The Live Oak Theatre

The Live Oak Theatre Providing positive artistic experiences in the Performing Arts. Including excellent family friendly

Including excellent family friendly entertainment, and performing arts classes for all ages

ABOUT AUGUSTE VAN PELS (6th in a series)“Being industrious is one, cheerful is two, coy is three and sometimes a pretty ...
08/30/2026

ABOUT AUGUSTE VAN PELS (6th in a series)

“Being industrious is one, cheerful is two, coy is three and sometimes a pretty face,” is how Anne characterized Auguste van Pels in her diary. Auguste van Pels was 41 years old when she first set foot in the Secret Annex, together with her husband Hermann and son Peter. But who was she?

Auguste Röttgen married Hermann van Pels in 1925. Through her marriage, she acquired Dutch nationality. The couple settled in the German city of Osnabrück, where Hermann's family lived. In November 1926, their first and only child, Peter, was born.
Auguste and Hermann were deeply concerned about the rise of antisemitism. They no longer saw a future in N**i Germany and in 1937 moved to the Netherlands.

In Amsterdam, they found a house in the same neighborhood as the Franks. Hermann joined Otto Frank’s company as an herbalist. Auguste ran the household. She also took care of boarders they had taken in to earn some extra money.

In early 1942, Otto Frank and Hermann van Pels prepared a hiding place in an empty section of the business premises. They believed that there was enough room for both their families. A week after the Frank family had moved in, the Van Pels family joined them in the Secret Annex. Anne had a good laugh at their arrival, because Auguste had carried her chamber pot in a hatbox. “I don't feel at home anywhere without my chamber pot,” she said, according to Anne.

Anne considered Auguste the “busy housewife” of the Secret Annex. She usually cooked and tried her best to prepare tasty meals - no easy feat in times of scarcity. Anne wrote that Auguste was tired of “the job as queen of the kitchen, but that she stuck with it, just to have something to do.” In addition, she learned English and Dutch and liked to read biographies and novels.

Anne's diary gives the impression that Auguste and her husband Hermann frequently quarreled but were always quick to reconcile. One of these rows occurred when Hermann forced Auguste to sell her fur coat to finance the hiding.

Said Anne, “The yells and screams, stamping and abuse - you can’t possibly imagine it! It was frightening. My family stood holding their breath, ready if necessary to drag them apart. Soon after, according to Anne, the reconciliation period of “Oh darling Putti” and “my cute Kerli” set in. Auguste and Hermann had nicknames for each other: she called him Putti, he called her Kerli.

On August 4, 1944, the period in hiding ended when they were all arrested. Auguste and the others were transferred to the Westerbork transit camp.

Together with Hermann and Peter, she then spent three days in a cramped cattle car. On the Auschwitz-Birkenau platform, she had to say goodbye to her husband and son.

In the concentration camp, Auguste was supported by Edith, Margot, and Anne.

In the night of November 1, Auguste was transported from Auschwitz-Birkenau to the Bergen-Belsen concentration camp, together with Anne and Margot. The women ended up in an overcrowded barracks with several hundred others.

In February 1945, the month in which Margot and Anne died, Auguste van Pels was put on another transport to Raguhn, a satellite camp of the Buchenwald concentration camp. A few weeks later Auguste was put on a transport to Theresienstadt.

We do not know exactly how Auguste died. Two witnesses stated that she died during the transport from Raguhn to Theresienstadt. One of them was Annelore Beem-Daniel, who had met Auguste van Pels in the barracks in Bergen-Belsen. After the war, she said that Auguste - just like Anne and Margot - had contracted typhus and had died right next to her during the transport. Together with someone else, she had lifted Auguste off the train and placed her by the side of the tracks.

However, testimony given by Rachel van Amerongen, the other witness, is even more gruesome. She said in her statement to the Red Cross: “During the journey from Raguhn to Theresienstadt, the Germans threw under the train and killed Mrs. Gusti van Pels-Röttgen.”
No other witnesses were found to corroborate this version of events.

Auguste is portrayed as Petronella Van Daan in THE DIARY OF ANNE FANK.
PHOTOS: Auguste van Pels in her beloved coat and Bonnie Von Dohre, who plays Mrs. Van Daan in our play, THE DIARY OF ANNE FRANK..

Visit https://www.liveoaktheatre.org/current-production, or email [email protected]. For information or to order seats by phone, call the box office at 352-593-0027.

