ATNSC Founded in 2016, ATNSC: Center for Healing & Creative Leadership is an urban retreat and residency space in the Great Lakes Region of Northeast Ohio.

ATNSC: Center for Art, Practice and Inquiry is an interdisciplinary, socially engaged, artist-led retreat, residency, research + exhibition space in Cleveland, Ohio. We are located in the historic Buckeye-Shaker community.

๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ก๐—š ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง Ernestine Taliaferro๐™๐™ฃ๐™ฉ๐™ž๐™ฉ๐™ก๐™š๐™™ (๐™Ž๐™ฉ๐™ž๐™ก๐™ก ๐™‡๐™ž๐™›๐™š), circa 1960โ€™sOil paint on canvas board_ABOUT THE WORK  This ...
08/26/2026

๐—˜๐—ซ๐—›๐—œ๐—•๐—œ๐—ง๐—œ๐—ก๐—š ๐—”๐—ฅ๐—ง๐—œ๐—ฆ๐—ง
Ernestine Taliaferro
๐™๐™ฃ๐™ฉ๐™ž๐™ฉ๐™ก๐™š๐™™ (๐™Ž๐™ฉ๐™ž๐™ก๐™ก ๐™‡๐™ž๐™›๐™š), circa 1960โ€™s
Oil paint on canvas board

_ABOUT THE WORK This painting is indicative of Taliaferroโ€™s studio practice, the subject of Black life; to see oneโ€™s self + lived experience in a work. The use of still life speaks to the spatial memory of the African descendant in the Americasโ€”incorporating a depiction of a West African mask within the African-American modern aesthetic.

This work was located in the home of a Black family in Clevelandโ€™s Glenville neighborhood and turns its head on who collects art; who art is for.

It communicates who sustains and invests in Black women local artists in Clevelandโ€™s past; here and now.

This exhibition marks Akhsรณ Galleryโ€™s fifth year of existenceโ€”sited in a residential neighborhood, community based and artist-led.

Taliaferroโ€™s work primarily seen in homes, now in a gallery, could be seen as a form of โ€œafrofuturism.โ€By bearing witness to her work in day to day life, its impact could have been the seed that birthed future Black art spaces or catalyzed the individual practice of a Black artist in our city.

The exhibition as memory and as repair.

_ABOUT THE ARTIST ๐—˜๐—ฟ๐—ป๐—ฒ๐˜€๐˜๐—ถ๐—ป๐—ฒ ๐—ง๐—ฎ๐—น๐—ถ๐—ฎ๐—ณ๐—ฒ๐—ฟ๐—ฟ๐—ผ was a Cleveland based artist working across, painting, drawing and design. She lived in the Glenville neighborhood until her death in 2005.

Join us in honoring Ernestine Taliaferroโ€™s practice, through the group exhibition ๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง which runs through September 2026.

Schedule your visit: calendly.com/akhsogallery

For Inquiries: [email protected]

Alison Croney Moses ๐™Š๐™ช๐™ง ๐™๐™ฃ๐™ž๐™ฉ, 2024Wood and acrylic paint_ABOUT THE ARTIST + THEIR PRACTICE  ๐—”๐—น๐—ถ๐˜€๐—ผ๐—ป ๐—–๐—ฟ๐—ผ๐—ป๐—ฒ๐˜† ๐— ๐—ผ๐˜€๐—ฒ๐˜€ creates ...
08/25/2026

Alison Croney Moses ๐™Š๐™ช๐™ง ๐™๐™ฃ๐™ž๐™ฉ, 2024
Wood and acrylic paint

_ABOUT THE ARTIST + THEIR PRACTICE ๐—”๐—น๐—ถ๐˜€๐—ผ๐—ป ๐—–๐—ฟ๐—ผ๐—ป๐—ฒ๐˜† ๐— ๐—ผ๐˜€๐—ฒ๐˜€ creates wooden objects that reach out to our sensesโ€”the smell of cedar, the color of honey or the deep blue sea, the round form that signifies safety and warmth, the gentle curve that beckons to be touched.

Born and raised in North Carolina (USA), by Guyanese parents, making clothing, food, furniture, and art is embedded in Alisonโ€™s memories of home life as a child.

