0X1 Sound Studio

0X1 Sound Studio Since 2002, 0x1 Sound Studios has become the home for many recording artists, record labels, film an For more information, visit www.audiozombiesound.com.
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Jason Ruch is an award winning sound engineer who has been working professionally in the music recording industry for the past 15-years. He has worked as a recording and mixing engineer, audio editor, music producer and sound designer. Jason has produced, recorded and designed music for independent artists, record labels, large corporations, national commercials, independent films, animatronic com

panies and theme parks. Currently, Jason is the owner of two different sound companies, which include 0X1 Sound Studio and Audio Zombie. He also holds a position as an adjunct audio instructor in the Entertainment Technology Department at Burlington County College where he teaches Live Sound and Recording.

0X1 Sound Studio is a 1,800 square foot private high end Pro Tools HD Based Recording Studio that focuses on recording and producing dark rock and metal bands. Complimenting the Pro Tools HD System is an extensive library of the finest-quality microphones, microphone preamps and monitoring systems as well as the best plug-ins, which are only found in major recording facilities. The following services are offered at 0X1 Sound Studio: audio recording, mixing & mastering as well as film scores/sounds effects, foley, voice-overs, sound design and audio book recording/editing. Each room in 0X1 Sound Studio has been professional designed with excellent acoustics and sound isolation while generating an atmosphere for the client that is creative and comfortable. 0X1 Sound Studio also offers a mixture of state of the art digital technology with all of the warmth and punch of an analog front end. In 0X1 Sound Studio, the client will have access to a kitchen, lounge, support staff and plenty of parking. The location of 0X1 Sound Studio makes it convenient and accessible to the tri-state area including New Jersey, New York and Philadelphia. It is easily reachable from Routes 38, 70, 73, 295 and the New Jersey Turnpike as well as is only 12-miles away from Philadelphia while offering plenty of hotels, restaurants and shopping all within 2-miles of 0X1 Sound Studio. For more information on 0X1 Sound Studio, visit www.0x1sound.com. His second company, Audio Zombie, provides world-class film scoring, foley work and custom sound design to the horror and entertainment industry. In a short period of time, Audio Zombie has made a strong and lasting impact in the horror world/industry. Audio Zombie’s unique and innovative approach to sound design has created exclusive audio products which can be heard pouring out of some of the biggest attractions nationwide, such as top-rated haunted houses, theme parks, museums and independent films. These major attractions and film projects that Audio Zombie has created exclusive scores and sound designs for include: Madame Tussauds Wax Museum (New York, NY), The Bates Motel (Glen Mills, PA), Fear Itself at Legend Skream Park (Mishawaka, IN), Six Gun City (Jefferson, NH), House of Haunts (Wildwood, NJ) and the independent film: Fallow Ground (Emerald Productions) winning Best Audio Design at the Project Twenty1 Film Festival, to name a few. In addition to the custom sound design services, Audio Zombie creates a full line of royalty-free sound libraries that are perfect for haunted attractions, film makers, web designers, animatronic designers, ghost tours and much more. Audio Zombie’s sound libraries have made their mark in the horror world by having a strong presence at many horror conventions and receiving five star reviews from industry magazines!

A lot of artists don’t realize there are DIFFERENT types of ownership in music 👀🎵 Writing = the lyrics & melody💼 Publish...
06/18/2026

A lot of artists don’t realize there are DIFFERENT types of ownership in music 👀

🎵 Writing = the lyrics & melody
💼 Publishing = the money earned from the songwriting
📀 Masters = the actual recording of the song

If you don’t own your masters, someone else can control how your music is used.

Organizations like ASCAP help songwriters collect performance royalties, while Songtrust helps collect publishing royalties worldwide.

And don’t forget COPYRIGHT : protecting your music legally is what proves ownership in the first place.

Learn the business side of music before signing anything!

Visit 0x1sound.com

Ever wonder why your best ideas always seem to show up the moment you step into a professional space?There’s a psycholog...
06/14/2026

Ever wonder why your best ideas always seem to show up the moment you step into a professional space?

There’s a psychological shift that happens when you leave the laundry, the emails, and the distractions of home behind. When you walk into a studio, your brain gets the signal: It’s time to create.

It’s not just the gear , it’s the atmosphere. In an acoustically treated room, you aren't just hearing your music; you’re feeling it with total clarity. No more second-guessing the low end or wondering if that vocal is sitting right.

I've remove the technical friction so you can focus entirely on the performance. When the vibe is right, the "magic take" isn't an accident: it’s inevitable.