ABOUT HERMANN VAN PELS  (5th in a series.)On 13 July 1942, Hermann van Pels and his family went into hiding in the Secre...
08/29/2026

ABOUT HERMANN VAN PELS (5th in a series.)

On 13 July 1942, Hermann van Pels and his family went into hiding in the Secret Annex. Anne's diary paints the picture of a chain-smoking joker with a great understanding of politics.

Hermann was born in the German city of Osnabrück. However, his father's family originally came from the Netherlands and, as a result, Hermann had Dutch heritage.

On December 25, 1925, Hermann married Auguste Röttgen and a year later, their son Peter was born. From 1932 onwards, Hermann worked as a representative for his father's company, which traded in butcher's supplies.

In 1937, Hermann and Auguste did not see a future for themselves in Hitler's antisemitic Germany. The migrated to the Netherlands. Over the following years, Hermann's father, brother, and three sisters would follow them to Amsterdam. The Van Pels family lived close to the Frank family.

In early 1939, he joined Otto Frank’s company. His knowledge of meat and sausage herbs was essential to Otto's second business: Pectacon. Pectacon traded in herbs, spices, and later also in surrogates.

In the spring of 1942, Hermann van Pels and Otto Frank set up the hiding place in the empty annex of the business. They determined that the premises had room for both their families. The Van Pels family joined the Franks a week after the Franks moved in.

Hermann knew a reliable butcher, who provided the helpers with sausages and meat for the people hiding. He would write down their orders on a slip of paper, which were then collected by Miep.
Just like Otto Frank, Hermann remained involved in the company. In the evenings and weekends, he often went through the business correspondence. According to Anne, he often looked things up in the encyclopedia and liked to read books about medicine, as well as detective and romance novels.

Ci******es were particularly important to Hermann. According to Anne, when there were no ci******es in the house, he was ill-tempered. Anne quoted him in her diary. It made it easy to come up with a Hanukkah gift for Hermann.

He considered himself well educated about politics: But Anne considered him rather conceited.

After D-Day, Hermann and Otto were optimistic. They expected the advance of the Allies to run smoothly and the Netherlands to once again be a free country by October 1944. But that was not how things went.

On 4 August 1944,. Dutch police officers, headed by SS-Hauptscharführer Karl Josef Silberbauer, discovered and arrested the eight people in hiding.

According to Otto, Hermann made a last attempt to bribe Silberbauer. He asked him if he would let the eight people go for money, but Silberbauer did not respond. After a few days in prison, Hermann and the others were put on a train to the Westerbork transit camp.

In Westerbork, Hermann had to work during the day (the type of work is unclear), but in the evening Hermann, Auguste, and Peter were together. Their greatest fear became reality when they were put on an eastbound train on September 3, 1944.

The family found themselves in a cramped cattle car, with dozens of other prisoners. After three days, the train stopped, and they had arrived at the Auschwitz-Birkenau concentration and extermination camp. Mr. and Mrs. van Pels were separated.

During the selection process, N**i doctors decided that Hermann was fit for hard labor. Together with Otto Frank, he was made to work in road construction, outside of the camp. When he wounded his hand, he had to stay behind in the barracks, which made him useless to the N**is.

After the war, fellow prisoners declared that the guards had sent Hermann to the gas chambers in October 1944. He was 46 years old.

Hermann van Pels is portrayed in the play as Hermann Van Daan.

PHOTOS: Hermann van Pels and Rivera, who plays Hermann Van Daan in THE DIARY OF ANNE FRANK.

As always, seats are available at https://www.liveoaktheatre.org/current-production, or email [email protected]. For more information or to order seats by phone, call the box office at 352-593-0027.

ANNOUNCING THE CASTS OF OUR THREE UPCOMING YOUTH THEATRE SHOWS!121 Conservatory students have been auditioning for our Y...
08/28/2026

ANNOUNCING THE CASTS OF OUR THREE UPCOMING YOUTH THEATRE SHOWS!

121 Conservatory students have been auditioning for our Youth Theatre productions. These amazing kids made it so difficult for the various panels to choose... but decisions had to me made and these are the results.

CONGRATULATIONS TO ALL FOR MAKING IT SO DIFFICULT FOR US TO CHOOSE!

**Please know, there are more lines and roles to give out in certain productions. These will be assigned to the ensemble as rehearsals go on.

