoke, crowded highways, and the unofficial beginning of summer. Yet beneath the commerce and celebration remains something enduring and sacred: a collective pause to remember Americans who died in service to the nation — men and women who surrendered not merely comfort or opportunity, but every tomorrow they otherwise would have known.

That sacrifice deserves more than ritualized patriotism. It demands reflection.

The Origins of National Mourning

The origins of Memorial Day emerged from the wreckage of the Civil War, when grieving communities decorated the graves of fallen soldiers with flowers and prayer. What began as local mourning became a national act of remembrance because the scale of loss was too enormous to ignore. Entire towns had been emptied of sons. Families were left with folded uniforms, faded photographs, and silence at the dinner table. More than a century later, that silence still echoes.

Memorial Day should never become an abstraction. The fallen were not symbols. They were young Marines writing letters home from distant deserts. They were Navy corpsmen who carried photographs of children they would never watch grow up. They were soldiers who joked with friends hours before stepping into gunfire. They were ordinary Americans whose lives ended in extraordinary circumstances.

Patriotism Beyond Slogans

The danger in modern America is not simply forgetfulness. It is convenience. We increasingly package patriotism into slogans while avoiding the harder obligations citizenship requires. We applaud military service at sporting events but often fail to care for veterans when they return home carrying visible and invisible wounds. We invoke “freedom” constantly while eroding civic responsibility, public trust, and democratic norms.

Memorial Day should challenge us to ask whether we are being worthy stewards of the republic others died defending. That question matters now more than ever.

What the Fallen Actually Defended

The men and women remembered on Memorial Day did not sacrifice themselves for political cults, disinformation campaigns, or the degradation of democratic institutions. They did not die so Americans could retreat into tribal hatred or weaponized ignorance. They served under the belief — sometimes imperfectly realized, but profoundly important — that the United States was a nation striving toward liberty, constitutional order, and shared civic purpose. Remembering the fallen requires protecting those ideals in our own time.

The Human Cost of War

It also requires honesty about war itself. Memorial Day is not a celebration of conflict. It is recognition of its terrible human cost. Every white headstone in a military cemetery marks interrupted possibility: unwritten books, unborn grandchildren, unfinished love stories, unrealized dreams. A nation serious about honoring its dead should be equally serious about exhausting every avenue before sending another generation into harm’s way.

The Obligation of the Living

And still, despite the grief bound tightly into this holiday, there remains something hopeful within it.

Memorial Day reminds Americans that courage exists. That sacrifice exists. That there are individuals willing to place the needs of others above themselves. In an age often dominated by spectacle, selfishness, and cruelty, that truth matters deeply.

The obligation of the living is not merely remembrance. It is continuation. We honor the fallen not only with flags placed carefully beside graves, but by building a country less cynical, less hateful, and more just than the one we inherited.

We honor them by defending truth, protecting democracy, caring for veterans and military families, and refusing to allow division to destroy the fragile experiment they died believing was worth preserving.

The debt owed to the fallen can never fully be repaid. But it can still be honored.

Address

49 W 1st Avenue #425
Denver, CO
80223

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