Stop fighting your environment. Step into ours and let’s capture something real.

Visit 0x1sound.com to learn more.

With millions of songs uploaded every single day, the biggest risk isn’t sounding "unpolished": it’s sounding like every...
06/13/2026

With millions of songs uploaded every single day, the biggest risk isn’t sounding "unpolished": it’s sounding like everyone else. In the digital age, your unique sound is your fingerprint. It’s the thing that makes a listener stop scrolling and actually listen.

Too many artists try to fit into a pre-made box to "play it safe." But safe doesn't grow a fanbase. Authentic character does.

It’s not just about the gear: it’s about having a seasoned engineer who refine your character, not polish it away.

Give them something they haven’t heard before.

Visit 0x1sound.com to learn how we can help you capture your true sound.

06/13/2026

I always love recording drums! I’m looking forward tomorrow session with Lourdes Of Asguard

High-end sound doesn't always require a high-end budget: if you're smart about the process. I've seen that the best reco...
06/11/2026

High-end sound doesn't always require a high-end budget: if you're smart about the process. I've seen that the best records aren’t the ones with the most zeros in the budget, but the ones with the most intention.

Maximizing your studio time is about value, not just "cheapness." Here is how to get the most out of every hour:

1. Be prepared. Rehearse until the songs are in your DNA. If you’re figuring out a bridge while the clock is ticking, you’re burning money.

2. Focus on the source. No amount of mixing can fix a bad performance. Get it right at the mic, and the rest is easy.

3. Track the "big" things professionally. Use a studio like ours for the critical elements: drums, lead vocals, or grand piano. You can do the editing or basic overdubs at home to save your budget for the final polish.

4. Work with an experienced engineer. A seasoned pro knows how to move fast without sacrificing quality. Experience is the ultimate shortcut.

It’s about capturing greatness without the stress of the invoice.

Visit 0x1sound.com to learn more.

06/09/2026

Recording guitars tonight with Villains Of Nowhere.

Stop chasing the lowest price and start chasing the right sound.Iv'e  seen artists pour their hearts into songs, only to...
06/09/2026

Stop chasing the lowest price and start chasing the right sound.

Iv'e seen artists pour their hearts into songs, only to have the recording fall flat because the environment or the connection wasn't there. Choosing a studio is more than just booking time: it's finding your home.

Here are the biggest mistakes we see:

1. Shopping by price alone. If you have to pay twice to fix a bad recording, "cheap" becomes very expensive.

2. Ignoring the room. Proper acoustics aren't just for show: they are the foundation of a professional mix.

3. Not listening to the portfolio. If you don't love their previous work, you won't love yours.

4. Missing the genre spark. Does your engineer actually love your style of music? Passion translates into the final polish.

5. Lack of connection. You want someone who understands your scene and has worked with similar bands.

Your music has a unique fingerprint. Don't let it get smudged by a bad fit.

Let's make a record together!

If you're only chasing volume." You might be killing  your song.One of the most misunderstood terms we hear lately in th...
06/07/2026

If you're only chasing volume." You might be killing your song.

One of the most misunderstood terms we hear lately in the studio is LUFS.

What is it? LUFS (Loudness Units relative to Full Scale) is a measurement of how our ears actually perceive sound over time: not just the technical peaks, but the average energy and the "heartbeat" of the music.

Why does it matter? Platforms like Spotify and Apple Music use normalization, typically targeting around -14 LUFS. If you smash your track to -6 LUFS just to be "loud," the streaming service will simply turn it down anyway. The result? Your song ends up at the same volume as everything else, but you’ve sacrificed the dynamics and the human element that made the performance unique.

The goal of a great mix and master isn't to be the loudest on the block; it's to have the most impact. When you let the music breathe, you let it shine.

Visit 0x1sound.com to learn more about our hybrid approach to mixing and mastering.

There’s something about the resistance of a physical k**b that a mouse click just can’t replicate.Don’t get me wrong: mo...
06/05/2026

There’s something about the resistance of a physical k**b that a mouse click just can’t replicate.

Don’t get me wrong: modern software is incredible. It’s convenient, precise, and fast. But in my 24 years of tracking and mixing , I've learned that music isn’t just about precision. It’s about the vibe. It’s about that sound when electricity hits real transformers and tubes.

When I patch into the summing bus or dial in a compressor by hand, I'm not just looking at waveforms on a screen. I'm feeling the energy of the track. It’s that human element: the subtle imperfections and warm analog "vibe": that turns a recording into a story.



0x1sound.com

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Old Cuthbert Road
Cherry Hill, NJ
08034

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