PHOTOS: the Casts and Brianna Genao’s photo of the recent parents meeting. The audition candidates are sitting on the thrust stage floor.

For information about our Live Oak Conservatory, visit www.liveoaktheatre.org/conservatory, email [email protected], or call our box office at 352-593-0027.

SPREAD THE WORD… TICKET UPDATE FOR THE DIARY OF ANNE FRANK.As usual, matinee seats are going fast!  Only 1 seat remains ...
08/26/2026

SPREAD THE WORD… TICKET UPDATE FOR THE DIARY OF ANNE FRANK.

As usual, matinee seats are going fast! Only 1 seat remains for our Sunday matinee; 17 seats remain for our Saturday Matinee.

BUT… There are still 45 seats available for our Special Friday Afternoon performance at 2:30pm on September 11th. (Only 8 seats for the evening performance.)

Seats are available at https://www.liveoaktheatre.org/current-production, or email [email protected]. For more information or to order seats by phone, call the box office at 352-593-0027.

PLEASE SHARE!SO PROUD OF OUR AUDITIONERS!On Saturday, August 22nd, from approximately 9:30 am until 6 pm, 121 incredibly...
08/24/2026

PLEASE SHARE!

SO PROUD OF OUR AUDITIONERS!
On Saturday, August 22nd, from approximately 9:30 am until 6 pm, 121 incredibly talented Live Oak Students demonstrated their skills in dancing, singing, and acting so that our panel could determine which one of our three Youth Theatre productions they were best suited for: ANNIE jr., THE LION, THE WITCH, AND THE WARDROBE, or THE HOBBIT.
Every member of the audition panel commented on the COMMITMENT of each of these kids. Everyone was totally prepared. Deliberations went on for hours because the skill levels were so closely matched. So much so that we decided to divide our cast members equally, talentwise. Still, texts continued into the wee hours.
SO PROUD OF OUR KIDS.

PHOTO: Parent meeting for the Live Oak Conservatory Youth Theatre. Those who are about to audition are seated on the floor of the "Thrust" stage. Parents are in the seats.

For information about our conservatory, visit www.liveoaktheatre.org/conservatory, email [email protected], or call 352-593-0027.

Bella is thrilled to portray Anya/Anastasia in her Live Oak Theatre debut. She has performed at Stage West Playhouse, wi...
08/22/2026

Bella is thrilled to portray Anya/Anastasia in her Live Oak Theatre debut. She has performed at Stage West Playhouse, with favorite roles including Judy Haynes (White Christmas), Cindy Lou (The Marvelous Wonderettes), and Martha Jefferson (1776). Outside theatre, Bella enjoys Old Hollywood films, 1960s music, and crossword puzzles.

Brady Rogers, 23, is thrilled to make his first lead-role debut as Dmitry in Anastasia. His first Live Oak Theatre show was Cinderella. Brady has played violin for eight years.

Kevan Richards (BA Whitman College; MFA University of Idaho) teaches Theatre Appreciation at PHSC and Acting II at the IPAC. He has performed with Live Oak Theatre since 2014 and teaches its summer camp. Favorite roles include the Earl of Dorincort (The Little Earl) and Hercule Poirot (Murder on the Orient Express). He performed Messala in Judah Ben Hur with YWAM Tampa in Florida and the Philippines. He wrote the one-man show Ezekiel’s Temple and toured the U.S. and Canada with his wife, Lisa. Kevan is proud of his four children and three grandchildren.

Ellen Sanborn is a founding member of Live Oak Theatre Company and a lifelong performer, director, songwriter, and musical-theatre creator. Her career has taken her from London’s West End to stages worldwide, including opening for Ella Fitzgerald and Sarah Vaughan. She has released four albums and co-created five musicals with her son, David Sanborn. Favorite directing credits include My Fair Lady and Judah Ben-Hur the Musical.

Kristina Warford is thrilled to return to the stage as Countess Lily in Anastasia. Her favorite roles include Sarah Crewe (A Little Princess), Sally Brown (You’re a Good Man, Charlie Brown), Mrs. Potts (Beauty and the Beast), and Sandy (Grease). A wife and mother of two, Kristina is grateful to return to theatre.