Alisonโ€™s work explores themes of family, relationship, pregnancy, childbirth, safety, and care. Her work investigates the โ€˜privateโ€™ and โ€˜personalโ€™ of life experiences that often encourages isolation and deterioration and in turn her work sparks dialogue, building a community of people with similar experiences and creating spaces of processing through care and repair.

Her works are in the collections at the Detroit Instituteย of theย Arts, Museum of Fine Arts Boston, Renwick Gallery of the Smithsonian American Art Museum, Museum of Fine Arts Houston, the Rose Art Museum at Brandies, and the Fuller Craft Museum.

She is a recipient of the 2023 Boston Artadia Award, the 2022 USA Fellowship in Craft, a finalist of the 2024 LOEWE FOUNDATION Craft Prize, the recipient of the 2024 Black Mountain College International Artist Prize, and the 2025 Foster Prize at the ICA Boston.

Alison serves at a Trustee at the Haystack Mountain School of Crafts. She holds an MA in Sustainable Business & Communities from Goddard College, and a BFA in Furniture Design from Rhode Island School of Design.
_from alisoncroneymoses.com

๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง runs through September 2026.

Schedule your visit: calendly.com/akhsogallery

Ernestine Taliaferro๐™๐™ฃ๐™ฉ๐™ž๐™ฉ๐™ก๐™š๐™™ ๐™‹๐™–๐™ฃ๐™š๐™ก๐™จ (๐™™๐™ž๐™ฅ๐™ฉ๐™ฎ๐™˜๐™), circa 1960โ€™s-70โ€™sOil paint on wood_ABOUT THE WORK  These objects are indi...
08/24/2026

Ernestine Taliaferro
๐™๐™ฃ๐™ฉ๐™ž๐™ฉ๐™ก๐™š๐™™ ๐™‹๐™–๐™ฃ๐™š๐™ก๐™จ (๐™™๐™ž๐™ฅ๐™ฉ๐™ฎ๐™˜๐™), circa 1960โ€™s-70โ€™s
Oil paint on wood

_ABOUT THE WORK These objects are indicative of Taliaferroโ€™s partnership with the interior design firm Ecker and Shane, augmenting French furniture with Orientalist designsโ€”mostly Chinese and Japanese motifs for the firmโ€™s clientele.

These works were made for the white gaze; an intersection of leisure and objectificationโ€”perhaps even entertainment as Taliaferroโ€™s name was always visible.

The subject matter and style of Taliaferroโ€™s work changed in her studio practice. The commercial work, a sustenance.

๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง runs through September 2026.

Schedule your visit: calendly.com/akhsogallery

Ara Azad  ๐™„ ๐™จ๐™š๐™š ๐™ฎ๐™ค๐™ช, 2026Oil, acrylic, postage on canvas16x20**ABOUT THE WORK  This work was commissioned to mark the fi...
08/21/2026

Ara Azad ๐™„ ๐™จ๐™š๐™š ๐™ฎ๐™ค๐™ช, 2026
Oil, acrylic, postage on canvas
16x20

**ABOUT THE WORK This work was commissioned to mark the fifth anniversary at Akhsรณ Gallery at ATNSC. Part of the ongoing series (begun over thirty years ago) โ€œThe Mailed Paintings,โ€ marking the moment of arrival(s).

โ€œWhat does it mean to be seen? To see yourself? To see someone else? In this provocative work from internationally acclaimed artist, Ara Azad, he challenges us to consider these questions that explore themes of identity and connection, both to oneself and to others. As we are living in an age of unparalleled technological connection, what does this mean for genuine human connection? And more, importantly, connection to oneself?โ€

๐™‡.๐™ˆ. ๐™ƒ๐™–๐™ง๐™ง๐™ž๐™ฃ๐™œ๐™ฉ๐™ค๐™ฃ

**ABOUT THE ARTIST ๐—”๐—ฟ๐—ฎ ๐—”๐˜‡๐—ฎ๐—ฑ (b. Beirut 1962 - ) is an American/Lebanese born to Armenian parents from Aintab and
Iskenderun. Azad is a graduate from the School of the Museum of Fine Arts, Boston, (BFAD5)(EPIIC 95) Tufts University College of Special Studies, the Institute for Global Leadership, Medford, MA.

