Artsuite

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Artsuite is an online platform and art marketplace that’s all about creating connections — connecting artists with collectors, galleries with communities, advocates and activists with impactful causes and events.

05/18/2026

Abstract.
Figurative.
Something in between.
Follow along as we pick up the conversation and build a community around ART.

Art belongs EVERYWHERE.In addition to inspiring new collectors and platforming artists’ work, our goal at Artsuite has a...
05/11/2026

Art belongs EVERYWHERE.
In addition to inspiring new collectors and platforming artists’ work, our goal at Artsuite has always been to birth new spaces, projects, and impactful ways to experience fine art.
While we may be a little quiet online these days, we’re busier than ever and can’t wait to show you what we’ve been curating! We promise, its happening very soon!
In the meantime, keep DMing us your work, your favorite exhibits, the new additions to your personal galleries, etc. and we’ll keep sharing!

Art

04/26/2026

What museum is on your bucket list this Summer? 🟡Regram from • Here’s a list of our favourite museums and galleries around the world. 🌍🥰✨

Our  visited an artist’s studio last week and had to maneuver a bit (on an elliptical no less) to get the absolute best ...
03/26/2026

Our visited an artist’s studio last week and had to maneuver a bit (on an elliptical no less) to get the absolute best portrait possible.

A glimpse into what we’ve been up to…

Stay tuned for more!

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Something new is on the way…Stay tuned over the next several weeks while ARTSUITE enters a new chapter. 🟡🟡🟡🟡🟡
03/23/2026

Something new is on the way…

Stay tuned over the next several weeks while ARTSUITE enters a new chapter.

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***Patrick Dougherty Appreciation Post***One of today’s most admired living sculptors, Patrick Dougherty wields sticks a...
03/08/2026

***Patrick Dougherty Appreciation Post***

One of today’s most admired living sculptors, Patrick Dougherty wields sticks and saplings to build monumental structures that echo, play, and tussle with the land. James Florio is a Montana-based photographer focused on the built environment and the life surrounding it. He works slowly, visiting a place repeatedly to gain a greater understanding of it, ultimately delivering a thoughtful and profound interpretation. Sticks was inspired by both artists’ connections to Tippet Rise Art Center in Fishtail, MT, where Dougherty has crafted work from local willows and where Florio has photographed the art and wild lands for several years.

Sticks features sixteen of Dougherty’s projects from across the US, all exquisitely photographed in black and white by Florio. This volume includes an essay by poet Kate Farrell and a conversation between Florio and Dougherty, moderated by Jean McLaughlin, that delves into some of the questions at the heart of the book: What does it mean to be a site-specific sculptor whose work is experienced most often through images? As a photographer, how does one think about documenting the work of another artist, particularly when the work is ephemeral and the images made will be the lasting record of its existence?
🔴 .books
Available for purchase at ARTSUITE dot com

Loving this post from NC’s  so much, we had to share. We’re hearing snail mail is making a comeback so there’s no better...
02/22/2026

Loving this post from NC’s so much, we had to share. We’re hearing snail mail is making a comeback so there’s no better time to share these incredible artists on stamps!!! 💌🔵
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Repost from

Isn’t it amazing that 8 Black Mountain College figures have been featured on US postal stamps?⁠ Many BMC fans may remember the recent Ruth Asawa Forever Stamps, but you may not know that Robert Motherwell, Willem de Kooning, Josef Albers, and others have all had their work reproduced on limited edition stamps! Pictured here:⁠

Robert Motherwell: 2010 stamp featuring “Elegy to the Spanish Republic No. 34”⁠

Ruth Asawa: 2020 stamps showcasing 10 of Asawa’s wire sculptures.⁠

Willem de Kooning: 2010 stamp featuring his painting, “Asheville”, which was made either during or just after his time teaching at Black Mountain College in 1948!⁠

Josef Albers: 1980 stamp featuring “Homage to the Square: Glow.” The stamp commemorated American education and the early establishment of the U.S. Department of Education.⁠

Franz Kline: 1998 stamp featuring his work “Mahoning”. The Postal Service issued this stamp as part of the Four Centuries of American Art Issue.⁠

Buckminster Fuller: this 2004 stamp celebrated the 50th anniversary of his patent for the geodesic dome. The stamp artwork, by Boris Artzybasheff, originally appeared on the cover of Time magazine on January 10, 1964, depicts Fuller’s head in the pattern of a geodesic dome. ⁠

Jacob Lawrence: 2005 stamp featuring his work “Dixie Café,” a 1948 brush-and-ink drawing which illustrates the Civil Rights Act of 1964.⁠

Ben Shahn: 1998 stamp featuring how work “Prohibition Enforced”⁠

02/13/2026

Regram from 🔴 Short clip of the incredible documentary on Ever Behind the Sunset shot by Pete Quandt and edited by . Forever grateful to for participating and making it what it is ❤️🙏. Link in bio to watch the film, or you can find it on Vimeo and Thisiscolossal.com




“That’s very Bauhaus” is often thrown around as though the term means a particular aesthetic. But in fact the Bauhaus wa...
01/25/2026

“That’s very Bauhaus” is often thrown around as though the term means a particular aesthetic. But in fact the Bauhaus was an art school first in Weimar, then Dessau (in the iconic building designed by Walter Gropius), and finally Berlin from 1919-1933. With foundational classes taught by Kandinsky, Paul Klee, Josef Albers, Marcel Breuer and others, the school produced artists such as Anni Albers, Marianne Brandt, & Otti Berger seen here. As primarily an institution created to avoid the maximalist ornamentation of previous styles, practical instruction was given in color theory and materials with students eventually producing works in mediums from photography to collage, ceramics, weaving, furniture making, and metalwork with the eventual aim being interior designs and architecture that were “gesamkunstwerk” (translates to: “a total work of art”).

After political pressure from Germany’s fascist regime, the school chose to close in 1933 while under the direction of Mies van der Rohe. His words are below:

“One morning, I had come from Berlin in the streetcar and walked a little, and I had to pass over the bridge from which you could see our building. I nearly died. It was so wrong. Our wonderful building was surrounded by Gestapo—black uniforms, with bayonets. It was really surrounded. I ran to be there. And a sentry said, “Stop here.” I said, “What? This is my factory. I rented it. I have the right to see it.” “You are the owner? Come in. Come in.” He knew I never would come out if they didn’t want me to.”

Miraculously, the art created during that tumultuous mere 14 years still guides and inspires us today. Prophetically, the story of the Bauhaus itself serves as a vital reminder that the act of creation MUST continue - whether you’re reading this from the Middle East, Ukraine or right here at home, this is our hope; that you continue to make art, always, even in the most difficult time, especially those. 🔴

01/21/2026

The audio read aloud is the introduction to “SAVED: Objects of the Dead” was given by Jayne Lewis, Professor of English at the reception for the collaborative project by Jody Servon and Lorene Delaney-Ullman, an exhibition at the Viewpoint Gallery, University of California Irvine on February 13, 2020. 🔴 We were hoping to see Jody on the Triangle this weekend but due to the potential snowy conditions, we’ll have that to look forward to another time soon!

As a community of artists, collectors, and friends, we believe objects are memories.
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