NAWA NA SAI

NAWA NA SAI šŸ› ļøfiber cult
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06/14/2026

Nature’s most resilient shield doesn’t come from a lab, it comes from a tree’s defense system.

The process of getting this lacquer relies on the Korean Lacquer Tree, known in Korea as ģ°øģ˜»ė‚˜ė¬“ (Cham-ot-namu). Native to the region, this specific tree secretes a brilliant protective sap called 옻 (ott) to seal its wounds. It is an ancient, thousand-year-old craft that requires an immense amount of patience, maturing over a thousand days from a muddy dark paste into a translucent amber glow.

Disclaimer: The tree pictured in the background of this video is just a beautiful tree hanging out in Prospect Park.

06/04/2026

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05/29/2026

With lovešŸ¤

05/27/2026

Material Log Spec 05: Ott 옻

In Korea, they say that Ott—traditional lacquer—is a material that breathes. While most finishes merely sit on the surface, Ott permeates the grain, becoming a living shield that can endure for a thousand years.

I’ve been exploring the art of Ottchil 옻칠, specifically how it transforms the Hanji. Unlike synthetic resins that suffocate a material, Ott is a natural polymer that offers a ā€œsilent protection.ā€ It is waterproof, antibacterial, and heat-resistant, possessing a chemical resilience that modern science still struggles to replicate perfectly.
As I apply each thin, translucent layer to the paper, I’m obsessed with the shift in transparency and luster. The lacquer doesn’t just coat the Hanji; it clarifies it, turning the paper from an opaque surface into a deep, amber-toned lens. It creates a structural hardness that feels impossible for paper, yet it retains a tactile, organic warmth.

There is a profound humility in this process—working with a substance that cures only in the humidity, demanding you move at its pace, not yours. The result is a combination that is both fragile in appearance and indestructible in spirit.

05/18/2026

I love the ā€˜behind the scenes’ of a thought. The part where it finally finds its place. To me, organizing isn’t a chore; it’s a nurturing rhythm. It’s about creating a landing pad for everything I’m building so my mind can actually stay light. That little bit of order is the only reason that lets me dive into the creative side without getting lost.

05/17/2026

šŸŒŖļø

05/16/2026

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