Expanding on the characteristics of a painting, a sculpture, a drawing, an artistโ€™s book, a performance, an ephemeral sound sculpture, and an installation be that in situ or at no fixed abode, he collapses them at a distinctly empathetical margin: Urgency is his
medium.

from ฯ„ฮญฯ‡ฮฝฮท to ฯ„ฮญฯ‡ฮฝฮท.
from art to art.

โ€œMy formation stems from the urgency of staying alive versus living. It (urgency) is my
single โ€˜medium.โ€™ One more work for the instant, one more for the trail, one more for the witness series, one more for my testimony, 1 more for that which should never happen again.โ€ โ€”Ara Azad

๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง runs through September 2026.

Schedule your visit calendly.com/akhsogallery

Ernestine Taliaferro (American, b.1913) ๐—ช๐—ฒ๐—ฑ๐—ฑ๐—ถ๐—ป๐—ด ๐——๐—ฟ๐—ฒ๐˜€๐˜€, 1979Textile paint on garmentThis Vogue pattern constructed by Gle...
08/20/2026

Ernestine Taliaferro (American, b.1913) ๐—ช๐—ฒ๐—ฑ๐—ฑ๐—ถ๐—ป๐—ด ๐——๐—ฟ๐—ฒ๐˜€๐˜€, 1979
Textile paint on garment

This Vogue pattern constructed by Glenville resident Laura K. Murray for her wedding and embellished by Taliaferro to honor the daughter of her best friend, Vivian C. Murphy, also a collector of Ernestineโ€™s paintings and furniture.

Join us this evening at 6:30pm for a curatorial conversation + exhibition viewing and/or schedule your visit today: calendly.com/akhsogallery

๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง is currently on view thru September 2026.

๐Ÿ“ท: Slide 2 Courtesy of Laura K. Murray

_ABOUT THE EXHIBITION In 1975 artist Esther Maddox curated an exhibition of six Cleveland based artists at Kent State Un...
08/20/2026

_ABOUT THE EXHIBITION In 1975 artist Esther Maddox curated an exhibition of six Cleveland based artists at Kent State University. Maddox believed that Black women artists are often exploited in the field and considered the group exhibition as a mechanism of support; an intervention to support the sustainability of their practices. Ernestine Taliaferro was one of the six.

๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง a group exhibition to mark the fifth year anniversary at Akhsรณ Gallery at ATNSC: Center for Art, Practice and Inquiry invited four contemporary artists to be in conversation with Ernestine Taliaferro, a Black woman modernist from the Glenville neighborhood in Cleveland, Ohio.

Taliaferro was a practitioner of the Bahai faith, a religion birthed in 19th century Iran that believes in and promotes the oneness of humanity, racial + gender equity and questions societal greed and militarism. She was introduced through the book ๐™‹๐™ค๐™ง๐™ฉ๐™–๐™ก๐™จ ๐™ฉ๐™ค ๐™๐™ง๐™š๐™š๐™™๐™ค๐™ข written by the grandson of the religionโ€™s founder. The book was based on a series of public lectures during a tour through the United States in 1912 (Taliaferro was born in 1913).

A self taught artist, Taliaferro experimented with her first portrait painting based on the authorโ€™s photograph in the book.

What does it mean for four living artists to offer their works to prioritize the life and work of a non-living Black woman artist overlooked by her community?

What might it mean for our collective humanity that living contemporary artists from the East coast of North America to the Mediterranean shores of Western Asia believe in siting their work in an artist run space in the Buckeye-Shaker neighborhood in Cleveland, Ohio?

We are grateful to artists Ara Azad, Alison Croney Moses, Aya Rodriguez-Izumi and Abbey Williams in marking time and possibility through this exhibition.

Join us tomorrow as artist + curator M. Carmen Lane explores these ideas and more at ATNSC + view the exhibition.

The experience begins at 6:30pm.

