CathedralArts Burlington

CathedralArts Burlington Cathedral Arts, a ministry of the Cathedral Church of St Paul, Burlington Vermont, reaches out to th

02/28/2025

For more information about Sunday's concert at the Cathedral Church of St. Paul, Burlington, check out Michael Arnowitt's dedicated page!

Please check out the newest edition of our newsletter, Cathedral Arts Quarterly, with information about all our upcoming...
02/01/2025

Please check out the newest edition of our newsletter, Cathedral Arts Quarterly, with information about all our upcoming events for February through April!

Available for download here:https://files.constantcontact.com/abe61683201/e9a7ba37-51c2-4c1d-8dff-c9c018785043.pdf

12/16/2024
Our quarterly flyer with all upcoming events through January, as well as previews of things to come in February, March, ...
11/04/2024

Our quarterly flyer with all upcoming events through January, as well as previews of things to come in February, March, and April. Plus -- Champlainopoly!

Michael Arnowitt, piano performance this Friday, November 11th 7:30pm!Concert Features: First Movement of Mahler's Symph...
11/08/2022

Michael Arnowitt, piano performance this Friday, November 11th 7:30pm!

Concert Features: First Movement of Mahler's Symphony no. 9 and music by Ukrainian Composer Victoria Poleva

Tickets $25 adults and $15 students Order here: https://sevendaystickets.com/events/michael-arnowitt-piano-11-11-2022

Read more about his program "Crossroads" below:

Program - CrossroadsJ.S. Bach - My Favorite FuguesFour selections from The Well-Tempered Clavier, Books 1 and 2Claude Debussy - Étude no. 3, Pour les quartes (1915)Victoria Poleva - Ischia Island (2019) and Sonata no. 2 “quasi una fantasia” (2011)Arthur Lourié - Mazurka op. 7 no. 1 (1912), Int...

Cathedral Arts is excited to present the  Choir of Christ's College, Cambridge University, UKFriday, July 22, at 7:30 p....
07/07/2022

Cathedral Arts is excited to present the

Choir of Christ's College, Cambridge University, UK

Friday, July 22, at 7:30 p.m., at the Cathedral Church of St. Paul.


The Choir of Christ’s College, Cambridge, East Coast USA Tour

Christ’s College is one of the constituent colleges of the University of Cambridge, and has had a chapel choir since its foundation in 1505. Conducted by Professor David Rowland, director of music at Christ’s College, the choir sings a selection of music from English and European choral traditions from the 16th to the 20th century. The Choir's raison d'etre has, since its inception, been to sing services in the College Chapel. Choral Evensong is sung twice weekly during Full Term. More generally, the Choir makes an important contribution to the life of the College, singing at feasts, weddings, memorial services, and other occasions. Today, as one of Cambridge's finest mixed-voice ensembles, the group also pursues an exciting range of activities outside College, performing concerts in Cambridge and around the UK, recording CDs, broadcasting, and undertaking major international tours each Summer. Choir members are selected by audition either before or after coming up to Cambridge, and each is expected to be of a very high musical standard. Most hold Choral Exhibitions, and all benefit from regular vocal training. The choir has a broad concert repertoire. For this tour they are singing a wide range of music: Parry’s Songs of Farewell, Howell’s Requiem, Finzi’s Lo, The Full, Final Sacrifice, to name a few, maintaining a variety of music from both religious and secular traditions, ranging from Tallis to Britten. CDs will be available for sale (cash or check only) during the intermission or after the performance.

Professor David Rowland (Director of Music)
David Rowland was Organ Scholar at Corpus Christi College and as an undergraduate played regularly for services in King’s College. After graduating in 1978, he pursued research in Cambridge, and in 1981 he won the prestigious St Alban's International Organ Competition. The following year he was a major prize winner at the Dublin International Organ Competition. Subsequently, David became a lecturer in the music department of Glasgow University and then Director of Music at Christ's College Cambridge, where he has conducted the choir for the last thirty-three years. More recently, from 2002 to 2004, he conducted the Welsh National Youth Choir. In addition to conducting, he records, broadcasts, and performs on the harpsichord, organ, and early piano. David joined the staff of the Music Department of the Open University in 1989, where he is currently Professor of Music and Director of Taught Postgraduate Studies, having been Dean of the Faculty of Arts from 2007 to 2014. He pursues research into the performance practice of the early piano, the relationship between music and commerce, and the history of listening, on which subjects he has written five books and other scholarly material.

