Luis Arevalo Visual Arts

Luis Arevalo Visual Arts Humanity flourishes when it supports its arts, and encourages creative thinking and expression.

During a protest here in Chicago, I still see the light against shapes, colors playing together and an overall want to m...
09/30/2025

During a protest here in Chicago, I still see the light against shapes, colors playing together and an overall want to make a photograph!

Inmigrantes Unidos Jamas Serán Vencidos!Pure “Are, Bure, Boke” inspiredOld Nikon D40 (CCD sensor) paired with a much old...
02/11/2025

Inmigrantes Unidos Jamas Serán Vencidos!
Pure “Are, Bure, Boke” inspired
Old Nikon D40 (CCD sensor) paired with a much older 35-70mm (1986) lens, 1/20, f29, ISO200, raw developed in Darktable.

Are Bure Boke - with hints of color1/200, f14, ISO200, 35-70mm, Manual mode, Darktable.Inspired by the Japanese photogra...
01/31/2025

Are Bure Boke - with hints of color
1/200, f14, ISO200, 35-70mm, Manual mode, Darktable.
Inspired by the Japanese photography philosophy of the 1960’s. Resistance agains photog norms of the time and Defense of creativity!

Rough, Grainy and RandomThe shapes I see as I drive by1/200, f14, ISO200, 35-70mm.
01/28/2025

Rough, Grainy and Random
The shapes I see as I drive by
1/200, f14, ISO200, 35-70mm.

“Are Bure Boke” inspired with color!The visual made by light, shadows and colors are my passion!1/20sec, f25, ISO200, 35...
01/20/2025

“Are Bure Boke” inspired with color!
The visual made by light, shadows and colors are my passion!
1/20sec, f25, ISO200, 35-70mm, Manual Mode, Raw file processed in Darktable.

“Are Bure Boke” inspired!The photography philosophy of 5 Japanese photographers in late 1960’sIf I would have known that...
01/16/2025

“Are Bure Boke” inspired!
The photography philosophy of 5 Japanese photographers in late 1960’s
If I would have known that they were doing this, I would have found a way to be there!
1/60, f11, ISO 3200, 35-70mm, Manual Mode, processed in Darktable

Drive by on L*D one afternoon.Set the camera, adjust the focus, imagine the shot and then just drive! (Don’t try this at...
01/13/2025

Drive by on L*D one afternoon.
Set the camera, adjust the focus, imagine the shot and then just drive! (Don’t try this at home lol)
In part the aim was to also obtain a grainy look.
For the photogs: 1/60, f/20, ISO800, 35-70mm lens, Manual Mode, processed in Darktable

“You don’t take a photograph, you make a photograph”Ansel Adams    -   I learned to make photographs during in my Trix-4...
01/11/2025

“You don’t take a photograph, you make a photograph”
Ansel Adams - I learned to make photographs during in my Trix-400 film days and learn how light/shadows/shapes play together. Subject don’t matter to me.
For the photogs: 1/60, f/5, ISO1250, 35-70mm lens, Manual Mode, processed in Darktable

Afternoon drive by on Des Plaines St, West LoopPick your settings, imagine your shot but don’t look and then just shoot!...
01/08/2025

Afternoon drive by on Des Plaines St, West Loop
Pick your settings, imagine your shot but don’t look and then just shoot!
1/200, f/14, ISO200, 35-70mm lens, Manual Mode, Focus “Infinity”, RAW processed in Darktable.

Afternoon Drive By, Buckingham FountainARE BURE BOKE concept photography.1/50, f/13, ISO200, 35mm-70mm lens, Manual Mode...
01/07/2025

Afternoon Drive By, Buckingham Fountain
ARE BURE BOKE concept photography.
1/50, f/13, ISO200, 35mm-70mm lens, Manual Mode, Focus “Infinity”. RAW file processed in Darktable.

The view on that afternoon.an “Are Bure Boke” inspired photograph!1/200secs., f/14, ISO200, 35-70mm, Manual Mode and No-...
01/04/2025

The view on that afternoon.
an “Are Bure Boke” inspired photograph!
1/200secs., f/14, ISO200, 35-70mm, Manual Mode and No-Focus, RAW file processed in Darktable.

The view that evening!For the photographers: 1/50sec., f4.8, ISO800, D7500 w/35-70mm lens, Manual Mode. RAW file process...
01/01/2025

The view that evening!
For the photographers: 1/50sec., f4.8, ISO800, D7500 w/35-70mm lens, Manual Mode. RAW file processed in Darktable.
Comments welcomed!

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Chicago, IL

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