_BEARING WITNESS Last week ATNSC director, artist + curator แด. แด„แด€ส€แดแด‡ษด สŸแด€ษดแด‡ traveled to Miami as guest, attending ๐™๐™ก๐™ž๐™ฅ ๐™„๐™ฉ...
08/19/2026

_BEARING WITNESS Last week ATNSC director, artist + curator แด. แด„แด€ส€แดแด‡ษด สŸแด€ษดแด‡ traveled to Miami as guest, attending ๐™๐™ก๐™ž๐™ฅ ๐™„๐™ฉ & ๐™๐™š๐™ซ๐™š๐™ง๐™จ๐™š ๐™„๐™ฉ: ๐™ฌ๐™š ๐™–๐™ง๐™š ๐™ค๐™ฃ๐™š ๐™ฌ๐™ž๐™ฉ๐™ ๐™–๐™ก๐™ก ๐™ฉ๐™๐™š๐™ง๐™š ๐™ž๐™จ, a convening as continuance of a global exhibition that began at the Bienal de Cuenca in Ecuador.

The gathering, hosted by Peฬrez Art Museum Miami brought together โ€œa constellation of artists, curators, scholars, spiritual leaders, and cultural changemakers whose work is transforming contemporary conversations around art, culture, ecology, and collective liberation.โ€

Co-curated by Amy Rosenblum Martรญn + Ebuhlanti Republik + held by the vision of the late Yesenia Selier in her honor.

During the final plenary, the question posed to all who gathered: โ€œFrom our positions in the art world, what can we do for the best and highest good of people and the planet?โ€

This resonates with our work here in Cleveland and took note of the impact of our region as several of the participating cultural workers, Rashida Bumbray, Adinike Sharpley and co-curator Amy Rosenblum Martin have ties to Oberlin College

The intersections of ancestry, legacy and spirituality are in the ground of our projectโ€”the teachings in the land. Our original instructions.

The theme of oneness is also a part of our current exhibition rooted in the Bahai faith of the late Ernestine Taliaferro, ๐—–๐—ข๐—ก๐—๐—ข๐—œ๐—ก๐—˜๐—— or ๐˜ผ๐™ฃ๐™™ ๐™ˆ๐™–๐™ฎ ๐™๐™๐™š ๐™€๐™–๐™จ๐™ฉ ๐™–๐™ฃ๐™™ ๐™’๐™š๐™จ๐™ฉ ๐˜ฝ๐™š ๐˜ฝ๐™ค๐™ช๐™ฃ๐™™ ๐™๐™ค๐™œ๐™š๐™ฉ๐™๐™š๐™ง currently on view at Akhsoฬ Gallery gallery at ATNSC.

This is the work. Here and now.

_Many thanks for this invitation Amy.

_EXCHANGE Artist + ATNSC director M. Carmen Lane in a studio visit at Locust Projects taking in the socially engaged + s...
08/15/2026

_EXCHANGE Artist + ATNSC director M. Carmen Lane in a studio visit at Locust Projects taking in the socially engaged + spiritually rooted practice of artist Loni Johnson during the Flip It & Reverse It: We Are One with All There Is gathering at Peฬrez Art Museum Miami

Peฬrez Art Museum Miamiing us ๐Ÿ’•

Ebuhlanti Republik one of Ebuhlanti Republik the gathering joined us, as well as filmmaker Sisa Bueno where we learneSisa Buenor new film ๐™๐™ค๐™ง ๐™‘๐™š๐™ฃ๐™ž๐™™๐™–, ๐™๐™ค๐™ง ๐™†๐™–๐™ก๐™ž๐™š๐™› now available to view on POV on PBS at PBS online +POV on PBSCongratulations Sisa!

We look forward to bringing this film to CLE + hosting you here!

Images: Loni Johnson, ๐™ƒ๐™ž๐™จ ๐˜ผ๐™ง๐™ง๐™ค๐™ฌ ๐™‰๐™š๐™ซ๐™š๐™ง ๐™ˆ๐™ž๐™จ๐™จ๐™š๐™จ ๐™๐™๐™š ๐™ˆ๐™–๐™ง๐™  + Sisa Bueno from โ€œFor Venida, For Kaliefโ€ on POV

_DATA.
08/15/2026

_DATA.

New research from the March of Dimes says more than half of U.S. counties have no labor and delivery hospitals. One Black midwife tries to make a difference for moms in Alabama.

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