Tickets: Adult, $25; Seniors and Students, $20.
Tickets can be purchased at
https://sevendaystickets.com/events/104361
or at the door.

The choir will sell CDs of their work - via check or cash only.

In order to keep the audience safe, we ask that all attendees be vaccinated and wear masks at all times. Thank you for your cooperation.

The Choir of Christ’s College, Cambridge, East Coast USA Tour Biography – The Choir of Christ’s College, CambridgeChrist’s College is one of the constituent colleges of the University of Cambridge, and has had a chapel choir since its foundation in 1505. Conducted by Professor David Rowland,...

It’s going to be a wonderful concert!!
05/10/2022

It’s going to be a wonderful concert!!

The VSO Chorus returns in full song with Gloria, John Rutter’s splendid three-movement piece for chorus, brass and organ.

04/26/2021

St. Paul’s Cathedral Arts offers you a free virtual piano recital by former Vermont student Melody Puller – the link will be live on Tuesday, April 27, at noon!

Here’s the link:
https://youtu.be/ZbrfkrIwmjU

Biography:
Melody Puller currently lives with her family in North Idaho and teaches piano at the Music Conservatory of Sandpoint. Melody earned her master's degree from the University of Idaho, where she studied with Jay Mauchley. After graduating, she moved to Burlington, Vermont, where she had the opportunity to study with Elaine Greenfield, participating regularly in the Cathedral Arts Concert Series.

Program Dedication from Melody:
This program includes works that I know Judy Wizowaty enjoyed in her lifetime. She was an art historian and enthusiastic piano student of Elaine Greenfield.

Here is her program:
French Suite No. 5 in G Major, BWV 816 by J.S. Bach
Sarabande
Gigue

Embryons desseches (Dried Embryos) by Erik Satie
I. d'Holothurie
II. d'Edriophthalma
III. de Podophthalma

Danzas Argentinas by Alberto Ginastera
I. Danza del viejo bolero (Dance of the old ox driver)
II. Danza de la mosa donosa (Dance of the graceful maiden)
III. Danza del gaucho matrero (Dance of the outlaw cowboy)

Program Notes:
French Suite No. 5 in G Major, BWV 816 by J.S. Bach
Sarabande
Gigue

The selected movements from J.S. Bach's French Suite No. 5 are two of my favorite contrasting dance movements. The Sarabande originated in Mexico and traveled to Europe through Spain in the 16th century. During the 18th century, the Sarabande's most marked characteristics included a meter of three beats per measure and a slow, solemn tempo. The Gigue in contrast is a lively contrapuntal dance derived from the English and Irish Jigs that traveled to the European courts in the 16th century. Bach's Gigue demonstrates his exceptional fugal writing. In the second half of the Gigue, listen for how the subject (main melody) gets turned upside down.

Embryons desseches (Dried Embryos) by Erik Satie
I. d'Holothurie
II. d'Edriophthalma
III. de Podophthalma

This title may seem a little bit odd, especially in the light of the fact that there are epigrams concerning sea creatures at the beginning of each movement. Erik Satie enjoys having a little fun at the expense of himself and classical composers who might take their work too seriously. Here is what Erik Satie wrote about Dried Embryos: "This work is utterly incomprehensible, even to me. its singular profundity astonishes me. I wrote it in spite of myself at the urging of Destiny. Was I perhaps trying to create humor? That would not surprise me and would rather be my style. All the same I shall have no sympathy for people who make light of it. They stand warned."

Danzas Argentinas by Alberto Ginastera
I. Danza del viejo bolero (Dance of the old ox driver)
II. Danza de la mosa donosa (Dance of the graceful maiden)
III. Danza del gaucho matrero (Dance of the outlaw cowboy)

Each dance is evocative of its title. Listen for bitonality, harmonies built on 4ths and 5ths, interesting textures, and driving rhythms.

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Burlington, VT
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