Jacob Mandelin is thrilled to make his Live Oak Theatre debut as Gleb in Anastasia. A frequent Stage West Playhouse performer, his credits include School of Rock, Assassins, and White Christmas. He also enjoys music directing and working behind the scenes. Offstage, Jacob enjoys muscle cars. He thanks his wife, Taylor, and mentor, Lil Barcaski, for their continued support.

As always, seats are available at https://www.liveoaktheatre.org/current-production, or email [email protected]. For more information or to order seats by phone, call the box office at 352-593-0027.

Meet the Purple Cast Leads for Anastasia!Alannah Allocco, 20, has appeared in over 30 productions since age 7. Favorite ...
08/22/2026

Meet the Purple Cast Leads for Anastasia!

Alannah Allocco, 20, has appeared in over 30 productions since age 7. Favorite roles include Annie (Annie), Kathy Selden (Singin’ in the Rain Jr.), Mary Poppins, Ursula, and Laurey Williams (Oklahoma!). She teaches improv and piano and serves as Music Director for the Youth Theatre Program.

Micah Rossiter has acted with Live Oak for eight years. Favorite roles include Bill Sykes (Oliver!), Don Lockwood (Singin’ in the Rain), Bert (Mary Poppins), and Caleb (Seven Brides for Seven Brothers). He loves sports and has played football for many years.

Jason Zipperer began performing in high school, then took a 30-year break to raise a family with his wife, Cindy. He returned as Nicely-Nicely Johnson (Guys and Dolls). Since then, he has performed in 12 Angry Jurors, Andrew Carnes (Oklahoma!) alongside his daughter, and Sebastian (Cinderella). Now he portrays Vlad, the biggest fake of them all!

Jane McKissock is a Cleveland, Ohio native whose passion for performing began early. She has appeared in local theater, major motion pictures, and independent films and studied at the American Academy of Dramatic Arts in New York City. Jane earned a Bachelor of Arts from the University of Tampa and is a homeschooling mother of six, her greatest joy and inspiration.

Randi Olsen has been singing since age 2 and holds a Bachelor of Music in Vocal Performance and Music Education from the University of Tampa. She is founder and Artistic Director of Live Oak Theatre Company. Favorite roles include Marian (The Music Man), Maria (The Sound of Music), Nellie (South Pacific), Guinevere (Camelot), and Ginny Beth (Hot Coffee). Randi is also a composer, producer/director, and private instructor of voice, piano, and flute. She is grateful to God and her family for their love and support. Soli Deo Gloria!

Elijah Torres, 21, has been part of Live Oak for over a decade. Recent roles include LeFou, Juror 3, and Will Parker, with past roles including Fagin, Don Lockwood, and Benny Southstreet. He plays several instruments, teaches piano, directs through the conservatory, and is a member of Troupe Du Jour, Live Oak’s professional comedy variety troupe.

As always, seats are available at https://www.liveoaktheatre.org/current-production, or email [email protected]. For more information or to order seats by phone, call the box office at 352-593-0027.

Live Oak Theatre announces extended run for The Diary of Anne FrankDue to the widespread interest in the powerful play, ...
08/22/2026

Live Oak Theatre announces extended run for The Diary of Anne Frank

Due to the widespread interest in the powerful play, The Diary of Anne Frank, Live Oak Theatre has been able to obtain licensing rights for an additional performance on Sunday evening, September 13.

This is a “mainstage” production featuring the talents of some of our most experienced performers.

The Diary of Anne Frank will be performed for only one weekend - September 11th-13th, 2026. However, there will be TWO performances each day.
Friday, Saturday, and Sunday matinees are at 2:30pm; Friday, Saturday, and Sunday evening shows are at 7:30pm.

As always, seats are available at https://www.liveoaktheatre.org/current-production, or email [email protected]. For more information or to order seats by phone, call me at the box office at 352-593-0027.

Seating availability is as follows:

Friday, September 11 Matinee – 50% of our seats are already reserved;
Friday, September 11 Evening – only 20 seats available.

Saturday, September 12 Matinee – only 27 seats available.
Saturday, September 12 Evening – ample seating is still available.

Sunday, September 13 Matinee – only 22 seats available
Sunday, September 13 Evening – just added - ample seating is available.

Address

21030 Cortez Boulevard
Brooksville, FL
34601

Alerts

Be the first to know and let us send you an email when The Live Oak Theatre posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Establishment

Send a message to The Live Oak Theatre:

Shortcuts

Share